Bands
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Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h57078
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2.1k267
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.4k300
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.5k191
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3k431
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h9.9k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.5k315
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.2k140
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.2k249
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h85796
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k194
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.8k681
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k158
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k152
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h1.9k247
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.6k290
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.6k222
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.9k259
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h17k2.3k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.3k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h37540
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h4.1k541
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11.3k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2.1k277
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.8k203
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.8k200
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k162
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h70588
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8814
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h43327
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h685
7d1076
30d59534
2 shows
2 tapes
1974
Sources
Transferrer: Charlie Miller
3:33:32
SBD
Rating:
8.40 / 10 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-06-30.sbd.miller.96275.sbeok.flac16
Source:
SBD -> Master Reel -> CD
Lineage:
CD -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesPatch Info: AKG D-1000E -> Cassette Master -> Dat -> CD (shnid=15537) supplies: Cumberland Blues (5:10 - 5:32) Eyes Of The World (10:30 - 10:55) Notes: -- All disc changes are seamless -- The show flows better if you put Seastones on disc 4 -- All other circulating sources have a cassette gen in them -- Thanks to Joe B. Jones for his help pitch correcting the patch source
Source 2 of 13
3:27:01
SBD
Rating:
10.00 / 1 rating
SHNID:
gd1974-06-30.dts.mtx.haugh.97225.flac16
Source:
Matrix mix (SBD/AUD)
Source 3 of 13
3:27:01
SBD
Rating:
10.00 / 2 ratings
SHNID:
gd1974-06-30.mtx.haugh.97185.flac16
Source:
SBD AUD Matrix Mix (65%/SBD 35%/AUD) from SBD (shnID = 96275) Recording Info: SBD > Master Reel > CD and AUD (shnID = 15537) AudMC > DAT > WAV > SHN
Transferrer: SirMick
1:58:00
SBD
Transferrer:
SirMick
SHNID:
gd1974-06-30.mtx-set2.sirmick.89998.sbeok.flac16
Source:
sbd: SHNID 17814 aud: SHNID 15537
Lineage:
matrix: see notes
Taper Notes:
View Notes- I boosted the volume by 2 decibels for the first 1:06 of Big River as the sbd was a little quieter. I also did the same to El Paso, for the first 33 seconds, for the same reason. - the sbd was missing most of the crowd/tuning so I have copied this in from the aud and adjusted the volume accordingly. - several large clicks in d2t04 have been removed since I originally seeded this. - these two recordings compliment each other very well. The vocals on the sbd are a little low at times and the aud gives them a nice boost. The aud also helps to accentuate the sound of Phil's bass, which is never a bad thing.
Transferrer: SirMick
1:58:00
SBD
Transferrer:
SirMick
SHNID:
gd1974-06-30.sbd.set2-matrix.sirmick.82179.flac16
Source:
Set II matrix sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537)
Taper Notes:
View Notes- I boosted the volume by 2 decibels for the first 1:06 of Big River as the sbd was a little quieter. I also did the same to El Paso, for the first 33 seconds, for the same reason. - the sbd was missing most of the crowd/tuning so I have copied this in from the aud and adjusted the volume accordingly. comments: these two recordings compliment each other very well. The vocals on the sbd are a little low at times and the aud gives them a nice boost. The aud also helps to accentuate the sound of Phil's bass, which is never a bad thing. edited and mastered SIRMick January 2007
Source 6 of 13
3:25:48
SBD
Rating:
9.06 / 17 ratings
SHNID:
gd74-06-30.sbd.weiner.17814.sbeok.shnf
Source:
Soundboard
Lineage:
SBDMR > DATx2 > CD > SHN > WAV > SHN
Taper Notes:
View NotesSBDMR > DATx2 > CD > SHN > WAV > SHN; Soundboard: DAT > CD > SHN transfer by Dan Lynch; Final editing and AUD patching by Noah Weiner
Transferrer: Skank
3:03:01
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Skank
SHNID:
gd1974-06-30.sbd.tiedrich-skank-andy-stern.216.shnf
Source:
SBD>MR>DATx3>Cassette>DATx2>ZA2>CDRx1>EAC>SHN
Taper Notes:
View NotesDeadlist states that it only circulates in an AUD, Now this circulates as a SBD... My lineage is SBD>MR>DATx3>Cassette>DATx2>ZA2>CDRx1>EAC>SHN. My DAT came from Tiedrich, so the lineage here is gospel. Show is complete except no Seastones. Thanks to Andy for getting this into our hot little hands. The cassette gen is consistent with a 'vault leak' by the late Mr. Latvala. Humbly Mastered by yours truly Skank
Taper: John Petrunis
1:16:56
Taper:
John Petrunis
Transferrer:
Transferred by Andrew F. 12/2021
SHNID:
gd1974-06-30.155034.s1.aud.flac1644
Lineage:
Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged.
