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June 7th
5 shows
5 tapes
Years
2026
62.9k
PlaybackListensHours
48h2.7k484
7d6.8k1.2k
30d62.9k11.2k
13 shows
13 tapes
2025
17.1k
PlaybackListensHours
48h1.3k225
7d2.9k515
30d17.1k3.1k
42 shows
42 tapes
2024
6.1k
PlaybackListensHours
48h635114
7d1.4k253
30d6.1k1.1k
39 shows
39 tapes
2023
4.2k
PlaybackListensHours
48h41471
7d934159
30d4.2k696
45 shows
45 tapes
2022
7.7k
PlaybackListensHours
48h1k160
7d3.7k579
30d7.7k1.2k
47 shows
48 tapes
2021
3.8k
PlaybackListensHours
48h29753
7d776135
30d3.8k675
35 shows
35 tapes
2020
320
PlaybackListensHours
48h91
7d497
30d32045
4 shows
4 tapes
2019
3.1k
PlaybackListensHours
48h22131
7d683101
30d3.1k452
39 shows
39 tapes
2018
4.3k
PlaybackListensHours
48h17927
7d48676
30d4.3k659
39 shows
39 tapes
2017
2.4k
PlaybackListensHours
48h22337
7d53993
30d2.4k409
28 shows
28 tapes
2016
2.2k
PlaybackListensHours
48h29340
7d48367
30d2.2k293
45 shows
45 tapes
2015
1.7k
PlaybackListensHours
48h16826
7d39561
30d1.7k281
31 shows
31 tapes
2014
1.6k
PlaybackListensHours
48h20928
7d34548
30d1.6k229
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h11918
7d22334
30d1.5k234
41 shows
41 tapes
2012
2.1k
PlaybackListensHours
48h27540
7d67191
30d2.1k293
37 shows
37 tapes
2011
8.2k
PlaybackListensHours
48h1.1k154
7d3.7k532
30d8.2k1.2k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h18026
7d45662
30d2.5k325
50 shows
50 tapes
2009
4.1k
PlaybackListensHours
48h887115
7d1.8k250
30d4.1k575
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h9322
7d26155
30d1.8k353
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h36274
7d1.1k200
30d5.2k1k
45 shows
45 tapes
2002
320
PlaybackListensHours
48h331m
7d335
30d32047
3 shows
3 tapes
2000
14.8k
PlaybackListensHours
48h770140
7d1.9k342
30d14.8k2.5k
56 shows
56 tapes
1999
17.3k
PlaybackListensHours
48h1.3k233
7d3.3k599
30d17.3k3.2k
64 shows
64 tapes
1998
20.3k
PlaybackListensHours
48h1.7k278
7d4k657
30d20.3k3.4k
70 shows
70 tapes
1997
21k
PlaybackListensHours
48h1.9k326
7d3.9k702
30d21k3.8k
81 shows
81 tapes
1996
8.6k
PlaybackListensHours
48h1.3k191
7d1.3k189
30d8.6k1.2k
71 shows
71 tapes
1995
11.6k
PlaybackListensHours
48h758109
7d2.5k364
30d11.6k1.7k
82 shows
82 tapes
1994
28.7k
PlaybackListensHours
48h1.3k161
7d3k372
30d28.7k3.6k
124 shows
124 tapes
1993
13.6k
PlaybackListensHours
48h859104
7d2k238
30d13.6k1.6k
109 shows
109 tapes
1992
9.4k
PlaybackListensHours
48h35043
7d935107
30d9.4k1.1k
109 shows
109 tapes
1991
6.8k
PlaybackListensHours
48h47649
7d95199
30d6.8k733
117 shows
119 tapes
1990
5k
PlaybackListensHours
48h54854
7d1.3k147
30d5k570
100 shows
101 tapes
1989
2k
PlaybackListensHours
48h405
7d14519
30d2k265
66 shows
66 tapes
1988
2.6k
PlaybackListensHours
48h10613
7d33341
30d2.6k342
44 shows
44 tapes
1987
783
PlaybackListensHours
48h202
7d9712
30d78395
18 shows
18 tapes
1986
419
PlaybackListensHours
48h323
7d809
30d41945
7 shows
7 tapes
1985
267
PlaybackListensHours
48h112
7d527
30d26738
7 shows
7 tapes
1984
166
PlaybackListensHours
48h81
7d142
30d16623
2 shows
2 tapes
1983
77
PlaybackListensHours
48h653m
7d112
30d7711
1 show
1 tape
1992
Sources
Source 1 of 1
2:24:51
SBD
Dot Net:
6.76 / 50 ratings
SHNID:
67
Taper Notes:
View NotesPhish First Avenue Minneapolis, MN 1992-04-29 Set I Source: audience, Audix cardioids > TC-D5M (mic pre-amp, pass-thru) > Cass/0 (WM-D6C, TDK SA-X, Dolby C) Transfer: Original master cassettes (Cass/0) played back in JVC TD-V541 (dual capstan, 3 head, Dolby C decoding) > Tascam DA-20 (pass-thru), SPDIF/optical converter > Creative Nomad Jukebox 3 > Firewire > CDWAV > FLAC Set II Source: SDBD>CASS0 Transfer: CASS0>HB850>EAC>CDwav>SHN(Chris Jonus) Taped and transferred (9/2008) by Pat Volkerding <[email protected]> Set One: 1. Suzie Greenburg 2. Foam 3. Sparkle 4. It's Ice 5. Runaway Jim 6. Guelah Papyrus 7. Rift 8. Bouncing Around the Room 9. Take the A-Train 10. David Bowie > Secret Language Instructions > 11. David Bowie Set 2: 1. The Landlady-> 2. Possum, 3. Mound-> 