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June 12th
4 shows
4 tapes
Years
2026
49.4k
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48h2k352
7d5.8k1k
30d49.4k8.8k
13 shows
13 tapes
2025
17.1k
PlaybackListensHours
48h1.4k247
7d2.9k511
30d17.1k3.1k
42 shows
42 tapes
2024
6.4k
PlaybackListensHours
48h33364
7d1.2k220
30d6.4k1.2k
39 shows
39 tapes
2023
4.2k
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48h26141
7d810130
30d4.2k696
45 shows
45 tapes
2022
8k
PlaybackListensHours
48h21535
7d739121
30d8k1.3k
47 shows
48 tapes
2021
4k
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48h24742
7d772138
30d4k726
35 shows
35 tapes
2020
352
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48h325m
7d9213
30d35248
4 shows
4 tapes
2019
3.3k
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48h751110
7d730105
30d3.3k475
39 shows
39 tapes
2018
4.2k
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48h16928
7d54782
30d4.2k636
39 shows
39 tapes
2017
2.7k
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48h15932
7d552102
30d2.7k464
28 shows
28 tapes
2016
2.4k
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48h13417
7d58977
30d2.4k315
45 shows
45 tapes
2015
1.9k
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48h16626
7d42262
30d1.9k307
31 shows
31 tapes
2014
1.8k
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48h11818
7d38354
30d1.8k242
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h13921
7d22936
30d1.5k231
41 shows
41 tapes
2012
4.2k
PlaybackListensHours
48h51363
7d2.3k308
30d4.2k556
37 shows
37 tapes
2011
9.3k
PlaybackListensHours
48h911116
7d1.5k207
30d9.3k1.3k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h56178
7d49568
30d2.5k331
50 shows
50 tapes
2009
5.9k
PlaybackListensHours
48h40259
7d2.1k297
30d5.9k822
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h6812
7d28458
30d1.8k349
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h28853
7d736138
30d5.2k999
45 shows
45 tapes
2002
262
PlaybackListensHours
48h426
7d335
30d26238
3 shows
3 tapes
2000
16.1k
PlaybackListensHours
48h1k175
7d2.6k483
30d16.1k2.7k
56 shows
56 tapes
1999
17.3k
PlaybackListensHours
48h1k191
7d2.8k503
30d17.3k3.2k
64 shows
64 tapes
1998
21.2k
PlaybackListensHours
48h1.1k183
7d3.7k611
30d21.2k3.5k
70 shows
70 tapes
1997
22.1k
PlaybackListensHours
48h1.5k264
7d4.3k743
30d22.1k4k
81 shows
81 tapes
1996
9.2k
PlaybackListensHours
48h52372
7d2.3k324
30d9.2k1.3k
71 shows
71 tapes
1995
13.7k
PlaybackListensHours
48h834129
7d3.8k546
30d13.7k2k
82 shows
82 tapes
1994
27.6k
PlaybackListensHours
48h3.6k493
7d3.5k423
30d27.6k3.4k
124 shows
124 tapes
1993
12.5k
PlaybackListensHours
48h861103
7d2k235
30d12.5k1.5k
109 shows
109 tapes
1992
8.3k
PlaybackListensHours
48h34940
7d950113
30d8.3k940
109 shows
109 tapes
1991
5.9k
PlaybackListensHours
48h39239
7d79285
30d5.9k625
117 shows
119 tapes
1990
5.1k
PlaybackListensHours
48h19222
7d938102
30d5.1k578
100 shows
101 tapes
1989
2k
PlaybackListensHours
48h13817
7d30339
30d2k262
66 shows
66 tapes
1988
2.7k
PlaybackListensHours
48h18724
7d39248
30d2.7k355
44 shows
44 tapes
1987
584
PlaybackListensHours
48h14417
7d324
30d58473
18 shows
18 tapes
1986
359
PlaybackListensHours
48h162
7d465
30d35938
7 shows
7 tapes
1985
249
PlaybackListensHours
48h759m
7d376
30d24937
7 shows
7 tapes
1984
130
PlaybackListensHours
48h122
7d81
30d13018
2 shows
2 tapes
1983
75
PlaybackListensHours
48h433m
7d132
30d7511
1 show
1 tape
1992
4/29/92
Set 1
1:13:26
Suzy Greenberg
5:23
Foam
8:32
Sparkle
4:01
It's Ice
8:39
Runaway Jim
7:32
Guelah Papyrus
5:52
Rift
6:59
Bouncing Around the Room
3:46
Take the 'A' Train
5:00
David Bowie > Secret Language Instructions
6:52
David Bowie
10:50
Set 2
1:05:03
The Landlady
4:03
Possum
10:42
Mound
5:52
The Oh Kee Pa Ceremony
1:40
Llama
4:47
The Lizards
9:35
Mike's Song
6:32
I Am Hydrogen
1:57
Weekapaug Groove
6:29
Cold as Ice > Love You > Cold as Ice
8:27
Golgi Apparatus
4:59
Encore
6:22
Horn
3:42
Rocky Top
2:40
FIN
View on phish.in
View on phish.net
Sources
Source 1 of 1
2:24:51
SBD
Dot Net:
6.76 / 50 ratings
SHNID:
67
Taper Notes:
