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Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h57676
7d1.5k202
30d30.2k4.2k
49 shows
341 tapes
1994
10.8k
PlaybackListensHours
48h745107
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.4k461
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5k667
7d5.6k725
30d39.9k5.3k
57 shows
538 tapes
1991
39.2k
PlaybackListensHours
48h7k877
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h3k395
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h3k367
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.2k146
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h4.8k536
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k113
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k216
7d4.2k488
30d22.9k2.7k
73 shows
1,356 tapes
1984
21.2k
PlaybackListensHours
48h3.4k406
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.5k188
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.2k153
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k246
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h5.5k655
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.8k247
7d3.9k557
30d21.7k3k
79 shows
600 tapes
1978
46.1k
PlaybackListensHours
48h1.9k265
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h8.9k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
418 tapes
1976
71.6k
PlaybackListensHours
48h22.4k2.9k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h26528
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.6k474
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.8k795
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.4k306
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.7k189
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k176
7d7.8k819
30d45k4.8k
101 shows
375 tapes
1969
27.4k
PlaybackListensHours
48h1.4k172
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h42955
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14418
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h40729
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h191
7d1268
30d63237
2 shows
2 tapes
1974
10/19/74
Bill Graham intro > Mississippi Half-Step Uptown Toodeloo
8:27
Me And My Uncle
2:58
Friend Of The Devil
4:42
Beat It On Down The Line
3:34
It Must Have Been The Roses
6:22
El Paso
4:29
Loose Lucy
5:04
Black Throated Wind
7:34
Scarlet Begonias
11:58
To Lay Me Down
8:01
Mama Tried
2:40
Eyes Of The World >
18:19
China Doll
6:06
Big River
4:56
Seastones - Phil Lesh and Ned lagin
13:29
Uncle John's Band
8:44
Big Railroad Blues
4:36
The Race Is On
3:17
Tomorrow Is Forever
6:10
Mexicali Blues
3:29
Dire Wolf
4:18
Sugar Magnolia >
5:47
He's Gone >
12:08
Truckin' Jam >
1:37
Caution Jam >
4:28
Drums >
1:25
Jam >
11:02
Truckin' >
7:58
Black Peter
10:07
Sunshine Daydream
3:07
One More Saturday Night
4:57
U.S. Blues
5:29
FIN
View on archive.org
Sources
Taper: From Gastwirt Collection
3:27:18
SBD
Rating:
10.00 / 1 rating
Taper:
From Gastwirt Collection
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1974-10-19.140626.sbd.gastwirt.miller.sirmick.fixed.flac1644
Source:
Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; This is a fixed version of <a href="http://db.etree.org/shn/139578">source ID 139578</a>
Taper Notes:
View NotesNotes: This is a fixed version of shnid 139578. I have now swapped the channels for BIODTL, Loose Lucy, To Lay Me Down, Big Railroad Blues, The Race Is On, Tomorrow Is Forever, Mexicali Blues, Dire Wolf and Sunshine Daydream. My apologies for the delay I had forgotten all about this Thanks to Rich Charlie for providing another great source. SIRMick January 2018
Taper: provided by Rich Gastwirt
3:27:18
SBD
Rating:
9.00 / 2 ratings
Taper:
provided by Rich Gastwirt
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1974-10-19.139578.sbd.gastwirt.miller.sirmick.flac16
Source:
Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick
Taper Notes:
View Notes- This seems to be derived from the same source as shnid 228 - sbd seeded by D. Finney (rumoured to be a copy of a rough mix cassette made for SYF) - The channels had been switched so I have corrected that. - Some transitions cleaned up with crossfades. - Pitch corrections made. - "Seastones", "OMSN" and "U.S. Blues" provided by shnid 228. If I had to choose just one source to keep I think it would have to be this, It sounds so vibrant.
