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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.5k
PlaybackListensHours
48h770107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h64391
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h3.9k518
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.9k359
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.2k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k342
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k374
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k157
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.3k253
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h920102
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k212
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k147
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.6k206
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k223
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k303
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6.1k652
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k289
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.4k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.6k502
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h74876
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.6k595
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k230
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k364
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h43052
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10514
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23618
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1974
5/21/74
Me & My Uncle
3:14
Brown Eyed Women
5:54
Beat It On Down The Line
4:09
Deal
5:04
Mexicali Blues
4:35
It Must Have Been The Roses
6:24
The Race is On
3:28
Scarlet Begonias
6:22
El Paso
5:41
Row Jimmy
9:07
Money Money
4:58
Ship of Fools
6:04
Weather Report Suite Prelude->
1:20
WRS Part 1->
5:04
Let It Grow->
10:54
China Doll
5:45
Playin' In The Band
46:26
U.S. Blues
7:01
Big River
4:51
Stella Blue
8:22
Around & Around
5:09
Eyes Of The World->
13:52
Wharf Rat->
9:47
Sugar Magnolia
9:50
Johnny B. Goode
4:00
FIN
View on archive.org
Sources
Transferrer: Matrix by Kevin Tobin
3:17:21
SBD
Rating:
9.09 / 11 ratings
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1974-05-21.sbd.matrix.tobin.87114.sbeok.flac16
Source:
SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD)
Taper Notes:
View NotesAudio Source Information SBD (shnid=2597) MSR>C>Dats>CD>EAC>SHN>.WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD. Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip. AUD(shnid=10150) from Audience Devotional Tree Round 10 - June, 2002 AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony note: most songs have the first few notes cut on the master tape. A>D conversion by David Minches ([email protected]) playback on Nakamichi Dragon through ART DI/O sound card. Final track breaks and editing by Noah Weiner ([email protected]) May, 2002 --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. Audition 2.0 used to adjust the volume for both AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 07-AUG-2007 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0 AUD -2 SET TWO Stereo Matrix SBD -0 AUD -2 --------------------------------------------------------- Audio Patching: 1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience. 2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience. 3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience. 4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience. 6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience. 7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience. 9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience. 10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience. 11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better. 12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 13) At the start of Ship Of Fools, 14.631 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of Ship Of Fools were missing on both sources. 14) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1. 15) At the start of WRS Prelude, 13.685 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of WRS Prelude were missing on both sources. 16) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience. 17) Between Big River and Eyes of the World, 13 minutes and 32.455 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. This includes all of Stella Blue and Around and Around. 18) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 18) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 19) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources. ---------------------------------------------------------------- The Audience recording was used as the timing reference and for the most part the soundboard recording ran slightly fast (.5 seconds per minute). However, Playin In The Band which "has no Cassette gen" more closely matched the audience recording and is unfortunate that more of it doesn't circulate. A patched version of the sbd already circulates (shnid=22801) but as there were multiple fixes to the audience recording, a fixed version of it will be available soon along with a dts and dvd-va. Brokedown House Production
Transferrer: Charles Wier
3:16:26
SBD
Rating:
8.71 / 18 ratings
Transferrer:
Charles Wier
SHNID:
gd74-05-21.sbd-patched.wier.22801.sbeok.shnf
Source:
Soundboard
Taper Notes:
View Notes<a href="/shninfo_detail.php?shnid=2597" rel="ugc nofollow">Previous</a> remastered SBD patched with <a href="/shninfo_detail.php?shnid=10150" rel="ugc nofollow">AudMC</a> via Charles Wier
Source 3 of 13
3:02:53
SBD
Rating:
9.45 / 23 ratings
SHNID:
gd74-05-21.sbd.belkin.2597.sbefail.shnf
Source:
Soundboard
Lineage:
MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN
Taper Notes:
View NotesMSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN; Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip; remastered version of <a href="http://db.etree.org/shninfo_detail.php?shnid=1347" rel="ugc nofollow">previous</a> shn set, courtesy Josh Belkin
Transferrer: Seth Kaplan
6:06:27
SBD
Rating:
7.50 / 4 ratings
Transferrer:
Seth Kaplan
SHNID:
gd1974-05-21.sbd.kaplan.1347.shnf
Source:
S:MR > cassette > DAT > CD > EAC > SHN, except Playing In The Band, which is S:MR > DAT > CD > EAC > SHN, with 26 seconds of aud patched in.
