Morning Dew | 1974-02-24 | Grateful Dead

View NotesNotes:
-- This is a fixed version of shnid=116902 (channels were reversed)
-- There is a Spanish Jam in Dark Star
-- Tape flips in Row Jimmy and Dark Star
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Charlie Miller

3:45:18

SBD

gd1974-02-24.136276.sbd-patched.miller.flac16

Source:

SBD -> Master Reel -> Dat (44.1k)

Lineage:

Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC

Taper Notes:

View NotesNotes:
-- This is a patched version of shnid=116902
-- All disc changes are seamless
-- Numerous flaws were cleaned up
-- There is a Spanish Jam in Dark Star
-- Thanks to David Gans for lending me his Dats
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Kevin Tobin

gd1974-02-24.136142.5-1.tobin.flac1648

Taper Notes:

View Notes5.1 LPCM Surround Sound Mix (48k)

A Brokedown House Production

Transferrer: Kevin Tobin

gd1974-02-24.136141.dts.tobin.flac16

Taper Notes:

View NotesDTS-Audio-CD 5.1 Mix

Pitch Corrected By Kevin Tobin In Adobe Audition
Mastering in Wavelab 7.1 by Jamie Waddell
16 bit 44.1kHz  a project **GEMS** Betamania 2016

- FLAC conversion 27-JUN-2016 - Trader Little Helper
- Tagged 27-JUN-2016 - Tag&Rename
---------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

A Brokedown House Production

Transferrer: Kevin Tobin

gd1974-02-24.136140.mtx.tobin.flac16

Taper Notes:

View NotesA Brokedown House Production

Transferrer: Charlie Miller

gd1974-02-24.sbd.miller.116902.flac16

Source:

SBD -> Master Reel -> Dat (44.1k)

Lineage:

Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC

Taper Notes:

View NotesNotes:
-- All disc changes are seamless
-- Numerous flaws were cleaned up
-- There is a Spanish Jam in Dark Star
-- Tape flips in Row Jimmy and Dark Star
-- Thanks to David Gans for lending me his Dats
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Jay Serafin and SirMick

Jay Serafin and SirMick

SHNID:

gd1974-02-24.sbd.sssb-sbe-fix.sirmick.21370.sbeok.shnf

Source:

SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD

Taper Notes:

View NotesThis is not sourced from the current 2-24-74 tree.
There is no dropout in the China->Rider Segue.
[GSH NOTE: Disc 4 does NOT require an overburn, as stated in 
the info file. The length of disc 4 is 73:52, not 74:06.]
(Note: Disc4 requires an overburn as it is 74:06.)     

CDRs which i know permit overburn are: Maxell, TDK.  I hear Sonys will also.
Mitsuis will NOT.
My subjective quality grade:  A-. No Dropouts, Clicks, or Digital Noise are present as far as I know.There is a small amount of guitar distortion  in Cumberland Blues in Garcia's solo.
Microsoft Word7 CD labels for each disc are provided, in B/W.

EAC extracted, verified and shorten encoded by  
stephen windsor [email protected]

**********************************************************************************

sector boundaries fixed with shntool, new shns and md5s 
SIRMick([email protected])

Source 8 of 15

gd1974-02-24.sbd.marmar.13961.sbeok.flac16

Source:

shntool fix of original Jay Serafin seed by marmar

Taper Notes:

View Notes*12-16-2002*
Files were processed using shntool to correct sector boundary errors. FLAC encoding and shntool processing done by Mr. Marmar 12/2002. This can also be tracked to 3 CD's using 80min disks. Move the first 4 tracks of disc 3 to the end of disc 2, and the rest of disk 3 will fit along with all of disk 4....

Source 9 of 15

gd74-02-22.sndchk.serafin.8623.sbefail.shnf

Source:

Soundboard - Soundcheck

Lineage:

SBD > RTR @ 7.5 i.p.s. > D > SSSB

Taper Notes:

View Notessoundcheck- likely mislabeled copy of 2/22/74, these shns also <a href="http://db.etree.org/shninfo_detail.php?shnid=8623" rel="ugc nofollow">listed</a> under that date; SBD > RTR @ 7.5 i.p.s. > D > SSSB; no PCM- see info file; via Jay Serafin to gdlive

Transferrer: Jay Serafin

gd1974-02-24.sbd.serafin.hollister.200.shnf

View NotesWow. Some very minor channel fading in a couple spots.
Small bit of diginoise just before Bertha starts (or is it Big River? I forget.)