4. Oh Kee Pa Ceremony 5. Llama 6. Lizards 7. Mike's Song-> 8. I Am Hydrogen->* 9. Weekapaug Groove 10. Cold as Ice-> Love You-> Cold as Ice 11. Golgi Apparatus 12. E: Horn 13. Rocky Top *Tape flip at the very beginning of the transition to I Am Hydrogen, the track break is the flip point- I have not altered the wavs in any way from the master cassette. Notes: A couple of seconds are missing from the beginning of "Suzie Greenburg". Sorry for the late start. There are two short gaps at the end of Rift where the taper ahead of me in the chain flipped without warning -- my own tape ran out moments before the song ended and needed to be flipped, too. Tape flip in the second set as I Am Hydrogen begins. Paul's deck was leading the chain and ran out. He was busy mixing, so it was a few seconds before he could be alerted that the tape needed to be flipped. Editing: Essentially, none. There was no EQ, digital noise reduction, or other digital post-processing applied. Normalization was achieved with the DA-20 level control and level margin indicator (and repeated transfer attempts until the levels were just exactly perfect). Regarding "essentially" -- two tracks were taken into Cool Edit for very minor repair. "Possum" -- one pop was carefully removed the first time they all sing "Possum" together in the first chorus. "Love You" had a few pops in it, possibly microphone overload (this is evident in the first set audience tape, so it was not brickwalling anywhere in the tape chain). These pops were removed where Fishman (I mean Henrietta) says "Hello Minneapolis" and "Peter" (as in Peter Schall). There were a couple of mild snapping noises during the Electrolux solo, but these were left alone as IMHO they are part of the authentic sound. All tracks have been checked for correct CD sector boundaries. The story behind this tape lineage: My friend Brad told me I should come out for this show since it was only 200 some miles from where I lived, and to bring my deck and cables to patch from the board. So, I didn't bring my mic rig with me. I got there, attempted to stealth my gear in and was caught (only time that ever happened -- fooled by the ominous NO TAPING sign)... told them the band said it was OK. They checked, came back, said something like "Aww, I wanted a new tape deck", and let me in. Col. Bruce Hampton was getting ready to play, so I settled down with a beer. Didn't see Brad anywhere. After the set, I talked to Paul and told him Brad said it would be all right to patch in. Paul said he'd have to hear that from Brad. Well... I held out about as long as I could waiting to Brad to turn up, but no... so, just as set one began I patched into a D5 that belonged to someone I'd just met there. Some time after flipping the tape during the first set, I see Brad and Paul chatting at the board and wander over. "Hey, got your patch right?" "No." (some discussion) "Want it?" "Well... I'd rather not interrupt a rolling tape. Can I get it for set two?" "Sure." So, for set two I was patched out of Chris Kuroda's D6 (and it was also my job to run his deck while he handled the lights -- masterfully as always). Kind of a shame the first set patch did not materialize, but I'm glad to have got what I got. I checked the other decks and none of them were using noise reduction. I've always liked to use that (dbx usually) and leave plenty of headroom, so my guess is that this second set may be a sonic upgrade from what previously circulated. The first set has not, to my knowledge, circulated previously as a digital copy of this audience master; only as cassette copies. When the other audience tapers saw I'd gotten a patch, they all wanted to patch with me. I nearly had to fend them off with a shillelagh. ;-) I promised some of them copies, but nobody ever contacted me. Analog copies of the whole show were circulated back in the day. Now, enjoy the whole thing direct from the masters. Remind me not to take 16 years to get stuff out next time...