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June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h764105
7d11.4k1.6k
30d30k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h68296
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.8k505
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.9k363
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.3k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
967 tapes
1990
35.2k
PlaybackListensHours
48h2.6k346
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k372
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k157
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k248
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h932103
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k212
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k145
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k203
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k224
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.3k301
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.3k670
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k184
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k284
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.3k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.7k503
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h80481
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.3k560
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.6k603
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.4k420
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2.1k228
7d6.2k691
30d34.3k3.9k
82 shows
356 tapes
1970
42.2k
PlaybackListensHours
48h9.3k947
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k360
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h42152
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10815
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h24318
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h493
7d1026
30d57334
2 shows
2 tapes
1974
6/26/74
tuning
2:35
Big River
6:48
Brown Eyed Women
5:53
Beat It On Down The Line
4:31
Scarlet Begonias
9:28
Black Throated Wind
9:34
Row Jimmy Row
10:08
Mexicali Blues
4:51
Deal
6:07
The Race Is On
4:21
Mississippi Half Step Uptown Toodeloo
8:59
El Paso
6:48
Ship Of Fools
8:36
Weather Report Suite>
5:42
Let It Grow>
10:59
It Must've Been The Roses
6:09
tuning
2:06
US Blues
5:58
Me And My Uncle
3:31
Jam>
2:31
China Cat Sunflower>
13:03
I Know You Rider
6:31
Roll Out The Barrel tuning
1:09
Truckin'>
14:55
Other One/Spanish Jam>
16:06
Wharf Rat>
9:47
Sugar Magnolia
13:48
Eyes Of The World
12:51
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:37:15
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-06-26.140081.sbd.miller.patched.flac1644
Source:
SBD > Master Reel > Dat (Panasonic SV-3800/44.1k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- U.S. Blues has some crazy mix issues -- Reel flip in Truckin' smoothed with crossfade -- Truckin' contains an Other One jam and a Spanish Jam -- Thanks to David Gans and Dick Latvala for their help with this project -- Thanks to Jerry Moore and David Minches for the patch source
Source 2 of 9
3:33:45
SBD
Rating:
9.54 / 14 ratings
SHNID:
gd1974-06-26.119613.mtx.dusborne.flac16
Source:
2 source matrix: Soundboard (shnid=00214): Source for disc 1: SBD>MR>C>DAT>CDR; Source for discs 2,3: MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2) and Audience (shnid=105919): source: aud cassette master taped by Jerry Moore
Lineage:
aud>akg d1000e's>sony tc-152sd, (3)maxell ud-120's, dolby bnak dragon>hd-p2 24/96>cd wave>flac
Taper Notes:
View NotesSource: 2 source matrix: Soundboard (shnid=00214): ------------------------------------------------------------------------- gd74-06-26.00214.sbd.oleynick.flac16 Source for disk 1: SBD>MR>C>DAT>CDR Contributed by Skankweed Source for discs 2,3: MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2) Contributed by John Oleynick (previous d1 from this source had problems, was withdrawn) Audience (shnid=105919): ------------------------------------------------------------------------------ gd1974-06-26.akgd1000e.moore.berger.105919.flac24 new fresh 24 bit transfer source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd, (3)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/9/10 -------------------------------------------------------------------------------- -Thank you to Skankweed and John Oleynick for making the SBD available. -Thank you to Jerry Moore for recording the show. -Thank you to Rob Berger for making the Audience recording available. -Thanks to germain for everything;seeding,encouragement,advice and tutelage. No soundboard circulates for Phil & Ned's Seastones. I have elected not to include it. It can be obtained here: http://archive.org/details/gd1974-06-26.akgd1000e.moore.berger.105919.flac24 Matrix by dusborne using Sound Forge Pro 10.0, Samplitude 11.5 Producer and Audacity 1.3 Beta for tracking. 