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Today In History
June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57378
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h1.9k244
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k303
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k201
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.1k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.4k298
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k128
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h1.9k220
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h72282
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.6k185
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.2k608
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.1k138
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k224
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k306
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k205
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.8k242
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.2k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.1k1.5k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.1k552
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10k1.3k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2k266
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k195
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k194
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k171
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72389
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9314
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43727
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h664
7d885
30d57633
2 shows
2 tapes
1974
2/24/74
U.S. Blues
6:36
Mexicali Blues
3:44
Brown Eyed Women
6:31
Beat It on Down the Line
3:49
Candyman
7:32
Jack Straw
5:48
China Cat Sunflower ->
9:59
I Know You Rider
7:06
El Paso
5:14
Loset
7:05
Playing in The Band
18:36
Cumberland Blues
8:27
It Must Have Been the Roses
5:45
Big River
5:44
Bertha
6:38
Weather Report Suite ->
15:42
Row Jimmy
11:19
Ship of Fools
6:39
Promised Land
6:15
Dark Star ->
29:31
Morning Dew
14:02
Sugar Magnolia ->
8:59
Not Fade Away ->
4:50
Goin' Down the Road Feeling Bad ->
7:26
Not Fade Away
4:39
It's All Over Now, Baby Blue
6:28
FIN
View on archive.org
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] Febryary 13, 2021
3:44:34
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] Febryary 13, 2021
SHNID:
gd1974-02-24.151723.sbd.miller.flac1644
Source:
SBD > Master Reel > Dat (44.1k)
Lineage:
Dat (Tascam DA-20) > Tascam SS-R05 > Adobe Audition v3 > Samplitude Professional v11.2 > FLAC
Taper Notes:
View NotesNotes: -- This is a fixed version of shnid=116902 (channels were reversed) -- There is a Spanish Jam in Dark Star -- Tape flips in Row Jimmy and Dark Star -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
3:45:18
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-02-24.136276.sbd-patched.miller.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- This is a patched version of shnid=116902 -- All disc changes are seamless -- Numerous flaws were cleaned up -- There is a Spanish Jam in Dark Star -- Thanks to David Gans for lending me his Dats -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Kevin Tobin
3:44:25
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1974-02-24.136142.5-1.tobin.flac1648
Taper Notes:
View Notes5.1 LPCM Surround Sound Mix (48k) A Brokedown House Production
Transferrer: Kevin Tobin
3:44:24
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1974-02-24.136141.dts.tobin.flac16
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix Pitch Corrected By Kevin Tobin In Adobe Audition Mastering in Wavelab 7.1 by Jamie Waddell 16 bit 44.1kHz a project **GEMS** Betamania 2016 - FLAC conversion 27-JUN-2016 - Trader Little Helper - Tagged 27-JUN-2016 - Tag&Rename --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. A Brokedown House Production
Transferrer: Kevin Tobin
3:44:24
SBD
Rating:
7.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1974-02-24.136140.mtx.tobin.flac16
Taper Notes:
View NotesA Brokedown House Production
Transferrer: Charlie Miller
3:44:22
SBD
Rating:
9.76 / 17 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-02-24.sbd.miller.116902.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Numerous flaws were cleaned up -- There is a Spanish Jam in Dark Star -- Tape flips in Row Jimmy and Dark Star -- Thanks to David Gans for lending me his Dats -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Jay Serafin and SirMick
3:32:22
SBD
Rating:
8.57 / 8 ratings
Transferrer:
Jay Serafin and SirMick
SHNID:
gd1974-02-24.sbd.sssb-sbe-fix.sirmick.21370.sbeok.shnf
Source:
SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD
Taper Notes:
View NotesThis is not sourced from the current 2-24-74 tree. There is no dropout in the China->Rider Segue. [GSH NOTE: Disc 4 does NOT require an overburn, as stated in the info file. The length of disc 4 is 73:52, not 74:06.] (Note: Disc4 requires an overburn as it is 74:06.) CDRs which i know permit overburn are: Maxell, TDK. I hear Sonys will also. Mitsuis will NOT. My subjective quality grade: A-. No Dropouts, Clicks, or Digital Noise are present as far as I know.There is a small amount of guitar distortion in Cumberland Blues in Garcia's solo. Microsoft Word7 CD labels for each disc are provided, in B/W. EAC extracted, verified and shorten encoded by stephen windsor [email protected] ********************************************************************************** sector boundaries fixed with shntool, new shns and md5s SIRMick([email protected])
Source 8 of 15
3:32:22
SBD
Rating:
10.00 / 1 rating
SHNID:
gd1974-02-24.sbd.marmar.13961.sbeok.flac16
Source:
shntool fix of original Jay Serafin seed by marmar
Taper Notes:
View Notes*12-16-2002* Files were processed using shntool to correct sector boundary errors. FLAC encoding and shntool processing done by Mr. Marmar 12/2002. This can also be tracked to 3 CD's using 80min disks. Move the first 4 tracks of disc 3 to the end of disc 2, and the rest of disk 3 will fit along with all of disk 4....
