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Today In History
June 6th
Years
2026
67.7k
PlaybackListensHours
48h2.4k428
7d7k1.3k
30d67.7k12k
13 shows
13 tapes
2025
17k
PlaybackListensHours
48h1.2k217
7d2.8k498
30d17k3.1k
42 shows
42 tapes
2024
6k
PlaybackListensHours
48h578107
7d1.3k234
30d6k1.1k
39 shows
39 tapes
2023
4.2k
PlaybackListensHours
48h35061
7d858145
30d4.2k690
45 shows
45 tapes
2022
6.8k
PlaybackListensHours
48h1.3k205
7d3.4k529
30d6.8k1.1k
47 shows
48 tapes
2021
3.7k
PlaybackListensHours
48h26548
7d760134
30d3.7k666
35 shows
35 tapes
2020
326
PlaybackListensHours
48h101
7d11215
30d32645
4 shows
4 tapes
2019
3.2k
PlaybackListensHours
48h18026
7d687103
30d3.2k453
39 shows
39 tapes
2018
4.3k
PlaybackListensHours
48h18730
7d43167
30d4.3k654
39 shows
39 tapes
2017
2.4k
PlaybackListensHours
48h20332
7d661113
30d2.4k413
28 shows
28 tapes
2016
2.2k
PlaybackListensHours
48h25335
7d37453
30d2.2k289
45 shows
45 tapes
2015
1.8k
PlaybackListensHours
48h13421
7d39361
30d1.8k291
31 shows
31 tapes
2014
1.6k
PlaybackListensHours
48h13418
7d32045
30d1.6k225
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h12820
7d21132
30d1.5k232
41 shows
41 tapes
2012
2k
PlaybackListensHours
48h29343
7d56575
30d2k273
37 shows
37 tapes
2011
7.3k
PlaybackListensHours
48h1.4k193
7d3.2k470
30d7.3k1.1k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h22530
7d36749
30d2.5k323
50 shows
50 tapes
2009
3.9k
PlaybackListensHours
48h67387
7d1.8k254
30d3.9k550
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h7319
7d27453
30d1.8k348
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h38374
7d1k184
30d5.2k992
45 shows
45 tapes
2002
326
PlaybackListensHours
48h215m
7d314
30d32648
3 shows
3 tapes
2000
14.6k
PlaybackListensHours
48h796140
7d1.7k300
30d14.6k2.4k
56 shows
56 tapes
1999
17.3k
PlaybackListensHours
48h1.2k209
7d3.2k601
30d17.3k3.2k
64 shows
64 tapes
1998
20k
PlaybackListensHours
48h1.5k254
7d3.9k634
30d20k3.3k
70 shows
70 tapes
1997
21.1k
PlaybackListensHours
48h1.5k267
7d4k724
30d21.1k3.8k
81 shows
81 tapes
1996
8.6k
PlaybackListensHours
48h931134
7d1.1k167
30d8.6k1.3k
71 shows
71 tapes
1995
11.5k
PlaybackListensHours
48h735110
7d2.7k386
30d11.5k1.7k
82 shows
82 tapes
1994
29.2k
PlaybackListensHours
48h1.1k142
7d3.1k396
30d29.2k3.6k
124 shows
124 tapes
1993
14.3k
PlaybackListensHours
48h66883
7d2.1k249
30d14.3k1.7k
109 shows
109 tapes
1992
9.7k
PlaybackListensHours
48h27436
7d1k112
30d9.7k1.1k
109 shows
109 tapes
1991
6.8k
PlaybackListensHours
48h47248
7d90596
30d6.8k725
117 shows
119 tapes
1990
4.7k
PlaybackListensHours
48h56055
7d1k125
30d4.7k543
100 shows
101 tapes
1989
2.1k
PlaybackListensHours
48h385
7d13718
30d2.1k266
66 shows
66 tapes
1988
2.7k
PlaybackListensHours
48h10714
7d32939
30d2.7k346
44 shows
44 tapes
1987
773
PlaybackListensHours
48h162
7d9211
30d77394
18 shows
18 tapes
1986
398
PlaybackListensHours
48h303
7d587
30d39842
7 shows
7 tapes
1985
263
PlaybackListensHours
48h132
7d405
30d26338
7 shows
7 tapes
1984
184
PlaybackListensHours
48h749m
7d203
30d18426
2 shows
2 tapes
1983
78
PlaybackListensHours
48h326m
7d112
30d7811
1 show
1 tape
1992
7/19/92
Poor Heart
1:43
Maze
7:02
Runaway Jim
6:52
David Bowie
10:28
Sweet Adeline
1:38
FIN
View on phish.in
View on phish.net
Sources
Source 1 of 1
27:43
SHNID:
1984
Taper Notes:
View NotesPhish Garden State Arts Center Holmdel, NJ 7/19/1992 Original master recording: Sony ECM-959 stereo mic (in hat) -> Sony Walkman WMD3 -> Maxell XLII-S Cassette Master (Dolby B) Cassette playback: Master Cassette -> Nakamichi Dragon (120us bias / Dolby B decode) -> Sound Devices 722 input (@24/96) Mastered: Soundforge Pro 10.0e - *All file manipulation in Soundforge done at 24 bits*. Volume normalization, Sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter, dithering to 16 bits using using iZotope MBIT+ with Ultra noise shaping, with high dither settings; scrubbed 2 spots of feedback in T2 (@1:03, 1:31). Tracked in CDWav. IDv3 Tags added using Tag & Rename 3.7 1. Poor Heart (cuts in) 2. Maze 3. Runaway Jim 4. David Bowie * 5. Sweet Adeline + Total time: 27:45 BARN152 ^ = cassette tape was slightly mangled at 1:24 into this song * = ? jam + Simpsons signal in intro + = a