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Bands
Grateful Dead
Today In History
June 12th
6 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h55474
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.5k187
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.1k425
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.4k317
7d5.9k756
30d38.5k5.1k
57 shows
539 tapes
1991
36.3k
PlaybackListensHours
48h5k622
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h7.5k935
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h3k366
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k132
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.6k300
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h994113
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k215
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h4.3k508
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.4k181
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k150
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.4k307
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.4k276
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k212
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k266
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h10.4k1.4k
7d47.4k6.5k
30d292.7k40.4k
64 shows
419 tapes
1976
61.3k
PlaybackListensHours
48h20.1k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h23625
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.8k505
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h10.3k1.4k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2k257
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.7k189
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k191
7d12.9k1.3k
30d46.3k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.3k172
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h56271
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8312
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h49432
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h524
7d1368
30d63237
2 shows
2 tapes
1974
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] Febryary 13, 2021
3:44:34
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] Febryary 13, 2021
SHNID:
gd1974-02-24.151723.sbd.miller.flac1644
Source:
SBD > Master Reel > Dat (44.1k)
Lineage:
Dat (Tascam DA-20) > Tascam SS-R05 > Adobe Audition v3 > Samplitude Professional v11.2 > FLAC
Taper Notes:
View NotesNotes: -- This is a fixed version of shnid=116902 (channels were reversed) -- There is a Spanish Jam in Dark Star -- Tape flips in Row Jimmy and Dark Star -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
3:45:18
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-02-24.136276.sbd-patched.miller.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- This is a patched version of shnid=116902 -- All disc changes are seamless -- Numerous flaws were cleaned up -- There is a Spanish Jam in Dark Star -- Thanks to David Gans for lending me his Dats -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Kevin Tobin
3:44:25
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1974-02-24.136142.5-1.tobin.flac1648
Taper Notes:
View Notes5.1 LPCM Surround Sound Mix (48k) A Brokedown House Production
Transferrer: Kevin Tobin
3:44:24
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1974-02-24.136141.dts.tobin.flac16
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix Pitch Corrected By Kevin Tobin In Adobe Audition Mastering in Wavelab 7.1 by Jamie Waddell 16 bit 44.1kHz a project **GEMS** Betamania 2016 - FLAC conversion 27-JUN-2016 - Trader Little Helper - Tagged 27-JUN-2016 - Tag&Rename --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. A Brokedown House Production
Transferrer: Kevin Tobin
3:44:24
SBD
Rating:
7.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1974-02-24.136140.mtx.tobin.flac16
Taper Notes:
View NotesA Brokedown House Production
Transferrer: Charlie Miller
3:44:22
SBD
Rating:
9.76 / 17 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-02-24.sbd.miller.116902.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Numerous flaws were cleaned up -- There is a Spanish Jam in Dark Star -- Tape flips in Row Jimmy and Dark Star -- Thanks to David Gans for lending me his Dats -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Jay Serafin and SirMick
3:32:22
SBD
Rating:
8.57 / 8 ratings
Transferrer:
Jay Serafin and SirMick
SHNID:
gd1974-02-24.sbd.sssb-sbe-fix.sirmick.21370.sbeok.shnf
Source:
SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD
Taper Notes:
View NotesThis is not sourced from the current 2-24-74 tree. There is no dropout in the China->Rider Segue. [GSH NOTE: Disc 4 does NOT require an overburn, as stated in the info file. The length of disc 4 is 73:52, not 74:06.] (Note: Disc4 requires an overburn as it is 74:06.) CDRs which i know permit overburn are: Maxell, TDK. I hear Sonys will also. Mitsuis will NOT. My subjective quality grade: A-. No Dropouts, Clicks, or Digital Noise are present as far as I know.There is a small amount of guitar distortion in Cumberland Blues in Garcia's solo. Microsoft Word7 CD labels for each disc are provided, in B/W. EAC extracted, verified and shorten encoded by stephen windsor [email protected] ********************************************************************************** sector boundaries fixed with shntool, new shns and md5s SIRMick([email protected])
Source 8 of 15
3:32:22
SBD
Rating:
10.00 / 1 rating
SHNID:
gd1974-02-24.sbd.marmar.13961.sbeok.flac16
Source:
shntool fix of original Jay Serafin seed by marmar
Taper Notes:
View Notes*12-16-2002* Files were processed using shntool to correct sector boundary errors. FLAC encoding and shntool processing done by Mr. Marmar 12/2002. This can also be tracked to 3 CD's using 80min disks. Move the first 4 tracks of disc 3 to the end of disc 2, and the rest of disk 3 will fit along with all of disk 4....