Taper Notes:
View NotesD1t01 (Me And My Uncle): Sound system problems in beginning D1t12 (Ship Of Fools): Fades in D2t05 (Playing): 1-2 seconds are clipped from the beginning. Master Reel splice due to a reel flip is covered by an excellent quality AUD patch. D3t06 (Johnny B. Goode): beginning cut. Stella Blue and Around And Around are missing.
Taper: Pat Lee
3:09:15
Taper:
Pat Lee
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1974-05-21.150951.sony.ecm18n.lee.smith.miller.clugston.flac2496
Source:
Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD
Lineage:
Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Pat Lee for the master cassettes - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Pitch corrected Mastered by Scott Clugston April 2020
Taper: Patt Lee
3:09:15
Rating:
10.00 / 2 ratings
Taper:
Patt Lee
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1974-05-21.150950.sony.ecm18n.lee.smith.miller.clugston.flac1648
Source:
Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD
Lineage:
Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Pat Lee for the master cassettes - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Pitch corrected Mastered by Scott Clugston April 2020
Taper: Pat Lee
3:07:01
Rating:
9.50 / 4 ratings
Taper:
Pat Lee
Transferrer:
Charlie Miller
SHNID:
gd1974-05-21.sonyecm18n.lee.miller.98901.flac24
Source:
Sony ECM18N -> Cassette Master (Sony 152SD)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Pat Lee for lending me his masters
Taper: Pat Lee
3:07:01
Rating:
9.00 / 2 ratings
Taper:
Pat Lee
Transferrer:
Charlie Miller
SHNID:
gd1974-05-21.sonyecm18n.lee.miller.98822.sbeok.flac16
Source:
Sony ECM18N -> Cassette Master (Sony 152SD)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Pat Lee for lending me his masters
Taper: Donn Amick
3:05:09
Rating:
8.00 / 2 ratings
Taper:
Donn Amick
Transferrer:
George M. Prescott Jr.
SHNID:
gd1974-05-21.amick.prescott.sbeok.114321.flac16
Taper Notes:
View Notes*Can be overburned with EAC on a 700MB/80-min. CD-R following capacity test. Technical Notes: The dub was recorded on Nakamichi MR-2’s by the person who provided the source cassettes. Unfortunately, the recording levels are less than optimal: the left channel averages at -5 dB, while the right channel averages at 0 dB. This imbalance could not be compensatorily corrected, as the Edirol’s input-level control is unitary across both channels for unbalanced analog inputs, precluding individuated left-channel and right-channel gain adjustments. Still, the amplitude differential is slight, and creates no phase problems. The underrecording yielded prominent tape hiss; this was greatly reduced by using an analog EQ with a sharp roll-off at 9kHz and no output at 16kHz. Careful comparative listening revealed no phase-shift or artifacts due to EQ. The binaural source has real presence; both the Wall and the hall ring true. This recording features fuller vocals, deeper bass response, and less reverb than does the circulating stereo audience recording made by Pat Lee (which is excellent). This recording is free from the constant crowd chatter that mars that recording; those songs on that master that are missing their opening notes are intact here. (The occasional handclapping is mildly distracting; the lusty screams from the crowd are welcome.) Tonal range and timbral accuracy are quite good; Keith’s piano, Billy’s cymbals, and Jerry’s leads cut through nicely. Still, at times, the sound here verges on distortion. Occasionally, there are instances when it sounds like the taper inadvertently depressed the pause button, causing momentary pitch-slippage. There are also intermittent crackles and static, several recording-equipment glitches and