03-23-2012 -------------------------------------------------------------------------------- Notes: Mix Ratio: SBD -0 db Aud -8 db ** some minor mix adjustments here and there when needed ** The audience recording is slow, an adjustment of about + .3 or.4 will put it in standard tuning. No noise reduction was used in this matrix. set 1 ---The SBD reels seem to be paused between most songs in this set. ---There were mix flucuations and drop outs on the sbd during Big River, I have attempted to fix these. Drop outs on the sbd patched with the aud. recording. ---The right channel on the sbd needed to be slightly amplified during the first minute of Black-Throated Wind. The vocals are still some what muffled during this section. Set 2 ---The right channel in all songs with the exception of jam>china>rider was louder than the left. On jam>china>rider the left channel was louder. This was fixed in Sound Forge Pro 10.0. ---There are many mix flucuations during U.S. Blues. ---A sbd reel flip during the jam coming out of truckin' was patched with 22 seconds of the aud. ---There were two small drop outs in the sbd during Other One/Spanish Jam that were patched with the aud. ---Eyes of The World was at a very low recording level on the sbd. I increased it by a few db in Sound Forge Pro 10.0. ---The first few notes of Eyes are cut from the sbd as it cuts in late and has tape wobble. ---The sbd is patched for 26 seconds during the outro jam in Eyes with the aud. recording. ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 03-23-2012
Source 3 of 9
3:04:01
SBD
Rating:
9.00 / 10 ratings
SHNID:
gd74-06-26.sbd.oleynick.214.sbeok.shnf
Source:
Soundboard
Lineage:
MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2)
Taper Notes:
View NotesMSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2); seeded by J. Oleynick; note original d1 contains some static blemishes from 'River through Row Jimmy; fixed d1 provided by S. Agan, 2/28, with different source info: SBD> MR> C> DAT> CDR; note most of set II is available as Dick's 12- <a href="http://www.dead.net/merchandising/music/grateful_dead/Dicks_Picks_5/index.html" rel="ugc nofollow">go buy it</a>
Taper: Gerry Moskal
3:28:43
Taper:
Gerry Moskal
Transferrer:
Brian Mandel
SHNID:
gd1974-06-26.151833.SonyStereo.ECM.Moskal.t.flac16
Source:
Sony Stereo ECM -->SONY TCD126 Location: TBD
Lineage:
Master Cassette Nakamichi BX-150 Transfer->Nakamichi BX300 Cassette Maxell XL11-S90 x3 circa 1984 Wave/ Flac Conversion & Editing 2-20-21 Brian Mandel [email protected] Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac Edits Tape Flips - Audacity
Transferrer: Matrix by Hunter Seamons
3:53:33
Rating:
10.00 / 3 ratings
Transferrer:
Matrix by Hunter Seamons
SHNID:
gd1974-06-26.149947.mtx.seamons.ht119.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Taper Notes:
View NotesNotes: The Wall of Sound setup had a tendency to produce a slight metallic reverb in the vocals at times. This effect appears most prominent here during Black-Throated Wind, after a speaker had blown during Scarlet Begonias. The issue gets better during Row Jimmy and more thereafter. The third set vocals are pretty clean. Big River and U.S. Blues have some soundboard mix fluctuations, typical for set openers in '74. Given U.S. Blues was particularly bad initially, only the AUD plays up to the first chorus. A couple clicks were removed in Half-Step and Eyes. The first 7 seconds of Eyes strangely did not match, indicating one of the sources was subtly patched or there was an unusual cut. Only the SBD plays for this brief moment. The sound on this and the 6/28 matrix is very similar. Jerry Moore's tapes were ideal for these and blended well. A great pair of shows from the middle of the year, also featured on Dick's Picks 12. Thank you to all involved!
Taper: Jim Cooper
3:42:59
Rating:
10.00 / 1 rating
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1974-06-26.136648.aud.cooper.berger.flac16
Source:
source: aud cassette master; taped by Jimmy Cooper; sony ecm22p’s > hitachi trq-232; nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger
Taper Notes:
View Notes* patched from Jerry Moore’s master, shnid 105919
Taper: Jim Cooper
3:42:59
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1974-06-26.136647.aud.cooper.berger.flac24
Source:
source: aud cassette master; taped by Jimmy Cooper; sony ecm22p’s > hitachi trq-232; nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger
Taper Notes:
View Notes* patched from Jerry Moore’s master, shnid 105919
Taper: Jerry Moore
3:57:23
Rating:
9.33 / 6 ratings
Taper:
Jerry Moore
Transferrer:
Rob Berger
SHNID:
gd1974-06-26.akgd1000e.moore.berger.105919.flac24
Source:
aud>akg d1000e's>sony tc-152sd, (3)maxell ud-120's, dolby b
Lineage:
cassettes re-shelled > nak dragon > hd-p2 24/96 > cd wave > flac
Taper: Jerry Moore
3:57:08
Rating:
9.00 / 30 ratings
Taper:
Jerry Moore
SHNID:
gd74-06-26.moore.weiner.gdADT17.16037.sbeok.shnf
Source:
Audience Recording: Sony ECM-99 Stereo mic
Lineage:
AudMC > WAV > CD > EAC > SHN recorded near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON
Taper Notes:
View NotesAudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoding by Noah Weiner, gdADT Round 17. Complete with Seastones.