Bands
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Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h53271
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k194
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.9k384
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k280
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.4k550
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k947
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.9k351
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k130
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.5k283
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h949107
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k209
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k505
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k173
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k152
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k292
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k258
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k257
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.4k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h18.4k2.4k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h21323
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k487
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k241
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k179
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k164
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h56572
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h46830
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h554
7d895
30d58534
2 shows
2 tapes
1974
Sources
Transferrer: Charlie Miller
3:33:32
SBD
Rating:
8.40 / 10 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-06-30.sbd.miller.96275.sbeok.flac16
Source:
SBD -> Master Reel -> CD
Lineage:
CD -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesPatch Info: AKG D-1000E -> Cassette Master -> Dat -> CD (shnid=15537) supplies: Cumberland Blues (5:10 - 5:32) Eyes Of The World (10:30 - 10:55) Notes: -- All disc changes are seamless -- The show flows better if you put Seastones on disc 4 -- All other circulating sources have a cassette gen in them -- Thanks to Joe B. Jones for his help pitch correcting the patch source
Source 2 of 13
3:27:01
SBD
Rating:
10.00 / 1 rating
SHNID:
gd1974-06-30.dts.mtx.haugh.97225.flac16
Source:
Matrix mix (SBD/AUD)
Source 3 of 13
3:27:01
SBD
Rating:
10.00 / 2 ratings
SHNID:
gd1974-06-30.mtx.haugh.97185.flac16
Source:
SBD AUD Matrix Mix (65%/SBD 35%/AUD) from SBD (shnID = 96275) Recording Info: SBD > Master Reel > CD and AUD (shnID = 15537) AudMC > DAT > WAV > SHN
Transferrer: SirMick
1:58:00
SBD
Transferrer:
SirMick
SHNID:
gd1974-06-30.mtx-set2.sirmick.89998.sbeok.flac16
Source:
sbd: SHNID 17814 aud: SHNID 15537
Lineage:
matrix: see notes
Taper Notes:
View Notes- I boosted the volume by 2 decibels for the first 1:06 of Big River as the sbd was a little quieter. I also did the same to El Paso, for the first 33 seconds, for the same reason. - the sbd was missing most of the crowd/tuning so I have copied this in from the aud and adjusted the volume accordingly. - several large clicks in d2t04 have been removed since I originally seeded this. - these two recordings compliment each other very well. The vocals on the sbd are a little low at times and the aud gives them a nice boost. The aud also helps to accentuate the sound of Phil's bass, which is never a bad thing.
Transferrer: SirMick
1:58:00
SBD
Transferrer:
SirMick
SHNID:
gd1974-06-30.sbd.set2-matrix.sirmick.82179.flac16
Source:
Set II matrix sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537)
Taper Notes:
View Notes- I boosted the volume by 2 decibels for the first 1:06 of Big River as the sbd was a little quieter. I also did the same to El Paso, for the first 33 seconds, for the same reason. - the sbd was missing most of the crowd/tuning so I have copied this in from the aud and adjusted the volume accordingly. comments: these two recordings compliment each other very well. The vocals on the sbd are a little low at times and the aud gives them a nice boost. The aud also helps to accentuate the sound of Phil's bass, which is never a bad thing. edited and mastered SIRMick January 2007
Source 6 of 13
3:25:48
SBD
Rating:
9.06 / 17 ratings
SHNID:
gd74-06-30.sbd.weiner.17814.sbeok.shnf
Source:
Soundboard
Lineage:
SBDMR > DATx2 > CD > SHN > WAV > SHN
Taper Notes:
View NotesSBDMR > DATx2 > CD > SHN > WAV > SHN; Soundboard: DAT > CD > SHN transfer by Dan Lynch; Final editing and AUD patching by Noah Weiner
Transferrer: Skank
3:03:01
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Skank
SHNID:
gd1974-06-30.sbd.tiedrich-skank-andy-stern.216.shnf
Source:
SBD>MR>DATx3>Cassette>DATx2>ZA2>CDRx1>EAC>SHN
Taper Notes:
View NotesDeadlist states that it only circulates in an AUD, Now this circulates as a SBD... My lineage is SBD>MR>DATx3>Cassette>DATx2>ZA2>CDRx1>EAC>SHN. My DAT came from Tiedrich, so the lineage here is gospel. Show is complete except no Seastones. Thanks to Andy for getting this into our hot little hands. The cassette gen is consistent with a 'vault leak' by the late Mr. Latvala. Humbly Mastered by yours truly Skank
Taper: John Petrunis
1:16:56
Taper:
John Petrunis
Transferrer:
Transferred by Andrew F. 12/2021
SHNID:
gd1974-06-30.155034.s1.aud.flac1644
Lineage:
Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged.
