RELISTENTOTHE Grateful Dead
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1974
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Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1974
10/19/74
Mississippi Half-Step Uptown Toodleloo
8:22
Me And My Uncle
2:59
Friend Of The Devil
4:43
Beat It On Down The Line
3:22
It Must Have Been The Roses
6:17
El Paso
4:34
Loose Lucy
5:04
Black Throated Wind
7:22
Scarlet Begonias
11:40
To Lay Me Down
8:04
Mama Tried
2:40
Eyes Of The World
18:23
China Doll
5:44
Big River
4:55
Seastones
13:32
Uncle John's Band
9:05
Big Railroad Blues
4:29
The Race Is On
3:16
Tomorrow Is Forever
6:01
Mexicali Blues
3:25
Dire Wolf
4:14
Sugar Magnolia
5:37
He's Gone
11:55
Truckin'
5:59
Caution (Do Not Stop On Tracks) Jam
1:22
Drums
10:51
Truckin'
7:40
Black Peter
10:03
Sunshine Daydream
3:56
One More Saturday Night
4:57
U.S. Blues
5:21
FIN
View on archive.org
Sources
Taper: From Gastwirt Collection
3:27:18
SBD
Rating:
10.00 / 1 rating
Taper:
From Gastwirt Collection
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1974-10-19.140626.sbd.gastwirt.miller.sirmick.fixed.flac1644
Source:
Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; This is a fixed version of <a href="http://db.etree.org/shn/139578">source ID 139578</a>
Taper Notes:
View NotesNotes: This is a fixed version of shnid 139578. I have now swapped the channels for BIODTL, Loose Lucy, To Lay Me Down, Big Railroad Blues, The Race Is On, Tomorrow Is Forever, Mexicali Blues, Dire Wolf and Sunshine Daydream. My apologies for the delay I had forgotten all about this Thanks to Rich Charlie for providing another great source. SIRMick January 2018
Taper: provided by Rich Gastwirt
3:27:18
SBD
Rating:
9.00 / 2 ratings
Taper:
provided by Rich Gastwirt
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1974-10-19.139578.sbd.gastwirt.miller.sirmick.flac16
Source:
Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick
Taper Notes:
View Notes- This seems to be derived from the same source as shnid 228 - sbd seeded by D. Finney (rumoured to be a copy of a rough mix cassette made for SYF) - The channels had been switched so I have corrected that. - Some transitions cleaned up with crossfades. - Pitch corrections made. - "Seastones", "OMSN" and "U.S. Blues" provided by shnid 228. If I had to choose just one source to keep I think it would have to be this, It sounds so vibrant.
Transferrer: Charlie Miller
3:30:44
SBD
Rating:
8.97 / 33 ratings
Transferrer:
Charlie Miller
SHNID:
gd74-10-19.sbd.miller.21927.sbeok.shnf
Source:
Soundboard
Lineage:
SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info:Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Patch Info:SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD
Taper Notes:
View NotesRecording Info: SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info: Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN Transfered and Edited By Charlie Miller [email protected] 1/14/04
Transferrer: Matt Smith and Will Boswell
3:30:41
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matt Smith and Will Boswell
SHNID:
gd1974-10-19.131704.sbd.boswell-smith.flac16
Source:
Lineage: 16 track "truck monitor mix" > 2 track mixdown reel > R @ 3 3/4 ips > FLAC; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered October 2014 by Matt Smith
Taper Notes:
View NotesTranfered October 2014 by Matt Smith Matt's notes: Yes I know there are other versions of this but I enjoy this transfer so much I thought I'd share it. The difference is the Telefunkens in the transfer chain. This reel was originally dubbed by Wilson in March of 1979. Long before the Betty Boards so at the time, this and the other shows were quite a score. I also have recently done traditional transfers with my new Technics RS1506(a big thanks to Adam Aegert!!) that I'm just as happy about so i'll mix it up if you all want more. Enjoy!!
