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Today In History
June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h54373
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h814109
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h2.9k390
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.4k300
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h7.7k1.1k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h3.2k411
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k353
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k133
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2k226
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h82891
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.6k183
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h995131
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k188
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.7k207
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.1k271
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.7k713
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.2k179
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.7k232
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.2k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.1k426
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h84281
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.8k610
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.1k534
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h2.9k356
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k192
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h7.4k753
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k347
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h38648
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9914
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22117
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h412
7d1026
30d57334
2 shows
2 tapes
1974
5/21/74
Me And My Uncle
3:01
Brown Eyed Women
4:49
Beat It On Down The Line
3:15
Deal
4:38
Mexicali Blues
3:21
It Must Have Been The Roses
5:28
The Race Is On
3:00
Scarlet Begonias
5:20
El Paso
4:11
Row Jimmy
8:42
Money Money
4:36
Ship Of Fools
5:59
Weather Report Suite ->
17:23
China Doll
5:33
Playing In The Band
46:27
U.S. Blues
5:37
Big River
4:48
Stella Blue
8:22
Around And Around
5:09
Eyes Of The World ->
13:50
Wharf Rat ->
9:47
Sugar Magnolia
9:46
Johnny B. Goode
3:59
FIN
View on archive.org
Sources
Transferrer: Matrix by Kevin Tobin
3:17:21
SBD
Rating:
9.09 / 11 ratings
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1974-05-21.sbd.matrix.tobin.87114.sbeok.flac16
Source:
SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD)
Taper Notes:
View NotesAudio Source Information SBD (shnid=2597) MSR>C>Dats>CD>EAC>SHN>.WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD. Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip. AUD(shnid=10150) from Audience Devotional Tree Round 10 - June, 2002 AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony note: most songs have the first few notes cut on the master tape. A>D conversion by David Minches ([email protected]) playback on Nakamichi Dragon through ART DI/O sound card. Final track breaks and editing by Noah Weiner ([email protected]) May, 2002 --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. Audition 2.0 used to adjust the volume for both AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 07-AUG-2007 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0 AUD -2 SET TWO Stereo Matrix SBD -0 AUD -2 --------------------------------------------------------- Audio Patching: 1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience. 2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience. 3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience. 4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience. 6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience. 7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience. 9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience. 10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience. 11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better. 12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 13) At the start of Ship Of Fools, 14.631 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of Ship Of Fools were missing on both sources. 14) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1. 15) At the start of WRS Prelude, 13.685 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of WRS Prelude were missing on both sources. 16) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience. 17) Between Big River and Eyes of the World, 13 minutes and 32.455 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. This includes all of Stella Blue and Around and Around. 18) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 18) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 19) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources. ---------------------------------------------------------------- The Audience recording was used as the timing reference and for the most part the soundboard recording ran slightly fast (.5 seconds per minute). However, Playin In The Band which "has no Cassette gen" more closely matched the audience recording and is unfortunate that more of it doesn't circulate. A patched version of the sbd already circulates (shnid=22801) but as there were multiple fixes to the audience recording, a fixed version of it will be available soon along with a dts and dvd-va. Brokedown House Production
Transferrer: Charles Wier
3:16:26
SBD
Rating:
8.71 / 18 ratings
Transferrer:
Charles Wier
SHNID:
gd74-05-21.sbd-patched.wier.22801.sbeok.shnf
Source:
Soundboard
Taper Notes:
View Notes<a href="/shninfo_detail.php?shnid=2597" rel="ugc nofollow">Previous</a> remastered SBD patched with <a href="/shninfo_detail.php?shnid=10150" rel="ugc nofollow">AudMC</a> via Charles Wier
Source 3 of 13
3:02:53
SBD
Rating:
9.45 / 23 ratings
SHNID:
gd74-05-21.sbd.belkin.2597.sbefail.shnf
Source:
Soundboard
Lineage:
MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN
Taper Notes:
View NotesMSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN; Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip; remastered version of <a href="http://db.etree.org/shninfo_detail.php?shnid=1347" rel="ugc nofollow">previous</a> shn set, courtesy Josh Belkin
Transferrer: Seth Kaplan
6:06:27
SBD
Rating:
7.50 / 4 ratings
Transferrer:
Seth Kaplan
SHNID:
gd1974-05-21.sbd.kaplan.1347.shnf
Source:
S:MR > cassette > DAT > CD > EAC > SHN, except Playing In The Band, which is S:MR > DAT > CD > EAC > SHN, with 26 seconds of aud patched in.