Taper Notes:
View NotesNote: Mono-mixed patches from ID-143331; Peggy-O complete track, and Playin' 10:56 > 11:11.
Taper: Jimmy Warburton
3:19:48
Rating:
8.00 / 1 rating
Taper:
Jimmy Warburton
Transferrer:
Matt Smith & Sirmick
SHNID:
gd1974-06-30.145133.fob.sony.ecm99.warburton.smith.sirmick.flac1644
Source:
Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission.
Lineage:
Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
Taper Notes:
View NotesComments: - "Truckin'" includes a "Nobody's Fault But Mine Jam" Notes: - Pitch correction - This was early in Jimmy's career as a taper, only his second show. See the tapebox pic enclosed with Jimmy's "self portrait." He was friends with Barry Glassberg and they later decided that their masters would be better preserved if they transferred them from cassettes to reels. On this occasion when he transfered it from the cassette masters to reel he put in fades at the start and end of each song, a number of them because the songs were clipped. I have restored the fades by patching in from shnid 106027 which needed to be pitch adjusted. I also made azimuth and phase adjustments. - Thank you Jerry Moore and Rob Berger. - Some of the patches are for continuity purposes, some are to replace some other small problems* . Apart from the clipping mentioned there are also some patches to cover where larger sections of music are missing as follows:- Don't Ease Me Greatest Story Ever Told - first 7.5 seconds, I Know You Rider Truckin' Stella Blue - Jimmy says that most of the problems were caused by Sonny Heard as he had cut the mic cable a couple of days before. He fixed the cable as well as he could but it gave intermittent problems.* Despite the problems that this source started out with it does sound very good. Thanks to Jimmy Warburton for lending us his reels. Thanks to Matt Smith for the transfer. Thanks to Joe B. Jones for his help with pitch correction. edited and mastered SIRMick October 2018
Taper: Jerry Moore
3:48:21
Rating:
10.00 / 1 rating
Taper:
Jerry Moore
Transferrer:
Rob Berger
SHNID:
gd1974-06-30.145132.aud.akg.1000e.moore.berger.flac1644
Source:
new fresh 24 bit transfer This file set is 16 bit @ 44.1 source: aud cassette master taped by Jerry Moore
Lineage:
lineage: aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/12/10
Taper: Jimmy Warburton
3:19:48
Rating:
10.00 / 1 rating
Taper:
Jimmy Warburton
Transferrer:
Matt Smith and Sirmick
SHNID:
gd1974-06-30.143331.sony-ecm99.warburton.smith.sirmick.flac2496
Source:
Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission.
Lineage:
Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
Taper Notes:
View NotesComments: - "Truckin'" includes a "Nobody's Fault But Mine Jam" Notes: - Pitch correction - This was early in Jimmy's career as a taper, only his second show. See the tapebox pic enclosed with Jimmy's "self portrait." He was friends with Barry Glassberg and they later decided that their masters would be better preserved if they transferred them from cassettes to reels. On this occasion when he transfered it from the cassette masters to reel he put in fades at the start and end of each song, a number of them because the songs were clipped. I have restored the fades by patching in from shnid 106027 which needed to be pitch adjusted. I also made azimuth and phase adjustments. - Thank you Jerry Moore and Rob Berger. - Some of the patches are for continuity purposes, some are to replace some other small problems* . Apart from the clipping mentioned there are also some patches to cover where larger sections of music are missing as follows:- Don't Ease Me Greatest Story Ever Told - first 7.5 seconds, I Know You Rider Truckin' Stella Blue - Jimmy says that most of the problems were caused by Sonny Heard as he had cut the mic cable a couple of days before. He fixed the cable as well as he could but it gave intermittent problems.* Despite the problems that this source started out with it does sound very good. Thanks to Jimmy Warburton for lending us his reels. Thanks to Matt Smith for the transfer. Thanks to Joe B. Jones for his help with pitch correction. edited and mastered SIRMick October 2018
Taper: Jerry Moore
3:48:21
Rating:
9.33 / 3 ratings
Taper:
Jerry Moore
Transferrer:
Rob Berger
SHNID:
gd1974-06-30.akgd1000e.moore.berger.106027.flac24
Source:
aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b
Lineage:
master cassette > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger
Taper: Jerry Moore
3:46:11
Rating:
7.33 / 3 ratings
Taper:
Jerry Moore
Transferrer:
Mark Cohen
SHNID:
gd74-06-30.moore.weiner.gdADT16.15537.sbeok.shnf
Source:
Audience Recording: AKG D-1000E mics
Lineage:
AudMC > DAT > WAV > SHN Recorded 1st level off floor, audience right, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON
Taper Notes:
View NotesAudMC > DAT > WAV > SHN Recorded by Jerry Moore, 1st level off floor, audience right, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT by Mark Cohen encoding Noah Weiner gdADT Round #16