Source 11 of 15

gd74-02-24.sbd.windsor.199.sbefail.shnf

Source:

Soundboard

Lineage:

SBD > Master Reel > PCM > DAT > Fostex D5 DAT > Marantz Professional PMD-320 CD Master > Ricoh MP-6200 series CD-R > HP 8200i CDRW Drive (EAC) > SHN

Taper Notes:

View NotesSBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional 
PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)>
SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated
in accompanying info file, and thus does not require overburning (possibly
was EZCD artifact?); no flaws noticed

Taper: Louis Falanga

Bob Menke, Charlie Miller, Scott Clugston

SHNID:

gd1974-02-24.176221.sony.ecm250.falanga.menke.miller.clugston.flac2496

Source:

Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)

Lineage:

Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Louis Falanga (RIP) for the master cassette recording
- Thanks to Bob Menke for the transfer
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Charles Connor for the Sony ECM 22p source which supplies some crowd and first 0:07 of "Brown Eyed Women" (0:19 total), some crowd and first 0:07 of "Beat It On Down The Line" (0:29 total), some crowd and first 0:06 of "Candyman" (0:10 total), some crowd and first 0:08 of "Jack Straw" (0:18 total), a 0:12 patch in "Big River", some crowd and first 0:10 of "Ship Of Fools" (0:19 total), some crowd and first 0:06 of "Promised Land" (0:12 total), as well as "It's All Over Now, Baby Blue" in its entirety
- Pitch corrected

Mastered by Scott Clugston
April 2025

Taper: Louis Falanga

Bob Menke, Charlie Miller, Scott Clugston

SHNID:

gd1974-02-24.176220.sony.ecm250.falanga.menke.miller.clugston.flac1648

Source:

Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)

Lineage:

Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Louis Falanga (RIP) for the master cassette recording
- Thanks to Bob Menke for the transfer
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Charles Connor for the Sony ECM 22p source which supplies some crowd and first 0:07 of "Brown Eyed Women" (0:19 total), some crowd and first 0:07 of "Beat It On Down The Line" (0:29 total), some crowd and first 0:06 of "Candyman" (0:10 total), some crowd and first 0:08 of "Jack Straw" (0:18 total), a 0:12 patch in "Big River", some crowd and first 0:10 of "Ship Of Fools" (0:19 total), some crowd and first 0:06 of "Promised Land" (0:12 total), as well as "It's All Over Now, Baby Blue" in its entirety
- Pitch corrected

Mastered by Scott Clugston
April 2025

Transferrer: Hunter Seamons

gd1974-02-24.136641.mtx.hseamons.ht110.flac16

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)

Taper Notes:

View NotesThe edited AUD source occasionally alternates between two different sound fields, mostly between songs, sometimes during songs. I chose to exclude these AUD edits for set 1, but incorporated them for set 2. Soundtrack Pro was used to remove some digital flaws in the SBD during Candyman and Jack Straw.

Taper: PO and Stucco TINA Holmes

PO and Stucco TINA Holmes

Transferrer:

Jamie Waddell

SHNID:

gd1974-02-24.136266.aud.GEMS.flac16

Taper Notes:

View NotesPitch Corrected By Kevin Tobin In Adobe Audition
Mastering in Wavelab 7.1 by Jamie Waddell
16bit 44.1kHz Track, FLAC and Pack by John Wenzel
a project **GEMS** Betamania Release July 2016

notes
- the beautiful 116902 sbd was used to match pitch in the creation of matrix and DTS offerings by Kevin Tobin.  the transfer ran about 103% fast originally.
- tape recorder was paused between every song and 116902 was patched in and adjust for crowd in over 20 spots
- 116902 provided audio material for small parts of Row Jimmy, Dark Star, Morning Dew and Baby Blue, and well as offering audio spots missing on 116902