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June 14th
6 shows
6 tapes
Years
2026
42.8k
PlaybackListensHours
48h1.9k351
7d4.3k758
30d42.8k7.6k
13 shows
13 tapes
2025
16.5k
PlaybackListensHours
48h1.2k217
7d2.6k461
30d16.5k2.9k
42 shows
42 tapes
2024
6.2k
PlaybackListensHours
48h32762
7d775144
30d6.2k1.1k
39 shows
39 tapes
2023
4k
PlaybackListensHours
48h29349
7d57089
30d4k657
45 shows
45 tapes
2022
8k
PlaybackListensHours
48h17730
7d51685
30d8k1.3k
47 shows
48 tapes
2021
3.8k
PlaybackListensHours
48h13923
7d598101
30d3.8k686
35 shows
35 tapes
2020
346
PlaybackListensHours
48h395
7d8712
30d34647
4 shows
4 tapes
2019
3.9k
PlaybackListensHours
48h31244
7d1.2k176
30d3.9k565
39 shows
39 tapes
2018
3.8k
PlaybackListensHours
48h16324
7d39361
30d3.8k582
39 shows
39 tapes
2017
2.7k
PlaybackListensHours
48h20236
7d41781
30d2.7k468
28 shows
28 tapes
2016
2.2k
PlaybackListensHours
48h15821
7d36445
30d2.2k296
45 shows
45 tapes
2015
1.9k
PlaybackListensHours
48h18028
7d33953
30d1.9k304
31 shows
31 tapes
2014
1.8k
PlaybackListensHours
48h6710
7d26138
30d1.8k248
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h8814
7d22235
30d1.5k225
41 shows
41 tapes
2012
4.5k
PlaybackListensHours
48h20326
7d1.3k160
30d4.5k597
37 shows
37 tapes
2011
10.1k
PlaybackListensHours
48h60982
7d1.6k212
30d10.1k1.4k
41 shows
41 tapes
2010
2.8k
PlaybackListensHours
48h50775
7d792108
30d2.8k379
50 shows
50 tapes
2009
6.1k
PlaybackListensHours
48h50964
7d1.3k190
30d6.1k858
51 shows
51 tapes
2004
1.7k
PlaybackListensHours
48h378
7d16033
30d1.7k338
20 shows
20 tapes
2003
5k
PlaybackListensHours
48h26348
7d566103
30d5k956
45 shows
45 tapes
2002
273
PlaybackListensHours
48h327m
7d466
30d27340
3 shows
3 tapes
2000
15.5k
PlaybackListensHours
48h1.2k201
7d2.7k490
30d15.5k2.7k
56 shows
56 tapes
1999
16.4k
PlaybackListensHours
48h1k184
7d2k385
30d16.4k3k
64 shows
64 tapes
1998
20k
PlaybackListensHours
48h1.3k214
7d2.6k443
30d20k3.3k
70 shows
70 tapes
1997
21.2k
PlaybackListensHours
48h1.8k287
7d3.2k582
30d21.2k3.8k
81 shows
81 tapes
1996
8.8k
PlaybackListensHours
48h47268
7d1.1k148
30d8.8k1.3k
71 shows
71 tapes
1995
13.1k
PlaybackListensHours
48h947146
7d2.9k420
30d13.1k1.9k
82 shows
82 tapes
1994
28.2k
PlaybackListensHours
48h2.2k273
7d5.6k741
30d28.2k3.6k
124 shows
124 tapes
1993
11.7k
PlaybackListensHours
48h56371
7d1.7k206
30d11.7k1.4k
109 shows
109 tapes
1992
6.9k
PlaybackListensHours
48h28232
7d66278
30d6.9k785
109 shows
109 tapes
1991
5.5k
PlaybackListensHours
48h27929
7d64267
30d5.5k580
117 shows
119 tapes
1990
4.5k
PlaybackListensHours
48h28532
7d63971
30d4.5k513
100 shows
101 tapes
1989
2k
PlaybackListensHours
48h668
7d33843
30d2k257
66 shows
66 tapes
1988
2.4k
PlaybackListensHours
48h13219
7d35645
30d2.4k310
44 shows
44 tapes
1987
613
PlaybackListensHours
48h234
7d15818
30d61375
18 shows
18 tapes
1986
348
PlaybackListensHours
48h252
7d344
30d34837
7 shows
7 tapes
1985
244
PlaybackListensHours
48h13m
7d153
30d24436
7 shows
7 tapes
1984
134
PlaybackListensHours
48h101
7d233
30d13418
2 shows
2 tapes
1983
63
PlaybackListensHours
48h217m
7d542m
30d639
1 show
1 tape
1992
4/29/92
Set 1
1:13:26
Suzy Greenberg
5:23
Foam
8:32
Sparkle
4:01
It's Ice
8:39
Runaway Jim
7:32
Guelah Papyrus
5:52
Rift
6:59
Bouncing Around the Room
3:46
Take the 'A' Train
5:00
David Bowie > Secret Language Instructions
6:52
David Bowie
10:50
Set 2
1:05:03
The Landlady
4:03
Possum
10:42
Mound
5:52
The Oh Kee Pa Ceremony
1:40
Llama
4:47
The Lizards
9:35
Mike's Song
6:32
I Am Hydrogen
1:57
Weekapaug Groove
6:29
Cold as Ice > Love You > Cold as Ice
8:27
Golgi Apparatus
4:59
Encore
6:22
Horn
3:42
Rocky Top
2:40
FIN
View on phish.in
View on phish.net
Sources
Source 1 of 1
2:24:51
SBD
Dot Net:
6.76 / 50 ratings
SHNID:
67
Taper Notes:
View NotesPhish First Avenue Minneapolis, MN 1992-04-29 Set I Source: audience, Audix cardioids > TC-D5M (mic pre-amp, pass-thru) > Cass/0 (WM-D6C, TDK SA-X, Dolby C) Transfer: Original master cassettes (Cass/0) played back in JVC TD-V541 (dual capstan, 3 head, Dolby C decoding) > Tascam DA-20 (pass-thru), SPDIF/optical converter > Creative Nomad Jukebox 3 > Firewire > CDWAV > FLAC Set II Source: SDBD>CASS0 Transfer: CASS0>HB850>EAC>CDwav>SHN(Chris Jonus) Taped and transferred (9/2008) by Pat Volkerding <[email protected]> Set One: 1. Suzie Greenburg 2. Foam 3. Sparkle 4. It's Ice 5. Runaway Jim 6. Guelah Papyrus 7. Rift 8. Bouncing Around the Room 9. Take the A-Train 10. David Bowie > Secret Language Instructions > 11. David Bowie Set 2: 1. The Landlady-> 2. Possum, 3. Mound-> 4. Oh Kee Pa Ceremony 5. Llama 6. Lizards 7. Mike's Song-> 8. I Am Hydrogen->* 9. Weekapaug Groove 10. Cold as Ice-> Love You-> Cold as Ice 11. Golgi Apparatus 12. E: Horn 13. Rocky Top *Tape flip at the very beginning of the transition to I Am Hydrogen, the track break is the flip point- I have not altered the wavs in any way from the master cassette. Notes: A couple of seconds are missing from the beginning of "Suzie Greenburg". Sorry for the late start. There are two short gaps at the end of Rift where the taper ahead of me in the chain flipped without warning -- my own tape ran out moments before the song ended and needed to be flipped, too. Tape flip in the second set as I Am Hydrogen begins. Paul's deck was leading the chain and ran out. He was busy mixing, so it was a few seconds before he could be alerted that the tape needed to be flipped. Editing: Essentially, none. There was no EQ, digital noise reduction, or other digital post-processing applied. Normalization was achieved with the DA-20 level control and level margin indicator (and repeated transfer attempts until the levels were just exactly perfect). Regarding "essentially" -- two tracks were taken into Cool Edit for very minor repair. "Possum" -- one pop was carefully removed the first time they all sing "Possum" together in the first chorus. "Love You" had a few pops in it, possibly microphone overload (this is evident in the first set audience tape, so it was not brickwalling anywhere in the tape chain). These pops were removed where Fishman (I mean Henrietta) says "Hello Minneapolis" and "Peter" (as in Peter Schall). There were a couple of mild snapping noises during the Electrolux solo, but these were left alone as IMHO they are part of the authentic sound. All tracks have been checked for correct CD sector boundaries. The story behind this tape lineage: My friend Brad told me I should come out for this show since it was only 200 some miles from where I lived, and to bring my deck and cables to patch from the board. So, I didn't bring my mic rig with me. I got there, attempted to stealth my gear in and was caught (only time that ever happened -- fooled by the ominous NO TAPING sign)... told them the band said it was OK. They checked, came back, said something like "Aww, I wanted a new tape deck", and let me in. Col. Bruce Hampton was getting ready to play, so I settled down with a beer. Didn't see Brad anywhere. After the set, I talked to Paul and told him Brad said it would be all right to patch in. Paul said he'd have to hear that from Brad. Well... I held out about as long as I could waiting to Brad to turn up, but no... so, just as set one began I patched into a D5 that belonged to someone I'd just met there. Some time after flipping the tape during the first set, I see Brad and Paul chatting at the board and wander over. "Hey, got your patch right?" "No." (some discussion) "Want it?" "Well... I'd rather not interrupt a rolling tape. Can I get it for set two?" "Sure." So, for set two I was patched out of Chris Kuroda's D6 (and it was also my job to run his deck while he handled the lights -- masterfully as always). Kind of a shame the first set patch did not materialize, but I'm glad to have got what I got. I checked the other decks and none of them were using noise reduction. I've always liked to use that (dbx usually) and leave plenty of headroom, so my guess is that this second set may be a sonic upgrade from what previously circulated. The first set has not, to my knowledge, circulated previously as a digital copy of this audience master; only as cassette copies. When the other audience tapers saw I'd gotten a patch, they all wanted to patch with me. I nearly had to fend them off with a shillelagh. ;-) I promised some of them copies, but nobody ever contacted me. Analog copies of the whole show were circulated back in the day. Now, enjoy the whole thing direct from the masters. Remind me not to take 16 years to get stuff out next time...