Taper Notes:
View NotesD1t01 (Me And My Uncle): Sound system problems in beginning D1t12 (Ship Of Fools): Fades in D2t05 (Playing): 1-2 seconds are clipped from the beginning. Master Reel splice due to a reel flip is covered by an excellent quality AUD patch. D3t06 (Johnny B. Goode): beginning cut. Stella Blue and Around And Around are missing.
Taper: Pat Lee
3:09:15
Taper:
Pat Lee
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1974-05-21.150951.sony.ecm18n.lee.smith.miller.clugston.flac2496
Source:
Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD
Lineage:
Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Pat Lee for the master cassettes - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Pitch corrected Mastered by Scott Clugston April 2020
Taper: Patt Lee
3:09:15
Rating:
10.00 / 2 ratings
Taper:
Patt Lee
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1974-05-21.150950.sony.ecm18n.lee.smith.miller.clugston.flac1648
Source:
Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD
Lineage:
Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Pat Lee for the master cassettes - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Pitch corrected Mastered by Scott Clugston April 2020
Taper: Pat Lee
3:07:01
Rating:
9.50 / 4 ratings
Taper:
Pat Lee
Transferrer:
Charlie Miller
SHNID:
gd1974-05-21.sonyecm18n.lee.miller.98901.flac24
Source:
Sony ECM18N -> Cassette Master (Sony 152SD)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Pat Lee for lending me his masters
Taper: Pat Lee
3:07:01
Rating:
9.00 / 2 ratings
Taper:
Pat Lee
Transferrer:
Charlie Miller
SHNID:
gd1974-05-21.sonyecm18n.lee.miller.98822.sbeok.flac16
Source:
Sony ECM18N -> Cassette Master (Sony 152SD)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Pat Lee for lending me his masters
Taper: Donn Amick
3:05:09
Rating:
8.00 / 2 ratings
Taper:
Donn Amick
Transferrer:
George M. Prescott Jr.
SHNID:
gd1974-05-21.amick.prescott.sbeok.114321.flac16
Taper Notes:
View Notes*Can be overburned with EAC on a 700MB/80-min. CD-R following capacity test. Technical Notes: The dub was recorded on Nakamichi MR-2’s by the person who provided the source cassettes. Unfortunately, the recording levels are less than optimal: the left channel averages at -5 dB, while the right channel averages at 0 dB. This imbalance could not be compensatorily corrected, as the Edirol’s input-level control is unitary across both channels for unbalanced analog inputs, precluding individuated left-channel and right-channel gain adjustments. Still, the amplitude differential is slight, and creates no phase problems. The underrecording yielded prominent tape hiss; this was greatly reduced by using an analog EQ with a sharp roll-off at 9kHz and no output at 16kHz. Careful comparative listening revealed no phase-shift or artifacts due to EQ. The binaural source has real presence; both the Wall and the hall ring true. This recording features fuller vocals, deeper bass response, and less reverb than does the circulating stereo audience recording made by Pat Lee (which is excellent). This recording is free from the constant crowd chatter that mars that recording; those songs on that master that are missing their opening notes are intact here. (The occasional handclapping is mildly distracting; the lusty screams from the crowd are welcome.) Tonal range and timbral accuracy are quite good; Keith’s piano, Billy’s cymbals, and Jerry’s leads cut through nicely. Still, at times, the sound here verges on distortion. Occasionally, there are instances when it sounds like the taper inadvertently depressed the pause button, causing momentary pitch-slippage. There are also intermittent crackles and static, several recording-equipment glitches and