Source 9 of 15
43:37
SBD
Rating:
8.67 / 9 ratings
SHNID:
gd74-02-22.sndchk.serafin.8623.sbefail.shnf
Source:
Soundboard - Soundcheck
Lineage:
SBD > RTR @ 7.5 i.p.s. > D > SSSB
Taper Notes:
View Notessoundcheck- likely mislabeled copy of 2/22/74, these shns also <a href="http://db.etree.org/shninfo_detail.php?shnid=8623" rel="ugc nofollow">listed</a> under that date; SBD > RTR @ 7.5 i.p.s. > D > SSSB; no PCM- see info file; via Jay Serafin to gdlive
Transferrer: Jay Serafin
3:32:22
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Jay Serafin
SHNID:
gd1974-02-24.sbd.serafin.hollister.200.shnf
Source:
SBD > FM > S:MR
Lineage:
S:MR>PCM>DAT>CD
Taper Notes:
View NotesWow. Some very minor channel fading in a couple spots. Small bit of diginoise just before Bertha starts (or is it Big River? I forget.)
Source 11 of 15
3:32:22
SBD
Rating:
9.35 / 78 ratings
SHNID:
gd74-02-24.sbd.windsor.199.sbefail.shnf
Source:
Soundboard
Lineage:
SBD > Master Reel > PCM > DAT > Fostex D5 DAT > Marantz Professional PMD-320 CD Master > Ricoh MP-6200 series CD-R > HP 8200i CDRW Drive (EAC) > SHN
Taper Notes:
View NotesSBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)> SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated in accompanying info file, and thus does not require overburning (possibly was EZCD artifact?); no flaws noticed
Taper: Louis Falanga
3:35:47
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-02-24.176221.sony.ecm250.falanga.menke.miller.clugston.flac2496
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charles Connor for the Sony ECM 22p source which supplies some crowd and first 0:07 of "Brown Eyed Women" (0:19 total), some crowd and first 0:07 of "Beat It On Down The Line" (0:29 total), some crowd and first 0:06 of "Candyman" (0:10 total), some crowd and first 0:08 of "Jack Straw" (0:18 total), a 0:12 patch in "Big River", some crowd and first 0:10 of "Ship Of Fools" (0:19 total), some crowd and first 0:06 of "Promised Land" (0:12 total), as well as "It's All Over Now, Baby Blue" in its entirety - Pitch corrected Mastered by Scott Clugston April 2025
Taper: Louis Falanga
3:35:47
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-02-24.176220.sony.ecm250.falanga.menke.miller.clugston.flac1648
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charles Connor for the Sony ECM 22p source which supplies some crowd and first 0:07 of "Brown Eyed Women" (0:19 total), some crowd and first 0:07 of "Beat It On Down The Line" (0:29 total), some crowd and first 0:06 of "Candyman" (0:10 total), some crowd and first 0:08 of "Jack Straw" (0:18 total), a 0:12 patch in "Big River", some crowd and first 0:10 of "Ship Of Fools" (0:19 total), some crowd and first 0:06 of "Promised Land" (0:12 total), as well as "It's All Over Now, Baby Blue" in its entirety - Pitch corrected Mastered by Scott Clugston April 2025
Transferrer: Hunter Seamons
3:42:13
Rating:
9.71 / 7 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1974-02-24.136641.mtx.hseamons.ht110.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Taper Notes:
View NotesThe edited AUD source occasionally alternates between two different sound fields, mostly between songs, sometimes during songs. I chose to exclude these AUD edits for set 1, but incorporated them for set 2. Soundtrack Pro was used to remove some digital flaws in the SBD during Candyman and Jack Straw.
Taper: PO and Stucco TINA Holmes
3:44:27
Rating:
8.00 / 1 rating
Taper:
PO and Stucco TINA Holmes
Transferrer:
Jamie Waddell
SHNID:
gd1974-02-24.136266.aud.GEMS.flac16
Taper Notes:
View NotesPitch Corrected By Kevin Tobin In Adobe Audition Mastering in Wavelab 7.1 by Jamie Waddell 16bit 44.1kHz Track, FLAC and Pack by John Wenzel a project **GEMS** Betamania Release July 2016 notes - the beautiful 116902 sbd was used to match pitch in the creation of matrix and DTS offerings by Kevin Tobin. the transfer ran about 103% fast originally. - tape recorder was paused between every song and 116902 was patched in and adjust for crowd in over 20 spots - 116902 provided audio material for small parts of Row Jimmy, Dark Star, Morning Dew and Baby Blue, and well as offering audio spots missing on 116902