Transferrer: Charlie Miller
3:30:44
SBD
Rating:
8.97 / 33 ratings
Transferrer:
Charlie Miller
SHNID:
gd74-10-19.sbd.miller.21927.sbeok.shnf
Source:
Soundboard
Lineage:
SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info:Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Patch Info:SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD
Taper Notes:
View NotesRecording Info: SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info: Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN Transfered and Edited By Charlie Miller [email protected] 1/14/04
Transferrer: Matt Smith and Will Boswell
3:30:41
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matt Smith and Will Boswell
SHNID:
gd1974-10-19.131704.sbd.boswell-smith.flac16
Source:
Lineage: 16 track "truck monitor mix" > 2 track mixdown reel > R @ 3 3/4 ips > FLAC; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered October 2014 by Matt Smith
Taper Notes:
View NotesTranfered October 2014 by Matt Smith Matt's notes: Yes I know there are other versions of this but I enjoy this transfer so much I thought I'd share it. The difference is the Telefunkens in the transfer chain. This reel was originally dubbed by Wilson in March of 1979. Long before the Betty Boards so at the time, this and the other shows were quite a score. I also have recently done traditional transfers with my new Technics RS1506(a big thanks to Adam Aegert!!) that I'm just as happy about so i'll mix it up if you all want more. Enjoy!!
Taper: Will Boswell
3:30:44
SBD
Rating:
10.00 / 2 ratings
Taper:
Will Boswell
Transferrer:
Matt Smith
SHNID:
gd1974-10-19.131694.sbd.boswell-smith.flac24
Source:
Lineage: 16 track "truck monitor mix" > 2 track mixdown reel > R @ 3 3/4 ips. > FLAC; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered October 2014 by Matt Smith
Taper Notes:
View NotesYes I know there are other versions of this but I enjoy this transfer so much I thought I'd share it. The difference is the Telefunkens in the transfer chain. This reel was originally dubbed by Wilson in March of 1979. Long before the Betty Boards so at the time, this and the other shows were quite a score. I also have recently done traditional transfers with my new Technics RS1506(a big thanks to Adam Aegert!!) that I'm just as happy about so i'll mix it up if you all want more. Enjoy!!
Taper: Will Boswell
3:32:50
SBD
Rating:
9.00 / 4 ratings
Taper:
Will Boswell
Transferrer:
Matt Smith
SHNID:
gd1974-10-19.sbd.boswell-smith.116341.flac24
Source:
Lineage:16 track "truck monitor mix">2 track mixdown reel(Garcia's)>R @ 3 3/4 ips.>FLAC</br>Transferred by: Matt Smith
Taper Notes:
View NotesMatt's notes: This reel is part of the Debbie Stash. At the time(1979), everybody had copies of these 10/74 shows via Rob Bertrando and Bob so Will basically sat on these copies for 28 years until I got my hands on them. The mix is different on these vs. the 2 track source so it's all a matter of taste. As far as creating a feeling of "being there", these capture that. A fantastic show from start to finish!! Thanks to jpc3 for tagging
Taper: Bear
1:25:09
SBD
Rating:
10.00 / 1 rating
Taper:
Bear
Transferrer:
Jamie Waddell;Jim Blackwood
SHNID:
gd1974-10-19.sbd.set1-partial.bear.gems.116170.flac24
Source:
SBD Reel > cass Recorded by the Immortal Owsley Stanley; cass > 24bit/88.2kHz WAV by Blackwood/Waddell; WAV (shnid 112531) > CD Wave (remove "dead air" and split tracks) > FLAC (24/88) by Tim Keeler
Taper Notes:
View NotesThis is a partial copy of BEAR's 10 19 74 reels. There are cuts and missing songs, but I am sure the community will enjoy the value of this share. You are downloading tape side A and tape side B, as transferred by Jim Blackwood in 24 bit 88.2 kHz and presented by Jamie Waddell. Absolutely Untouched. Much Love to You Know Who You Are and of course safe travels to BEAR as he begins his residency in the cosmos. May he alter his new home as much as his did his terrestrial one! a **GEMS** Production www.shnflac.net March 15 2011
Transferrer: Jamie Waddell
1:23:54
SBD
Transferrer:
Jamie Waddell
SHNID:
gd1974-10-19.sbd-pset1.bear.gems.stevesw.112791.flac16
Source:
reel > cass recorded by Owsley Stanley<br> cass > 24bit/88.2kHz by Blackwood/Waddell<br> dithered/tracked by SteveSw<br>
Taper Notes:
View Notes========== Note from original seed: Reel > cass Recorded by the Immortal Owsley Stanley This is a partial copy of BEAR's 10 19 74 reels. There are cuts and missing songs, but I am sure the community will enjoy the value of this share. You are downloading tape side A and tape side B, as transferred by Jim Blackwood in 24 bit 88.2 kHz and presented by Jamie Waddell. Absolutely Untouched. Much Love to You Know Who You Are and of course safe travels to BEAR as he begins his residency in the cosmos. May he alter his new home as much as his did his terrestrial one! a **GEMS** Production www.shnflac.net March 15 2011 ========== Processing for this seed: Dithered: Ozone 4 (MBIT+, High, 16, Normal) in Wavelab 6 to 16/44.1 --- The original source has dead areas between some tracks. I have left all between-song noodling in this source when the tracks flowed smoothly from one to the next. When there was a stretch of no-signal between tracks, and no interesting noodling, I omitted the between- track material (including the dead air), and faded the track before the dead air (leaving 5-10 seconds of crowd after that song ended). Other than this, I made no changes to the original source. The source turns out to be most of the first set from 10/19, and then the Good Lovin' from 10/20. I have left the filler from 10/20 as part of this seed because it was part of the original seed. Tracked in Wavelab 6 tape side A: 00:00-00:10 - [omitted] dead air, then static 00:10-03:41 - Beat It On Down The Line // (faded at end) 03:41-04:28 - [omitted] crowd, then dead air/noise 04:28-11:04 - It Must Have Been The Roses 11:04-12:47 - tuning 12:47-17:10 - El Paso // (faded at end) 17:10-17:55 - [omitted] crowd, then dead air/noise 17:55-22:48 - Loose Lucy 22:48-22:49 - [omitted] dead air 22:49-30:24 - Black Throated Wind // (abrupt transition) 30:24-43:43 - Scarlet Begonias 43:43-43:58 - [omitted] dead air tape side B: 00:00-00:10 - [omitted] dead air 00:10-08:22 - // To Lay Me Down (split at cut in tuning) 08:22-10:56 - Mama Tried (split at cut in tuning) 10:56-21:28 - Eyes Of The World // (abrupt transition) 21:28-21:29 - [omitted] dead air 21:29-25:29 - // China Doll (split at cut in tuning) 25:29-30:15 - Big River 30:15-30:16 - [omitted] dead air 30:16-42:12 - Good Lovin' [from 10/20/74] 42:12-42:23 - [omitted] dead air --- Flac'ed with flac.exe to Level 8 --- Steve Swartz, April 10 2011 ========== Contents of Seed: 74-10-19 Set 1: [MISSING] Mississippi Half-Step Uptown Toodeloo [MISSING] Me And My Uncle [MISSING] Friend Of The Devil gd74-10-19.sat01 Beat It On Down The Line gd74-10-19.sat02 It Must Have Been The Roses gd74-10-19.sat03 tuning gd74-10-19.sat04 El Paso gd74-10-19.sat05 Loose Lucy gd74-10-19.sat06 Black Throated Wind gd74-10-19.sat07 Scarlet Begonias gd74-10-19.sbt01 To Lay Me Down gd74-10-19.sbt02 Mama Tried gd74-10-19.sbt03 Eyes Of The World gd74-10-19.sbt04 China Doll gd74-10-19.sbt05 Big River Filler: gd74-10-20.sbt06 Good Lovin' (from 10/20) ==========