capella This was a set opening for Santana. Trey Anastasio sat in with Santana later this evening. Taper notes: Sneaking in a couple of new entries in the BARN series, BARN152 leads the charge of pre-1993 masters of mine. This is the first recording I've put out that predates my entry into the DAT world. So yes, this is the first of my cassette masters that I've released (and yes, there are hundreds of them). Specifically I now have the ability to release cassette masters from my collection "The right way" (or at least in the way I've been imagining releasing them for the past few years) -- playing them back with the best cassette deck ever made (the legendary Nakamichi Dragon, last made in 1985, and the only cassette deck ever made which automatically adjusts the azimuth of tape playback to match the recording deck's head azimuth -- which in layman's terms means "best possible playback of a tape"), and capturing the playback with my awesome Sound Devices 722 recorder that I use to record concerts with at 24 bit/96 khz. This was not an easy hurdle to get over as Nak Dragons have the double curse of still being quite highly desired (nay, "legendary"!) and very difficult (and expensive) to keep in a functional state. So, after paying an arm and a leg for it and spending a lot of time getting it properly repaired, I can finally dip into my cassette stash. While I've still got THOUSANDS of DAT masters, I am opening the floodgates a little bit on the cassettes to provide a few very highly requested shows at this time. This particular Phish set fits that bill. A year or so ago, in a random conversation with my freind and fellow taper Justin Marinoff, he pointed out to me that there are no circulating recordings of this show. How he knew that off the top of his head I cannot say, but now that I have the ability to do cassette transfers, I've done my best to get this out for you Phish completists out there. Is there anything special about this less-than-half-hour set opening for Santana? No! Is the set all that interesting? Not particularly. But the playing is strong and the band is playing well (if not remarkably). You'll hear some sort of song tease that I haven't identified yet (but I know someone out there will get...) and a Simpsons secret language signal before Bowie. The Maze and Jim are both strong as well. How did I wind up being the only taper at this show? Well, after having seen them for the first time ever at the same location and being BLOWN AWAY by their HORDE performance just 8 days before on 7/11, I made the spontaneous call that I really needed to see them again ASAP and bought a ticket to this show on the spot. This was a set opening for Santana (whose career was actually at one of its low points here in the early 90s) and great seats were still very easy to come by at that late date. So as I said, I had been blown away by Phish's GSAC HORDE set, but this set was quite underwhelming. I had collected a number of live shows (from old time taper buddy Brendan O'Neill) by this point so knew most of the repertoire, but this set, being just under 30 minutes (not even long enough for the band to get warmed up!) was nothing to write home about. Also, the venue was patently anti-taping (even hassling me to no end at the HORDE show) so I came prepared to stealth record -- at the time I had a pretty nice Sony ECM-959 stereo mic and a Sony D6 recorder (which, for some reason, was out for repair on this day, so I borrowed a friend's Sony D3 cassette recorder which was very similar, though not quite as good). I was in a very good seating location in the pavillion, and it sounds very good (if not amazing). There was apparently some small amount of damage to the tape (noted above) which prevented a completely clean playback. I will also put out the Santana set at some point. The Sanatana set was truly excellent and notably contained the first Phish sit-in (at this point just Trey, on guitar) of the tour. I hope you all enjoy, and appreciate all of the love and effort I've put into this! As far as I can tell, I was the only taper at this show, and this is the first time this set has ever seen the light of day. Enjoy!