Taper: Will Boswell
3:30:44
SBD
Rating:
10.00 / 2 ratings
Taper:
Will Boswell
Transferrer:
Matt Smith
SHNID:
gd1974-10-19.131694.sbd.boswell-smith.flac24
Source:
Lineage: 16 track "truck monitor mix" > 2 track mixdown reel > R @ 3 3/4 ips. > FLAC; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered October 2014 by Matt Smith
Taper Notes:
View NotesYes I know there are other versions of this but I enjoy this transfer so much I thought I'd share it. The difference is the Telefunkens in the transfer chain. This reel was originally dubbed by Wilson in March of 1979. Long before the Betty Boards so at the time, this and the other shows were quite a score. I also have recently done traditional transfers with my new Technics RS1506(a big thanks to Adam Aegert!!) that I'm just as happy about so i'll mix it up if you all want more. Enjoy!!
Taper: Bear
1:25:09
SBD
Rating:
10.00 / 1 rating
Taper:
Bear
Transferrer:
Jamie Waddell;Jim Blackwood
SHNID:
gd1974-10-19.sbd.set1-partial.bear.gems.116170.flac24
Source:
SBD Reel > cass Recorded by the Immortal Owsley Stanley; cass > 24bit/88.2kHz WAV by Blackwood/Waddell; WAV (shnid 112531) > CD Wave (remove "dead air" and split tracks) > FLAC (24/88) by Tim Keeler
Taper Notes:
View NotesThis is a partial copy of BEAR's 10 19 74 reels. There are cuts and missing songs, but I am sure the community will enjoy the value of this share. You are downloading tape side A and tape side B, as transferred by Jim Blackwood in 24 bit 88.2 kHz and presented by Jamie Waddell. Absolutely Untouched. Much Love to You Know Who You Are and of course safe travels to BEAR as he begins his residency in the cosmos. May he alter his new home as much as his did his terrestrial one! a **GEMS** Production www.shnflac.net March 15 2011
Transferrer: Jamie Waddell
1:23:54
SBD
Transferrer:
Jamie Waddell
SHNID:
gd1974-10-19.sbd-pset1.bear.gems.stevesw.112791.flac16
Source:
reel > cass recorded by Owsley Stanley<br> cass > 24bit/88.2kHz by Blackwood/Waddell<br> dithered/tracked by SteveSw<br>
Taper Notes:
View Notes========== Note from original seed: Reel > cass Recorded by the Immortal Owsley Stanley This is a partial copy of BEAR's 10 19 74 reels. There are cuts and missing songs, but I am sure the community will enjoy the value of this share. You are downloading tape side A and tape side B, as transferred by Jim Blackwood in 24 bit 88.2 kHz and presented by Jamie Waddell. Absolutely Untouched. Much Love to You Know Who You Are and of course safe travels to BEAR as he begins his residency in the cosmos. May he alter his new home as much as his did his terrestrial one! a **GEMS** Production www.shnflac.net March 15 2011 ========== Processing for this seed: Dithered: Ozone 4 (MBIT+, High, 16, Normal) in Wavelab 6 to 16/44.1 --- The original source has dead areas between some tracks. I have left all between-song noodling in this source when the tracks flowed smoothly from one to the next. When there was a stretch of no-signal between tracks, and no interesting noodling, I omitted the between- track material (including the dead air), and faded the track before the dead air (leaving 5-10 seconds of crowd after that song ended). Other than this, I made no changes to the original source. The source turns out to be most of the first set from 10/19, and then the Good Lovin' from 10/20. I have left the filler from 10/20 as part of this seed because it was part of the original seed. Tracked in Wavelab 6 tape side A: 00:00-00:10 - [omitted] dead air, then static 00:10-03:41 - Beat It On Down The Line // (faded at end) 03:41-04:28 - [omitted] crowd, then dead air/noise 04:28-11:04 - It Must Have Been The Roses 