Taper: Owsley Stanley
1:26:22
SBD
Rating:
10.00 / 1 rating
Taper:
Owsley Stanley
SHNID:
gd1974-10-19.112531.sbd.BEAR.partial.twotapesides.flac24
Source:
24 bit 88.2kHz SBD Reel > cass Recorded by the Immortal Owsley Stanley;
Taper Notes:
View NotesThis is a partial copy of BEAR's 10 19 74 reels. There are cuts and missing songs, but I am sure the community will enjoy the value of this share. You are downloading tape side A and tape side B, as transferred by Jim Blackwood in 24 bit 88.2 kHz and presented by Jamie Waddell. Absolutely Untouched. Much Love to You Know Who You Are and of course safe travels to BEAR as he begins his residency in the cosmos. May he alter his new home as much as his did his terrestrial one! a **GEMS** Production www.shnflac.net March 15 2011
Transferrer: D. Finney
3:25:52
SBD
Rating:
8.00 / 1 rating
Transferrer:
D. Finney
SHNID:
gd1974-10-19.sbd.dfinney.228.shnf
Source:
Soundboard
Taper Notes:
View Notes"sbd" This topic generates large amounts of message traffic on Deadlists. Briefly, the "Wall of Sound" was a fundamentally different type of sound system where each musician adjusted the levels of their own instruments. Owsley Stanley (Bear) claims that there can be no soundboard recordings because there wasn't a soundboard. During these "retirement" concerts there were apparently many recordings made, some of which were released as "Steal Your Face". There is a rumor that this recording is a copy of a rough mix cassette made for SYF provided to the taping community by Jerry Wexler's son or nephew (or something like that), along with 10.18.74 and 10.20.74. These shows came from the Frank's Picks tree, round 4 http://frankspicks.org/fp4_Source_tape_info.htm
Source 11 of 16
3:26:26
SBD
Rating:
8.25 / 8 ratings
SHNID:
gd74-10-19.sbd.fink.227.sbeok.shnf
Source:
Soundboard
Lineage:
SBD multitrack > DAT > CD
Taper Notes:
View NotesSBD multitrack > DAT > CD; via A. Fink, M. Ferguson; known flaw: d3 Beginning of Sugar Magnolia is cut; note some material from show appears on album Steal Your Face- <a href="http://www.gratefuldead.com" rel="ugc nofollow">go buy it</a>
Taper: Louis Falanga
3:34:17
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-19.176649.sony.ecm250.falanga.menke.miller.clugston.flac2496
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charles Connor and the folks responsible for the Sony ECM 22p source which supplies some crowd and first notes of "Beast It On Down The Line" (0:06 total), the first 0:23 of "Seastones", as well as a 0:17 patch in "US Blues" - Thanks to Steve in Berkeley for the 1st generation reel of the Charles Connor ECM 22p source which supplies a 0:14 patch in "He's Gone" - Ned Lagin on electric piano and synthesizer for "Seastones" - Final "Tomorrow Is Forever" - Pitch corrected Mastered by Scott Clugston April 2025
Taper: Louis Falanga
3:34:17
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-19.176648.sony.ecm250.falanga.menke.miller.clugston.flac1648
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charles Connor and the folks responsible for the Sony ECM 22p source which supplies some crowd and first notes of "Beast It On Down The Line" (0:06 total), the first 0:23 of "Seastones", as well as a 0:17 patch in "US Blues" - Thanks to Steve in Berkeley for the 1st generation reel of the Charles Connor ECM 22p source which supplies a 0:14 patch in "He's Gone" - Ned Lagin on electric piano and synthesizer for "Seastones" - Final "Tomorrow Is Forever" - Pitch corrected Mastered by Scott Clugston April 2025
