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June 11th
Years
1995
29.8k
PlaybackListensHours
48h52571
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k190
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.8k375
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k276
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.2k527
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k953
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.8k338
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k128
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.4k272
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h943106
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k210
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k507
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k167
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k149
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k286
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k259
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.5k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.9k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h20822
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.8k492
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k248
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k161
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h54670
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8112
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h44929
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h564
7d895
30d58534
2 shows
2 tapes
1985
3/10/85
Feel Like a Stranger
8:55
Peggy-O
6:47
C. C. Rider
8:15
Bird Song
10:56
Hell in a Bucket
6:43
Big Railroad Blues
5:46
Samson and Delilah
8:13
Terrapin Station
12:31
Truckin'
7:32
Smokestack Lightning
4:36
Jam
8:47
Drums
8:38
Space
9:12
Stella Blue
9:50
Goin' Down the Road Fellin' Bad
5:05
Around and Around
3:51
Johnny B. Goode
4:05
Day Job
4:27
FIN
View on archive.org
Sources
Taper: Mark Terry
2:18:00
Taper:
Mark Terry
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-10.176255.sennheiser.blend.terry.miller.clugston.flac2496
Source:
Mark Terry's Master Audience Cassettes; (2) Sennheiser 421 mics (L/R) + (1) Sennheiser 441 mic (C) blend > Nakamichi 550 > Sony D5 (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Terry for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark McCue and Alex Ford for the Sennheiser 421 source which supplies a 0:09 patch in "Big Railroad Blues", as well as a 4:51 patch in the "Drums > Space" transition - Rex Foundation Benefit - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston September 2025
Taper: Mark Terry
2:18:00
Taper:
Mark Terry
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-10.176254.sennheiser.blend.terry.miller.clugston.flac1648
Source:
Mark Terry's Master Audience Cassettes; (2) Sennheiser 421 mics (L/R) + (1) Sennheiser 441 mic (C) blend > Nakamichi 550 > Sony D5 (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Terry for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark McCue and Alex Ford for the Sennheiser 421 source which supplies a 0:09 patch in "Big Railroad Blues", as well as a 4:51 patch in the "Drums > Space" transition - Rex Foundation Benefit - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston September 2025
Taper: Tazuo Yamaguchi
2:18:50
Rating:
6.00 / 1 rating
Taper:
Tazuo Yamaguchi
Transferrer:
David Minches
SHNID:
gd1985-03-10.all.aud-ty.96630.flac1644
Source:
Nak 700 cardiods on 12 inch pzm plates (spread 4 seats apart)> dbx 224> poris preamp> Sony D5
Lineage:
Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
Taper Notes:
View Notes* Keep Your Day Job from SHNID 84291
Taper: Greg Holtz
2:14:39
Rating:
8.50 / 4 ratings
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1985-03-10.nak300.holtz.JAZ.96594.flac16
Source:
Nakamichi cm 300's CP-4 guns -> D-5
Lineage:
Cassette Master (Maxell Super Fine Epilaxial XLII-s 90's) -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII Compact Flash -> USB -> Mastered with UAD Technology in Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8
Taper: Mark McCue
2:16:07
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1985-03-10.senn421.mccue.84291.sbeok.flac16
Source:
Sennheiser 421s > Sony D5 > 2 TDK MA90s
Lineage:
Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@ 24/96) > coax > Audiophile 2496 > WaveLab 5 > WAV @2496 > Waves L2 (dither) > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16.
Taper Notes:
View NotesComment: - Rex Foundation Benefit Notes: - There is some bass distortion at points during the recording. - The floor of BCT has approximately 41 rows. - Shnid=10225 used to patch tape flip during Set II. - SBE's fixed w/ TLH, Files encoded @ level 8. - 24 bit files archived. - Master Audience Cassettes provided by Mark McCue. - Transfer, edits, conversion & seeding by Alex Ford
Taper: PA Deli Mike
2:16:27
Rating:
8.00 / 1 rating
Taper:
PA Deli Mike
Transferrer:
Mr Chips
SHNID:
gd1985-03-10.senn.pa-deli.mike.83219.flac16
Source:
2x Sennheiser 441's > Sony TCD5-M > Maxell MX
Lineage:
Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC
Taper Notes:
View Notes...And yet another installment from the 'PA Deli Mike' project!!! If a small, awesome-sounding venue like the Berkeley Community Theater is your bag, you may wanna jump on this one! Mike recorded this from the front of the OTS (Section 'CTR', row 'FF', seat '5' for those who are interested), and the SQ is just superb. The Stella is 'stellar'. The only problem is Mike almost tore his hair out of his head trying to decide where to put the track index for it!! As with all of Mike's recordings, this source is new to circulation. Hope you all enjoy it, and stay tuned for the next installment coming soon!!!
Source 7 of 7
2:14:09
Rating:
8.29 / 8 ratings
SHNID:
gd85-03-10.senn421.barbella.10255.sbeok.shnf
Source:
Audience Recording FOB Senn421's
Lineage:
Master Cassette > DAT > CD
Taper Notes:
View NotesFOB Senn421's > Master Cassette > DAT > CD; via Raul Duke; Seeded to etree by Steve Barbella