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June 13th
5 shows
5 tapes
Years
2026
47.6k
PlaybackListensHours
48h2.2k390
7d5.5k971
30d47.6k8.5k
13 shows
13 tapes
2025
17.3k
PlaybackListensHours
48h1.4k250
7d3k529
30d17.3k3.1k
42 shows
42 tapes
2024
6.3k
PlaybackListensHours
48h37773
7d1.1k193
30d6.3k1.2k
39 shows
39 tapes
2023
4.2k
PlaybackListensHours
48h24439
7d750119
30d4.2k695
45 shows
45 tapes
2022
8.1k
PlaybackListensHours
48h16927
7d656108
30d8.1k1.3k
47 shows
48 tapes
2021
4.1k
PlaybackListensHours
48h22539
7d805141
30d4.1k742
35 shows
35 tapes
2020
352
PlaybackListensHours
48h325m
7d8812
30d35248
4 shows
4 tapes
2019
3.6k
PlaybackListensHours
48h969138
7d1k154
30d3.6k526
39 shows
39 tapes
2018
4.1k
PlaybackListensHours
48h14524
7d56785
30d4.1k619
39 shows
39 tapes
2017
2.8k
PlaybackListensHours
48h15332
7d47992
30d2.8k469
28 shows
28 tapes
2016
2.3k
PlaybackListensHours
48h9113
7d53769
30d2.3k308
45 shows
45 tapes
2015
2k
PlaybackListensHours
48h16524
7d38357
30d2k309
31 shows
31 tapes
2014
1.8k
PlaybackListensHours
48h10616
7d33048
30d1.8k245
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h12518
7d30548
30d1.5k239
41 shows
41 tapes
2012
4.4k
PlaybackListensHours
48h37648
7d2.5k327
30d4.4k585
37 shows
37 tapes
2011
9.6k
PlaybackListensHours
48h1.1k135
7d1.7k225
30d9.6k1.4k
41 shows
41 tapes
2010
2.7k
PlaybackListensHours
48h58081
7d70798
30d2.7k357
50 shows
50 tapes
2009
6k
PlaybackListensHours
48h46469
7d1.8k258
30d6k842
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h579
7d26254
30d1.8k348
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h34463
7d766141
30d5.2k991
45 shows
45 tapes
2002
278
PlaybackListensHours
48h325
7d699
30d27841
3 shows
3 tapes
2000
16.3k
PlaybackListensHours
48h1.1k175
7d2.9k530
30d16.3k2.8k
56 shows
56 tapes
1999
17.3k
PlaybackListensHours
48h1.1k206
7d2.6k488
30d17.3k3.2k
64 shows
64 tapes
1998
20.9k
PlaybackListensHours
48h1.3k203
7d3.4k572
30d20.9k3.5k
70 shows
70 tapes
1997
22.1k
PlaybackListensHours
48h1.6k289
7d3.9k705
30d22.1k4k
81 shows
81 tapes
1996
9.2k
PlaybackListensHours
48h55578
7d1.7k232
30d9.2k1.3k
71 shows
71 tapes
1995
13.8k
PlaybackListensHours
48h803123
7d4.1k580
30d13.8k2k
82 shows
82 tapes
1994
28.5k
PlaybackListensHours
48h3.9k536
7d5k651
30d28.5k3.6k
124 shows
124 tapes
1993
12.4k
PlaybackListensHours
48h878108
7d1.8k223
30d12.4k1.5k
109 shows
109 tapes
1992
7.7k
PlaybackListensHours
48h36742
7d1k119
30d7.7k880
109 shows
109 tapes
1991
5.7k
PlaybackListensHours
48h41843
7d73579
30d5.7k606
117 shows
119 tapes
1990
5k
PlaybackListensHours
48h19822
7d89198
30d5k567
100 shows
101 tapes
1989
2.1k
PlaybackListensHours
48h12716
7d39650
30d2.1k271
66 shows
66 tapes
1988
2.6k
PlaybackListensHours
48h21828
7d36745
30d2.6k339
44 shows
44 tapes
1987
691
PlaybackListensHours
48h10112
7d15118
30d69187
18 shows
18 tapes
1986
366
PlaybackListensHours
48h101
7d495
30d36639
7 shows
7 tapes
1985
247
PlaybackListensHours
48h759m
7d356
30d24737
7 shows
7 tapes
1984
126
PlaybackListensHours
48h202
7d438m
30d12618
2 shows
2 tapes
1983
66
PlaybackListensHours
48h433m
7d81
30d6610
1 show
1 tape
1992
Sources
Source 1 of 1
2:24:51
SBD
Dot Net:
6.76 / 50 ratings
SHNID:
67
Taper Notes:
View NotesPhish First Avenue Minneapolis, MN 1992-04-29 Set I Source: audience, Audix cardioids > TC-D5M (mic pre-amp, pass-thru) > Cass/0 (WM-D6C, TDK SA-X, Dolby C) Transfer: Original master cassettes (Cass/0) played back in JVC TD-V541 (dual capstan, 3 head, Dolby C decoding) > Tascam DA-20 (pass-thru), SPDIF/optical converter > Creative Nomad Jukebox 3 > Firewire > CDWAV > FLAC Set II Source: SDBD>CASS0 Transfer: CASS0>HB850>EAC>CDwav>SHN(Chris Jonus) Taped and transferred (9/2008) by Pat Volkerding <[email protected]> Set One: 1. Suzie Greenburg 2. Foam 3. Sparkle 4. It's Ice 5. Runaway Jim 6. Guelah Papyrus 7. Rift 8. Bouncing Around the Room 9. Take the A-Train 10. David Bowie > Secret Language Instructions > 11. David Bowie Set 2: 1. The Landlady-> 2. Possum, 3. Mound-> 