tape dropouts, and some hotspots. None of these anomalies lasts very long. Two songs, “Playin’ in the Band” and “Sugar Magnolia,” are each missing three seconds of music due to possible tape-flip gaps. These gaps were removed (and the remaining ends were spliced); they have not been patched. Two songs were pretermitted: “Playin’ in the Band” and “Johnny B. Goode.” (This was not due to tape run-out on the dubs; there is blank tape after these songs.) The final fourteen seconds of “Playin’” have been inartfully tacked on from Charlie Miller’s masterly transcription of Pat Lee’s masters, ShnID-98822. The encore cuts during the final note and was not patched. No digital pitch-correction, noise-reduction, or sound-adjustment algorithms were used in this transcription. Known Flaws (flawless tracks not listed): Disc One 01 “Me and My Uncle”: 01:19 minor glitch; 01:39 volume drops, tone darkens 03 “Beat It On Down the Line”: 00:37 minor glitch 04 “Deal”: 00:42 minor glitch; 02:58-02:59 vocal hotspot 05 “Mexicali Blues”: Jerry flubs chord 00:51; 01:50 static 06 “It Must Have Been the Roses”: 01:30, 01:43, 04:22 vocal hotspots 07 “The Race Is On”: Jerry flubs chord 00:13 08 “Scarlet Begonias”: 01:45, 03:29 minor glitches; 03:43 vocal hotspot 09 “El Paso”: 01:30 minor glitch; 03:17-03:18 pause w/pitch-slippage; 03:44 static 10 “Row Jimmy”: Jerry flubs chord 06:34; 03:38 dropout; 05:30 vocal hotspot; 07:10 pause w/pitch-slippage; 07:39 minor glitch ; 08:05-08:06 pause w/music missing; 08:25-08:44 channel-chop at run-out 11 “Money Money”: 00:20 volume drops; 01:12, 01:28 minor glitches; 02:12, 03:07 hotspots; 03:13, 03:44 minor glitches 12 “Ship of Fools”: Jerry flubs chord 00:45; 00:32, 02:15 vocal hotspots; 04:42, 05:40 minor glitches 13 “Weather Report Suite”: 07:10 minor glitch; 12:11 dropout; 12:55 tone darkens 14 “China Doll”: 02:28 minor glitch Disc Two 01 “Playin’ in the Band”: 02:49 tone darkens (possible pre-dubbing engagement of Dolby B or change in bias or EQ); 02:52 minor glitch; 10:09, 16:04 static; 16:55 minor glitch; 19:53-19:55 pitch-slippage; 21:01 possible tape-flip gap w/music missing; 28:34-28:37 dropouts; 30:54, 30:58 pauses w/pitch-slippage; 31:12, 31:16 pauses w/pitch-slippage; 34:26 equipment glitch; 37:26 pause w/pitch-slippage; 37:31-37:33 pause w/music missing; 42:38, 42:57 minor glitches; 46:11, 46:30 minor glitches; 46:47-47:01 patched w/ShnID-98822 (Lee/Miller) 02 “U.S. Blues”: 00:54 minor glitch; 00:57 static; 05:24 minor glitch 04 “Stella Blue”: 01:12 minor glitch; 02:13 pause w/pitch-slippage Disc Three 01 “Eyes of the World”: Jerry flubs chord 01:16; 07:47 minor glitch; 12:33-12:34 pitch-slippage; 13:52, 13:57 static 02 “Wharf Rat”: 03:35 minor glitch; 03:57 equipment glitch; 04:30 vocal hotspot; 05:15, 07:55-07:58 minor glitches; 09:40 pitch-slippage 03 “Sugar Magnolia”: 01:53 possible tape-flip gap w/music missing; 02:25 minor glitch; 03:05-03:10 pitch-slippage; 03:32, 05:42, 07:44-07:45 minor glitches; 08:10 distortion (not from dubbing or transcription) 04 “Johnny B. Goode”: 00:45-00:50 vocal hotspots; 01:00 static; 01:20-01:33 vocal hotspots; 02:31 minor glitch; 03:27, 03:32, 03:36 minor glitches; 03:50 final note cuts out Post-Transcription Tools: Rounded track timings courtesy of Exact Audio Copy CD Layout Editor V0.99. Sector boundary errors were detected in "Playin’ in the Band,” and were repaired by post-padding with Trader's Little Helper v.2.6.0.168. SBE-free .wav verification and .st5 .wav checksums courtesy of TLH. Lossless FLAC encoding with tags and verification by FLAC frontend v.1.7.1. FLAC .ffp and .md5 post-encoding checksums courtesy of TLH. File-integrity check and problem-free verification courtesy of shntool 3.0.4. Enjoy!