Taper Notes:
View NotesNote: Mono-mixed patches from ID-143331; Peggy-O complete track, and Playin' 10:56 > 11:11.
Taper: Jimmy Warburton
3:19:48
Rating:
8.00 / 1 rating
Taper:
Jimmy Warburton
Transferrer:
Matt Smith & Sirmick
SHNID:
gd1974-06-30.145133.fob.sony.ecm99.warburton.smith.sirmick.flac1644
Source:
Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission.
Lineage:
Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
Taper Notes:
View NotesComments: - "Truckin'" includes a "Nobody's Fault But Mine Jam" Notes: - Pitch correction - This was early in Jimmy's career as a taper, only his second show. See the tapebox pic enclosed with Jimmy's "self portrait." He was friends with Barry Glassberg and they later decided that their masters would be better preserved if they transferred them from cassettes to reels. On this occasion when he transfered it from the cassette masters to reel he put in fades at the start and end of each song, a number of them because the songs were clipped. I have restored the fades by patching in from shnid 106027 which needed to be pitch adjusted. I also made azimuth and phase adjustments. - Thank you Jerry Moore and Rob Berger. - Some of the patches are for continuity purposes, some are to replace some other small problems* . Apart from the clipping mentioned there are also some patches to cover where larger sections of music are missing as follows:- Don't Ease Me Greatest Story Ever Told - first 7.5 seconds, I Know You Rider Truckin' Stella Blue - Jimmy says that most of the problems were caused by Sonny Heard as he had cut the mic cable a couple of days before. He fixed the cable as well as he could but it gave intermittent problems.* Despite the problems that this source started out with it does sound very good. Thanks to Jimmy Warburton for lending us his reels. Thanks to Matt Smith for the transfer. Thanks to Joe B. Jones for his help with pitch correction. edited and mastered SIRMick October 2018
Taper: Jerry Moore
3:48:21
Rating:
10.00 / 1 rating
Taper:
Jerry Moore
Transferrer:
Rob Berger
SHNID:
gd1974-06-30.145132.aud.akg.1000e.moore.berger.flac1644
Source:
new fresh 24 bit transfer This file set is 16 bit @ 44.1 source: aud cassette master taped by Jerry Moore
Lineage:
lineage: aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/12/10
Taper: Jimmy Warburton
3:19:48
Rating:
10.00 / 1 rating
Taper:
Jimmy Warburton
Transferrer:
Matt Smith and Sirmick
SHNID:
gd1974-06-30.143331.sony-ecm99.warburton.smith.sirmick.flac2496
Source:
Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission.
Lineage:
Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
Taper Notes:
View NotesComments: - "Truckin'" includes a "Nobody's Fault But Mine Jam" Notes: - Pitch correction - This was early in Jimmy's career as a taper, only his second show. See the tapebox pic enclosed with Jimmy's "self portrait." He was friends with Barry Glassberg and they later decided that their masters would be better preserved if they transferred them from cassettes to reels. On this occasion when he transfered it from the cassette masters to reel he put in fades at the start and end of each song, a number of them because the songs were clipped. I have restored the fades by patching in from shnid 106027 which needed to be pitch adjusted. I also made azimuth and phase adjustments. - Thank you Jerry Moore and Rob Berger. - Some of the patches are for continuity purposes, some are to replace some other small problems* . Apart from the clipping mentioned there are also some patches to cover where larger sections of music are missing as follows:- Don't Ease Me Greatest Story Ever Told - first 7.5 seconds, I Know You Rider Truckin' Stella Blue - Jimmy says that most of the problems were caused by Sonny Heard as he had cut the mic cable a couple of days before. He fixed the cable as well as he could but it gave intermittent problems.* Despite the problems that this source started out with it does sound very good. Thanks to Jimmy Warburton for lending us his reels. Thanks to Matt Smith for the transfer. Thanks to Joe B. Jones for his help with pitch correction. edited and mastered SIRMick October 2018
Taper: Jerry Moore
3:48:21
Rating:
9.33 / 3 ratings
Taper:
Jerry Moore
Transferrer:
Rob Berger
SHNID:
gd1974-06-30.akgd1000e.moore.berger.106027.flac24
Source:
aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b
Lineage:
master cassette > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger
Taper: Jerry Moore
3:46:11
Rating:
7.33 / 3 ratings
Taper:
Jerry Moore
Transferrer:
Mark Cohen
SHNID:
gd74-06-30.moore.weiner.gdADT16.15537.sbeok.shnf
Source:
Audience Recording: AKG D-1000E mics
Lineage:
AudMC > DAT > WAV > SHN Recorded 1st level off floor, audience right, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON
Taper Notes:
View NotesAudMC > DAT > WAV > SHN Recorded by Jerry Moore, 1st level off floor, audience right, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT by Mark Cohen encoding Noah Weiner gdADT Round #16