tape dropouts, and some hotspots. None of these anomalies lasts very long. Two songs, “Playin’ in the Band” and “Sugar Magnolia,” are each missing three seconds of music due to possible tape-flip gaps. These gaps were removed (and the remaining ends were spliced); they have not been patched. Two songs were pretermitted: “Playin’ in the Band” and “Johnny B. Goode.” (This was not due to tape run-out on the dubs; there is blank tape after these songs.) The final fourteen seconds of “Playin’” have been inartfully tacked on from Charlie Miller’s masterly transcription of Pat Lee’s masters, ShnID-98822. The encore cuts during the final note and was not patched. No digital pitch-correction, noise-reduction, or sound-adjustment algorithms were used in this transcription. Known Flaws (flawless tracks not listed): Disc One 01 “Me and My Uncle”: 01:19 minor glitch; 01:39 volume drops, tone darkens 03 “Beat It On Down the Line”: 00:37 minor glitch 04 “Deal”: 00:42 minor glitch; 02:58-02:59 vocal hotspot 05 “Mexicali Blues”: Jerry flubs chord 00:51; 01:50 static 06 “It Must Have Been the Roses”: 01:30, 01:43, 04:22 vocal hotspots 07 “The Race Is On”: Jerry flubs chord 00:13 08 “Scarlet Begonias”: 01:45, 03:29 minor glitches; 03:43 vocal hotspot 09 “El Paso”: 01:30 minor glitch; 03:17-03:18 pause w/pitch-slippage; 03:44 static 10 “Row Jimmy”: Jerry flubs chord 06:34; 03:38 dropout; 05:30 vocal hotspot; 07:10 pause w/pitch-slippage; 07:39 minor glitch ; 08:05-08:06 pause w/music missing; 08:25-08:44 channel-chop at run-out 11 “Money Money”: 00:20 volume drops; 01:12, 01:28 minor glitches; 02:12, 03:07 hotspots; 03:13, 03:44 minor glitches 12 “Ship of Fools”: Jerry flubs chord 00:45; 00:32, 02:15 vocal hotspots; 04:42, 05:40 minor glitches 13 “Weather Report Suite”: 07:10 minor glitch; 12:11 dropout; 12:55 tone darkens 14 “China Doll”: 02:28 minor glitch Disc Two 01 “Playin’ in the Band”: 02:49 tone darkens (possible pre-dubbing engagement of Dolby B or change in bias or EQ); 02:52 minor glitch; 10:09, 16:04 static; 16:55 minor glitch; 19:53-19:55 pitch-slippage; 21:01 possible tape-flip gap w/music missing; 28:34-28:37 dropouts; 30:54, 30:58 pauses w/pitch-slippage; 31:12, 31:16 pauses w/pitch-slippage; 34:26 equipment glitch; 37:26 pause w/pitch-slippage; 37:31-37:33 pause w/music missing; 42:38, 42:57 minor glitches; 46:11, 46:30 minor glitches; 46:47-47:01 patched w/ShnID-98822 (Lee/Miller) 02 “U.S. Blues”: 00:54 minor glitch; 00:57 static; 05:24 minor glitch 04 “Stella Blue”: 01:12 minor glitch; 02:13 pause w/pitch-slippage Disc Three 01 “Eyes of the World”: Jerry flubs chord 01:16; 07:47 minor glitch; 12:33-12:34 pitch-slippage; 13:52, 13:57 static 02 “Wharf Rat”: 03:35 minor glitch; 03:57 equipment glitch; 04:30 vocal hotspot; 05:15, 07:55-07:58 minor glitches; 09:40 pitch-slippage 03 “Sugar Magnolia”: 01:53 possible tape-flip gap w/music missing; 02:25 minor glitch; 03:05-03:10 pitch-slippage; 03:32, 05:42, 07:44-07:45 minor glitches; 08:10 distortion (not from dubbing or transcription) 04 “Johnny B. Goode”: 00:45-00:50 vocal hotspots; 01:00 static; 01:20-01:33 vocal hotspots; 02:31 minor glitch; 03:27, 03:32, 03:36 minor glitches; 03:50 final note cuts out Post-Transcription Tools: Rounded track timings courtesy of Exact Audio Copy CD Layout Editor V0.99. Sector boundary errors were detected in "Playin’ in the Band,” and were repaired by post-padding with Trader's Little Helper v.2.6.0.168. SBE-free .wav verification and .st5 .wav checksums courtesy of TLH. Lossless FLAC encoding with tags and verification by FLAC frontend v.1.7.1. FLAC .ffp and .md5 post-encoding checksums courtesy of TLH. File-integrity check and problem-free verification courtesy of shntool 3.0.4. Enjoy!