Transferrer: Hunter Seamons
3:16:23
Rating:
8.67 / 6 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1974-05-21.mtx.seamons.109887.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
Transferrer: Kevin Tobin
3:17:21
Rating:
9.00 / 4 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1974-05-21.aud-fixed.tobin.87143.sbeok.flac16
Source:
Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony (patched version of shn id 10150 see info file for details)
Taper Notes:
View NotesAudio Source Information AUD(shnid=10150) from Audience Devotional Tree Round 10 - June, 2002 AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony note: most songs have the first few notes cut on the master tape. A>D conversion by David Minches ([email protected]) playback on Nakamichi Dragon through ART DI/O sound card. Final track breaks and editing by Noah Weiner ([email protected]) May, 2002 Patch with: SBD (shnid=2597) MSR>C>Dats>CD>EAC>SHN>.WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD. Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip. --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. Audition 2.0 used to adjust the volume for both AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 07-AUG-2007 --------------------------------------------------------- Audio Patching: 1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience. 2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience. 3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience. 4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience. 6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience. 7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience. 9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience. 10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience. 11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better. 12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 13) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1. 15) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience. 16) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 17) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 18) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources. Brokedown House Production
Taper: See info file
3:17:21
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1974-05-21.dts.tobin.87124.sbeok.flac16
Source:
DTS-Audio-CD 5.1 Mix Soundboard/Aud Matrix
Lineage:
See info file
Taper Notes:
View NotesAudio Source Information SBD (shnid=2597) MSR>C>Dats>CD>EAC>SHN>.WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD. Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip. AUD(shnid=10150) from Audience Devotional Tree Round 10 - June, 2002 AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony note: most songs have the first few notes cut on the master tape. A>D conversion by David Minches ([email protected]) playback on Nakamichi Dragon through ART DI/O sound card. Final track breaks and editing by Noah Weiner ([email protected]) May, 2002 --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. Audition 2.0 used to adjust the volume for both AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 07-AUG-2007 --------------------------------------------------------- Audio Patching: 1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience. 2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience. 3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience. 4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience. 6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience. 7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience. 9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience. 10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience. 11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better. 12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 13) At the start of Ship Of Fools, 14.631 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of Ship Of Fools were missing on both sources. 14) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1. 15) At the start of WRS Prelude, 13.685 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of WRS Prelude were missing on both sources. 16) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience. 17) Between Big River and Eyes of the World, 13 minutes and 32.455 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. This includes all of Stella Blue and Around and Around. 18) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 18) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 19) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources. ---------------------------------------------------------------- The Audience recording was used as the timing reference and for the most part the soundboard recording ran slightly fast (.5 seconds per minute). However, Playin In The Band which "has no Cassette gen" more closely matched the audience recording and is unfortunate that more of it doesn't circulate. A patched version of the sbd already circulates (shnid=22801) but as there were multiple fixes to the audience recording, a fixed version of it will be available soon along with a dts and dvd-va. --------------------------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -2db SBD Reel -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Taper: Pat Lee
3:06:55
Rating:
9.43 / 8 ratings
Taper:
Pat Lee
SHNID:
gd74-05-21.lee.weiner.gdADT.10150.sbeok.shnf
Source:
Audience Recording: Sony ECM18N
Lineage:
AudMC > WAV > SHN; Sony ECM18N mics > Sony 152SD deck, hand held mics in right balcony
Taper Notes:
View NotesAudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony; via David Minches; Seeded to etree by Noah Weiner