11:04-12:47 - tuning 12:47-17:10 - El Paso // (faded at end) 17:10-17:55 - [omitted] crowd, then dead air/noise 17:55-22:48 - Loose Lucy 22:48-22:49 - [omitted] dead air 22:49-30:24 - Black Throated Wind // (abrupt transition) 30:24-43:43 - Scarlet Begonias 43:43-43:58 - [omitted] dead air tape side B: 00:00-00:10 - [omitted] dead air 00:10-08:22 - // To Lay Me Down (split at cut in tuning) 08:22-10:56 - Mama Tried (split at cut in tuning) 10:56-21:28 - Eyes Of The World // (abrupt transition) 21:28-21:29 - [omitted] dead air 21:29-25:29 - // China Doll (split at cut in tuning) 25:29-30:15 - Big River 30:15-30:16 - [omitted] dead air 30:16-42:12 - Good Lovin' [from 10/20/74] 42:12-42:23 - [omitted] dead air --- Flac'ed with flac.exe to Level 8 --- Steve Swartz, April 10 2011 ========== Contents of Seed: 74-10-19 Set 1: [MISSING] Mississippi Half-Step Uptown Toodeloo [MISSING] Me And My Uncle [MISSING] Friend Of The Devil gd74-10-19.sat01 Beat It On Down The Line gd74-10-19.sat02 It Must Have Been The Roses gd74-10-19.sat03 tuning gd74-10-19.sat04 El Paso gd74-10-19.sat05 Loose Lucy gd74-10-19.sat06 Black Throated Wind gd74-10-19.sat07 Scarlet Begonias gd74-10-19.sbt01 To Lay Me Down gd74-10-19.sbt02 Mama Tried gd74-10-19.sbt03 Eyes Of The World gd74-10-19.sbt04 China Doll gd74-10-19.sbt05 Big River Filler: gd74-10-20.sbt06 Good Lovin' (from 10/20) ==========
Transferrer: D. Finney
3:25:52
SBD
Rating:
8.00 / 1 rating
Transferrer:
D. Finney
SHNID:
gd1974-10-19.sbd.dfinney.228.shnf
Source:
Soundboard
Taper Notes:
View Notes"sbd" This topic generates large amounts of message traffic on Deadlists. Briefly, the "Wall of Sound" was a fundamentally different type of sound system where each musician adjusted the levels of their own instruments. Owsley Stanley (Bear) claims that there can be no soundboard recordings because there wasn't a soundboard. During these "retirement" concerts there were apparently many recordings made, some of which were released as "Steal Your Face". There is a rumor that this recording is a copy of a rough mix cassette made for SYF provided to the taping community by Jerry Wexler's son or nephew (or something like that), along with 10.18.74 and 10.20.74. These shows came from the Frank's Picks tree, round 4 http://frankspicks.org/fp4_Source_tape_info.htm
Taper: Louis Falanga
3:34:17
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-19.176649.sony.ecm250.falanga.menke.miller.clugston.flac2496
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charles Connor and the folks responsible for the Sony ECM 22p source which supplies some crowd and first notes of "Beast It On Down The Line" (0:06 total), the first 0:23 of "Seastones", as well as a 0:17 patch in "US Blues" - Thanks to Steve in Berkeley for the 1st generation reel of the Charles Connor ECM 22p source which supplies a 0:14 patch in "He's Gone" - Ned Lagin on electric piano and synthesizer for "Seastones" - Final "Tomorrow Is Forever" - Pitch corrected Mastered by Scott Clugston April 2025
Taper: Louis Falanga
3:34:17
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-19.176648.sony.ecm250.falanga.menke.miller.clugston.flac1648
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charles Connor and the folks responsible for the Sony ECM 22p source which supplies some crowd and first notes of "Beast It On Down The Line" (0:06 total), the first 0:23 of "Seastones", as well as a 0:17 patch in "US Blues" - Thanks to Steve in Berkeley for the 1st generation reel of the Charles Connor ECM 22p source which supplies a 0:14 patch in "He's Gone" - Ned Lagin on electric piano and synthesizer for "Seastones" - Final "Tomorrow Is Forever" - Pitch corrected Mastered by Scott Clugston April 2025