Transferrer: Hunter Seamons
3:16:23
Rating:
8.67 / 6 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1974-05-21.mtx.seamons.109887.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
Transferrer: Kevin Tobin
3:17:21
Rating:
9.00 / 4 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1974-05-21.aud-fixed.tobin.87143.sbeok.flac16
Source:
Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony (patched version of shn id 10150 see info file for details)
Taper Notes:
View NotesAudio Source Information AUD(shnid=10150) from Audience Devotional Tree Round 10 - June, 2002 AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony note: most songs have the first few notes cut on the master tape. A>D conversion by David Minches ([email protected]) playback on Nakamichi Dragon through ART DI/O sound card. Final track breaks and editing by Noah Weiner ([email protected]) May, 2002 Patch with: SBD (shnid=2597) MSR>C>Dats>CD>EAC>SHN>.WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD. Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip. --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. Audition 2.0 used to adjust the volume for both AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 07-AUG-2007 --------------------------------------------------------- Audio Patching: 1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience. 2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience. 3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience. 4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience. 6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience. 7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience. 9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience. 10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience. 11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better. 12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 13) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1. 15) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience. 16) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 17) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 18) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources. Brokedown House Production
Taper: See info file
3:17:21
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1974-05-21.dts.tobin.87124.sbeok.flac16
Source:
DTS-Audio-CD 5.1 Mix Soundboard/Aud Matrix
Lineage:
See info file
Taper Notes:
View NotesAudio Source Information SBD (shnid=2597) MSR>C>Dats>CD>EAC>SHN>.WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD. Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip. AUD(shnid=10150) from Audience Devotional Tree Round 10 - June, 2002 AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony note: most songs have the first few notes cut on the master tape. A>D conversion by David Minches ([email protected]) playback on Nakamichi Dragon through ART DI/O sound card. Final track breaks and editing by Noah Weiner ([email protected]) May, 2002 --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. Audition 2.0 used to adjust the volume for both AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 07-AUG-2007 --------------------------------------------------------- Audio Patching: 1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience. 2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience. 3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience. 4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience. 6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience. 7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience. 9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience. 10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience. 11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better. 12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 13) At the start of Ship Of Fools, 14.631 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of Ship Of Fools were missing on both sources. 14) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1. 15) At the start of WRS Prelude, 13.685 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of WRS Prelude were missing on both sources. 16) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience. 17) Between Big River and Eyes of the World, 13 minutes and 32.455 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. This includes all of Stella Blue and Around and Around. 18) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 18) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 19) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources. ---------------------------------------------------------------- The Audience recording was used as the timing reference and for the most part the soundboard recording ran slightly fast (.5 seconds per minute). However, Playin In The Band which "has no Cassette gen" more closely matched the audience recording and is unfortunate that more of it doesn't circulate. A patched version of the sbd already circulates (shnid=22801) but as there were multiple fixes to the audience recording, a fixed version of it will be available soon along with a dts and dvd-va. --------------------------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -2db SBD Reel -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Taper: Pat Lee
3:06:55
Rating:
9.43 / 8 ratings
Taper:
Pat Lee
SHNID:
gd74-05-21.lee.weiner.gdADT.10150.sbeok.shnf
Source:
Audience Recording: Sony ECM18N
Lineage:
AudMC > WAV > SHN; Sony ECM18N mics > Sony 152SD deck, hand held mics in right balcony
Taper Notes:
View NotesAudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony; via David Minches; Seeded to etree by Noah Weiner