4. Oh Kee Pa Ceremony 5. Llama 6. Lizards 7. Mike's Song-> 8. I Am Hydrogen->* 9. Weekapaug Groove 10. Cold as Ice-> Love You-> Cold as Ice 11. Golgi Apparatus 12. E: Horn 13. Rocky Top *Tape flip at the very beginning of the transition to I Am Hydrogen, the track break is the flip point- I have not altered the wavs in any way from the master cassette. Notes: A couple of seconds are missing from the beginning of "Suzie Greenburg". Sorry for the late start. There are two short gaps at the end of Rift where the taper ahead of me in the chain flipped without warning -- my own tape ran out moments before the song ended and needed to be flipped, too. Tape flip in the second set as I Am Hydrogen begins. Paul's deck was leading the chain and ran out. He was busy mixing, so it was a few seconds before he could be alerted that the tape needed to be flipped. Editing: Essentially, none. There was no EQ, digital noise reduction, or other digital post-processing applied. Normalization was achieved with the DA-20 level control and level margin indicator (and repeated transfer attempts until the levels were just exactly perfect). Regarding "essentially" -- two tracks were taken into Cool Edit for very minor repair. "Possum" -- one pop was carefully removed the first time they all sing "Possum" together in the first chorus. "Love You" had a few pops in it, possibly microphone overload (this is evident in the first set audience tape, so it was not brickwalling anywhere in the tape chain). These pops were removed where Fishman (I mean Henrietta) says "Hello Minneapolis" and "Peter" (as in Peter Schall). There were a couple of mild snapping noises during the Electrolux solo, but these were left alone as IMHO they are part of the authentic sound. All tracks have been checked for correct CD sector boundaries. The story behind this tape lineage: My friend Brad told me I should come out for this show since it was only 200 some miles from where I lived, and to bring my deck and cables to patch from the board. So, I didn't bring my mic rig with me. I got there, attempted to stealth my gear in and was caught (only time that ever happened -- fooled by the ominous NO TAPING sign)... told them the band said it was OK. They checked, came back, said something like "Aww, I wanted a new tape deck", and let me in. Col. Bruce Hampton was getting ready to play, so I settled down with a beer. Didn't see Brad anywhere. After the set, I talked to Paul and told him Brad said it would be all right to patch in. Paul said he'd have to hear that from Brad. Well... I held out about as long as I could waiting to Brad to turn up, but no... so, just as set one began I patched into a D5 that belonged to someone I'd just met there. Some time after flipping the tape during the first set, I see Brad and Paul chatting at the board and wander over. "Hey, got your patch right?" "No." (some discussion) "Want it?" "Well... I'd rather not interrupt a rolling tape. Can I get it for set two?" "Sure." So, for set two I was patched out of Chris Kuroda's D6 (and it was also my job to run his deck while he handled the lights -- masterfully as always). Kind of a shame the first set patch did not materialize, but I'm glad to have got what I got. I checked the other decks and none of them were using noise reduction. I've always liked to use that (dbx usually) and leave plenty of headroom, so my guess is that this second set may be a sonic upgrade from what previously circulated. The first set has not, to my knowledge, circulated previously as a digital copy of this audience master; only as cassette copies. When the other audience tapers saw I'd gotten a patch, they all wanted to patch with me. I nearly had to fend them off with a shillelagh. ;-) I promised some of them copies, but nobody ever contacted me. Analog copies of the whole show were circulated back in the day. Now, enjoy the whole thing direct from the masters. Remind me not to take 16 years to get stuff out next time...