Taper: Charlie Connor
3:43:08
Rating:
10.00 / 1 rating
Taper:
Charlie Connor
Transferrer:
Transferred and mastered by Jim Blackwood Speed/pitch adjusted by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel
SHNID:
gd1974-10-19.169825.aud.Connor.gems.flac1648
Source:
Sony ECM-22P mic (mono) > Sony TC-55 > Maxell UD C-90 cassettes
Lineage:
Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Samplitude Pro X6 > 24-bit 96 kHz FLAC
Taper Notes:
View NotesHighlights originally aired on 91.3 FM KXCI Tucson on Dead Air, hosted by Jim Blackwood on October 20, 2024 https://spinitron.com/KXCI/pl/19681152/Dead-Air Originally shared to www.shnflac.net in January 2025 Jerry Garcia - guitar, vocals Bob Weir - guitar, vocals Phil Lesh - bass, vocals Keith Godchaux - keyboards Bill Kreutzmann - drums, percussion Donna Jean Godchaux - vocals Notes: - Thank you to Charles Conner for the master cassettes. - Thank you to Steve in Berkeley for the gen 1 reel to reel @ 7.5 IPS which supplies 'Uncle John's Band' through 'Drums'. - Charles' master cassette of this portion of Set 2 is missing, but the gen 1 reel is a fresh transfer by Jim Blackwood. - Ned Lagin plays electric piano and synthesizer on 'Seastones'. - Last 'Tomorrow Is Forever' performed by the Grateful Dead.
Taper: Charlie Connor
3:43:08
Rating:
10.00 / 2 ratings
Taper:
Charlie Connor
Transferrer:
Transferred and mastered by Jim Blackwood Speed/pitch adjusted by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel
SHNID:
gd1974-10-19.169824.aud.Connor.gems.flac2496
Source:
Sony ECM-22P mic (mono) > Sony TC-55 > Maxell UD C-90 cassettes
Lineage:
Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Samplitude Pro X6 > 24-bit 96 kHz FLAC
Taper Notes:
View NotesHighlights originally aired on 91.3 FM KXCI Tucson on Dead Air, hosted by Jim Blackwood on October 20, 2024 https://spinitron.com/KXCI/pl/19681152/Dead-Air Originally shared to www.shnflac.net in January 2025 Jerry Garcia - guitar, vocals Bob Weir - guitar, vocals Phil Lesh - bass, vocals Keith Godchaux - keyboards Bill Kreutzmann - drums, percussion Donna Jean Godchaux - vocals Notes: - Thank you to Charles Conner for the master cassettes. - Thank you to Steve in Berkeley for the gen 1 reel to reel @ 7.5 IPS which supplies 'Uncle John's Band' through 'Drums'. - Charles' master cassette of this portion of Set 2 is missing, but the gen 1 reel is a fresh transfer by Jim Blackwood. - Ned Lagin plays electric piano and synthesizer on 'Seastones'. - Last 'Tomorrow Is Forever' performed by the Grateful Dead.
Transferrer: Transferred by Andrew F. 06/2021
3:01:12
Transferrer:
Transferred by Andrew F. 06/2021
SHNID:
gd1974-10-19.152593.aud.flac1644
Lineage:
Transfer: TDK Audua-90's (normal bias) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged.
Taper Notes:
View NotesNote: Here's an AUD of this famous show, but be warned, the quality varies from decent to terrible, with the final 45 minutes sounding very much the worse for wear. Noted flaws: - The speed varied radically, and was off by 3.5% to 9.5%, adjustments were applied, but it remains far from perfect. - Extensive tape surface noise & hiss, this was EQ'ed a bit. - Gap in Scarlet Begonias at 4:51, approx 15 seconds missing. - About half of China Doll is missing, and there is horrible squealing-tape damage for much of the track, wasn't fixable. - Most of Big River is marred by tape damage & speed issues. - Two small gaps in He's Gone; at 4:15 and again at 6:41. - About one minute missing from the end of Sunshine Daydream. With thanks to John and Rich Petrunis for sharing their tapes!