Taper: Charlie Connor
3:43:08
Rating:
10.00 / 1 rating
Taper:
Charlie Connor
Transferrer:
Transferred and mastered by Jim Blackwood Speed/pitch adjusted by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel
SHNID:
gd1974-10-19.169825.aud.Connor.gems.flac1648
Source:
Sony ECM-22P mic (mono) > Sony TC-55 > Maxell UD C-90 cassettes
Lineage:
Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Samplitude Pro X6 > 24-bit 96 kHz FLAC
Taper Notes:
View NotesHighlights originally aired on 91.3 FM KXCI Tucson on Dead Air, hosted by Jim Blackwood on October 20, 2024 https://spinitron.com/KXCI/pl/19681152/Dead-Air Originally shared to www.shnflac.net in January 2025 Jerry Garcia - guitar, vocals Bob Weir - guitar, vocals Phil Lesh - bass, vocals Keith Godchaux - keyboards Bill Kreutzmann - drums, percussion Donna Jean Godchaux - vocals Notes: - Thank you to Charles Conner for the master cassettes. - Thank you to Steve in Berkeley for the gen 1 reel to reel @ 7.5 IPS which supplies 'Uncle John's Band' through 'Drums'. - Charles' master cassette of this portion of Set 2 is missing, but the gen 1 reel is a fresh transfer by Jim Blackwood. - Ned Lagin plays electric piano and synthesizer on 'Seastones'. - Last 'Tomorrow Is Forever' performed by the Grateful Dead.
Taper: Charlie Connor
3:43:08
Rating:
10.00 / 2 ratings
Taper:
Charlie Connor
Transferrer:
Transferred and mastered by Jim Blackwood Speed/pitch adjusted by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel
SHNID:
gd1974-10-19.169824.aud.Connor.gems.flac2496
Source:
Sony ECM-22P mic (mono) > Sony TC-55 > Maxell UD C-90 cassettes
Lineage:
Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Samplitude Pro X6 > 24-bit 96 kHz FLAC
Taper Notes:
View NotesHighlights originally aired on 91.3 FM KXCI Tucson on Dead Air, hosted by Jim Blackwood on October 20, 2024 https://spinitron.com/KXCI/pl/19681152/Dead-Air Originally shared to www.shnflac.net in January 2025 Jerry Garcia - guitar, vocals Bob Weir - guitar, vocals Phil Lesh - bass, vocals Keith Godchaux - keyboards Bill Kreutzmann - drums, percussion Donna Jean Godchaux - vocals Notes: - Thank you to Charles Conner for the master cassettes. - Thank you to Steve in Berkeley for the gen 1 reel to reel @ 7.5 IPS which supplies 'Uncle John's Band' through 'Drums'. - Charles' master cassette of this portion of Set 2 is missing, but the gen 1 reel is a fresh transfer by Jim Blackwood. - Ned Lagin plays electric piano and synthesizer on 'Seastones'. - Last 'Tomorrow Is Forever' performed by the Grateful Dead.
Transferrer: Transferred by Andrew F. 06/2021
3:01:12
Transferrer:
Transferred by Andrew F. 06/2021
SHNID:
gd1974-10-19.152593.aud.flac1644
Lineage:
Transfer: TDK Audua-90's (normal bias) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged.
Taper Notes:
View NotesNote: Here's an AUD of this famous show, but be warned, the quality varies from decent to terrible, with the final 45 minutes sounding very much the worse for wear. Noted flaws: - The speed varied radically, and was off by 3.5% to 9.5%, adjustments were applied, but it remains far from perfect. - Extensive tape surface noise & hiss, this was EQ'ed a bit. - Gap in Scarlet Begonias at 4:51, approx 15 seconds missing. - About half of China Doll is missing, and there is horrible squealing-tape damage for much of the track, wasn't fixable. - Most of Big River is marred by tape damage & speed issues. - Two small gaps in He's Gone; at 4:15 and again at 6:41. - About one minute missing from the end of Sunshine Daydream. With thanks to John and Rich Petrunis for sharing their tapes!