Source 9 of 15
43:37
SBD
Rating:
8.67 / 9 ratings
SHNID:
gd74-02-22.sndchk.serafin.8623.sbefail.shnf
Source:
Soundboard - Soundcheck
Lineage:
SBD > RTR @ 7.5 i.p.s. > D > SSSB
Taper Notes:
View Notessoundcheck- likely mislabeled copy of 2/22/74, these shns also <a href="http://db.etree.org/shninfo_detail.php?shnid=8623" rel="ugc nofollow">listed</a> under that date; SBD > RTR @ 7.5 i.p.s. > D > SSSB; no PCM- see info file; via Jay Serafin to gdlive
Transferrer: Jay Serafin
3:32:22
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Jay Serafin
SHNID:
gd1974-02-24.sbd.serafin.hollister.200.shnf
Source:
SBD > FM > S:MR
Lineage:
S:MR>PCM>DAT>CD
Taper Notes:
View NotesWow. Some very minor channel fading in a couple spots. Small bit of diginoise just before Bertha starts (or is it Big River? I forget.)
Source 11 of 15
3:32:22
SBD
Rating:
9.35 / 78 ratings
SHNID:
gd74-02-24.sbd.windsor.199.sbefail.shnf
Source:
Soundboard
Lineage:
SBD > Master Reel > PCM > DAT > Fostex D5 DAT > Marantz Professional PMD-320 CD Master > Ricoh MP-6200 series CD-R > HP 8200i CDRW Drive (EAC) > SHN
Taper Notes:
View NotesSBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)> SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated in accompanying info file, and thus does not require overburning (possibly was EZCD artifact?); no flaws noticed
Taper: Louis Falanga
3:35:47
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-02-24.176221.sony.ecm250.falanga.menke.miller.clugston.flac2496
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charles Connor for the Sony ECM 22p source which supplies some crowd and first 0:07 of "Brown Eyed Women" (0:19 total), some crowd and first 0:07 of "Beat It On Down The Line" (0:29 total), some crowd and first 0:06 of "Candyman" (0:10 total), some crowd and first 0:08 of "Jack Straw" (0:18 total), a 0:12 patch in "Big River", some crowd and first 0:10 of "Ship Of Fools" (0:19 total), some crowd and first 0:06 of "Promised Land" (0:12 total), as well as "It's All Over Now, Baby Blue" in its entirety - Pitch corrected Mastered by Scott Clugston April 2025
Taper: Louis Falanga
3:35:47
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-02-24.176220.sony.ecm250.falanga.menke.miller.clugston.flac1648
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charles Connor for the Sony ECM 22p source which supplies some crowd and first 0:07 of "Brown Eyed Women" (0:19 total), some crowd and first 0:07 of "Beat It On Down The Line" (0:29 total), some crowd and first 0:06 of "Candyman" (0:10 total), some crowd and first 0:08 of "Jack Straw" (0:18 total), a 0:12 patch in "Big River", some crowd and first 0:10 of "Ship Of Fools" (0:19 total), some crowd and first 0:06 of "Promised Land" (0:12 total), as well as "It's All Over Now, Baby Blue" in its entirety - Pitch corrected Mastered by Scott Clugston April 2025
Transferrer: Hunter Seamons
3:42:13
Rating:
9.71 / 7 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1974-02-24.136641.mtx.hseamons.ht110.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Taper Notes:
View NotesThe edited AUD source occasionally alternates between two different sound fields, mostly between songs, sometimes during songs. I chose to exclude these AUD edits for set 1, but incorporated them for set 2. Soundtrack Pro was used to remove some digital flaws in the SBD during Candyman and Jack Straw.
Taper: PO and Stucco TINA Holmes
3:44:27
Rating:
8.00 / 1 rating
Taper:
PO and Stucco TINA Holmes
Transferrer:
Jamie Waddell
SHNID:
gd1974-02-24.136266.aud.GEMS.flac16
Taper Notes:
View NotesPitch Corrected By Kevin Tobin In Adobe Audition Mastering in Wavelab 7.1 by Jamie Waddell 16bit 44.1kHz Track, FLAC and Pack by John Wenzel a project **GEMS** Betamania Release July 2016 notes - the beautiful 116902 sbd was used to match pitch in the creation of matrix and DTS offerings by Kevin Tobin. the transfer ran about 103% fast originally. - tape recorder was paused between every song and 116902 was patched in and adjust for crowd in over 20 spots - 116902 provided audio material for small parts of Row Jimmy, Dark Star, Morning Dew and Baby Blue, and well as offering audio spots missing on 116902