View NotesPhish First Avenue Minneapolis, MN 1992-04-29 Set I Source: audience, Audix cardioids > TC-D5M (mic pre-amp, pass-thru) > Cass/0 (WM-D6C, TDK SA-X, Dolby C) Transfer: Original master cassettes (Cass/0) played back in JVC TD-V541 (dual capstan, 3 head, Dolby C decoding) > Tascam DA-20 (pass-thru), SPDIF/optical converter > Creative Nomad Jukebox 3 > Firewire > CDWAV > FLAC Set II Source: SDBD>CASS0 Transfer: CASS0>HB850>EAC>CDwav>SHN(Chris Jonus) Taped and transferred (9/2008) by Pat Volkerding <[email protected]> Set One: 1. Suzie Greenburg 2. Foam 3. Sparkle 4. It's Ice 5. Runaway Jim 6. Guelah Papyrus 7. Rift 8. Bouncing Around the Room 9. Take the A-Train 10. David Bowie > Secret Language Instructions > 11. David Bowie Set 2: 1. The Landlady-> 2. Possum, 3. Mound-> 4. Oh Kee Pa Ceremony 5. Llama 6. Lizards 7. Mike's Song-> 8. I Am Hydrogen->* 9. Weekapaug Groove 10. Cold as Ice-> Love You-> Cold as Ice 11. Golgi Apparatus 12. E: Horn 13. Rocky Top *Tape flip at the very beginning of the transition to I Am Hydrogen, the track break is the flip point- I have not altered the wavs in any way from the master cassette. Notes: A couple of seconds are missing from the beginning of "Suzie Greenburg". Sorry for the late start. There are two short gaps at the end of Rift where the taper ahead of me in the chain flipped without warning -- my own tape ran out moments before the song ended and needed to be flipped, too. Tape flip in the second set as I Am Hydrogen begins. Paul's deck was leading the chain and ran out. He was busy mixing, so it was a few seconds before he could be alerted that the tape needed to be flipped. Editing: Essentially, none. There was no EQ, digital noise reduction, or other digital post-processing applied. Normalization was achieved with the DA-20 level control and level margin indicator (and repeated transfer attempts until the levels were just exactly perfect). Regarding "essentially" -- two tracks were taken into Cool Edit for very minor repair. "Possum" -- one pop was carefully removed the first time they all sing "Possum" together in the first chorus. "Love You" had a few pops in it, possibly microphone overload (this is evident in the first set audience tape, so it was not brickwalling anywhere in the tape chain). These pops were removed where Fishman (I mean Henrietta) says "Hello Minneapolis" and "Peter" (as in Peter Schall). There were a couple of mild snapping noises during the Electrolux solo, but these were left alone as IMHO they are part of the authentic sound. All tracks have been checked for correct CD sector boundaries. The story behind this tape lineage: My friend Brad told me I should come out for this show since it was only 200 some miles from where I lived, and to bring my deck and cables to patch from the board. So, I didn't bring my mic rig with me. I got there, attempted to stealth my gear in and was caught (only time that ever happened -- fooled by the ominous NO TAPING sign)... told them the band said it was OK. They checked, came back, said something like "Aww, I wanted a new tape deck", and let me in. Col. Bruce Hampton was getting ready to play, so I settled down with a beer. Didn't see Brad anywhere. After the set, I talked to Paul and told him Brad said it would be all right to patch in. Paul said he'd have to hear that from Brad. Well... I held out about as long as I could waiting to Brad to turn up, but no... so, just as set one began I patched into a D5 that belonged to someone I'd just met there. Some time after flipping the tape during the first set, I see Brad and Paul chatting at the board and wander over. "Hey, got your patch right?" "No." (some discussion) "Want it?" "Well... I'd rather not interrupt a rolling tape. Can I get it for set two?" "Sure." So, for set two I was patched out of Chris Kuroda's D6 (and it was also my job to run his deck while he handled the lights -- masterfully as always). Kind of a shame the first set patch did not materialize, but I'm glad to have got what I got. I checked the other decks and none of them were using noise reduction. I've always liked to use that (dbx usually) and leave plenty of headroom, so my guess is that this second set may be a sonic upgrade from what previously circulated. The first set has not, to my knowledge, circulated previously as a digital copy of this audience master; only as cassette copies. When the other audience tapers saw I'd gotten a patch, they all wanted to patch with me. I nearly had to fend them off with a shillelagh. ;-) I promised some of them copies, but nobody ever contacted me. Analog copies of the whole show were circulated back in the day. Now, enjoy the whole thing direct from the masters. Remind me not to take 16 years to get stuff out next time...