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June 15th
6 shows
6 tapes
Years
2026
44k
PlaybackListensHours
48h1.7k315
7d5.4k967
30d44k7.9k
13 shows
13 tapes
2025
17.1k
PlaybackListensHours
48h1.3k223
7d3.1k563
30d17.1k3.1k
42 shows
42 tapes
2024
6.3k
PlaybackListensHours
48h32760
7d932174
30d6.3k1.2k
39 shows
39 tapes
2023
4.1k
PlaybackListensHours
48h29548
7d730115
30d4.1k683
45 shows
45 tapes
2022
8.1k
PlaybackListensHours
48h18332
7d621102
30d8.1k1.3k
47 shows
48 tapes
2021
3.9k
PlaybackListensHours
48h21835
7d653110
30d3.9k695
35 shows
35 tapes
2020
359
PlaybackListensHours
48h385
7d10014
30d35949
4 shows
4 tapes
2019
4.2k
PlaybackListensHours
48h21129
7d1.5k214
30d4.2k603
39 shows
39 tapes
2018
3.9k
PlaybackListensHours
48h17226
7d47372
30d3.9k594
39 shows
39 tapes
2017
2.9k
PlaybackListensHours
48h18932
7d51999
30d2.9k486
28 shows
28 tapes
2016
2.3k
PlaybackListensHours
48h17222
7d42955
30d2.3k305
45 shows
45 tapes
2015
2k
PlaybackListensHours
48h14423
7d44168
30d2k319
31 shows
31 tapes
2014
1.8k
PlaybackListensHours
48h6911
7d29843
30d1.8k253
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h9916
7d26842
30d1.5k232
41 shows
41 tapes
2012
4.6k
PlaybackListensHours
48h24730
7d1.4k175
30d4.6k612
37 shows
37 tapes
2011
10.3k
PlaybackListensHours
48h58879
7d1.8k237
30d10.3k1.5k
41 shows
41 tapes
2010
3.2k
PlaybackListensHours
48h46969
7d1.2k165
30d3.2k436
50 shows
50 tapes
2009
6.3k
PlaybackListensHours
48h59476
7d1.5k214
30d6.3k882
51 shows
51 tapes
2004
1.7k
PlaybackListensHours
48h388
7d18138
30d1.7k343
20 shows
20 tapes
2003
5.1k
PlaybackListensHours
48h22543
7d688127
30d5.1k981
45 shows
45 tapes
2002
276
PlaybackListensHours
48h14m
7d497
30d27640
3 shows
3 tapes
2000
16.2k
PlaybackListensHours
48h1.3k213
7d3.4k603
30d16.2k2.8k
56 shows
56 tapes
1999
17k
PlaybackListensHours
48h961177
7d2.6k491
30d17k3.2k
64 shows
64 tapes
1998
20.8k
PlaybackListensHours
48h1.2k201
7d3.5k573
30d20.8k3.4k
70 shows
70 tapes
1997
22.1k
PlaybackListensHours
48h1.7k286
7d4.1k737
30d22.1k4k
81 shows
81 tapes
1996
9.1k
PlaybackListensHours
48h42461
7d1.4k190
30d9.1k1.3k
71 shows
71 tapes
1995
13.6k
PlaybackListensHours
48h995150
7d3.4k503
30d13.6k2k
82 shows
82 tapes
1994
29.5k
PlaybackListensHours
48h2.1k251
7d6.9k910
30d29.5k3.7k
124 shows
124 tapes
1993
12.1k
PlaybackListensHours
48h48960
7d2k248
30d12.1k1.4k
109 shows
109 tapes
1992
7k
PlaybackListensHours
48h26331
7d80393
30d7k800
109 shows
109 tapes
1991
5.7k
PlaybackListensHours
48h22523
7d83287
30d5.7k600
117 shows
119 tapes
1990
4.6k
PlaybackListensHours
48h27131
7d76184
30d4.6k526
100 shows
101 tapes
1989
2k
PlaybackListensHours
48h729
7d36947
30d2k261
66 shows
66 tapes
1988
2.5k
PlaybackListensHours
48h9513
7d47060
30d2.5k325
44 shows
44 tapes
1987
627
PlaybackListensHours
48h395
7d17221
30d62778
18 shows
18 tapes
1986
369
PlaybackListensHours
48h243
7d556
30d36939
7 shows
7 tapes
1985
244
PlaybackListensHours
48h13m
7d153
30d24436
7 shows
7 tapes
1984
135
PlaybackListensHours
48h101
7d243
30d13518
2 shows
2 tapes
1983
63
PlaybackListensHours
48h217m
7d542m
30d639
1 show
1 tape
1992
4/29/92
Set 1
1:13:26
Suzy Greenberg
5:23
Foam
8:32
Sparkle
4:01
It's Ice
8:39
Runaway Jim
7:32
Guelah Papyrus
5:52
Rift
6:59
Bouncing Around the Room
3:46
Take the 'A' Train
5:00
David Bowie > Secret Language Instructions
6:52
David Bowie
10:50
Set 2
1:05:03
The Landlady
4:03
Possum
10:42
Mound
5:52
The Oh Kee Pa Ceremony
1:40
Llama
4:47
The Lizards
9:35
Mike's Song
6:32
I Am Hydrogen
1:57
Weekapaug Groove
6:29
Cold as Ice > Love You > Cold as Ice
8:27
Golgi Apparatus
4:59
Encore
6:22
Horn
3:42
Rocky Top
2:40
FIN
View on phish.in
View on phish.net
Sources
Source 1 of 1
2:24:51
SBD
Dot Net:
6.76 / 50 ratings
SHNID:
67
Taper Notes:
View NotesPhish First Avenue Minneapolis, MN 1992-04-29 Set I Source: audience, Audix cardioids > TC-D5M (mic pre-amp, pass-thru) > Cass/0 (WM-D6C, TDK SA-X, Dolby C) Transfer: Original master cassettes (Cass/0) played back in JVC TD-V541 (dual capstan, 3 head, Dolby C decoding) > Tascam DA-20 (pass-thru), SPDIF/optical converter > Creative Nomad Jukebox 3 > Firewire > CDWAV > FLAC Set II Source: SDBD>CASS0 Transfer: CASS0>HB850>EAC>CDwav>SHN(Chris Jonus) Taped and transferred (9/2008) by Pat Volkerding <[email protected]> Set One: 1. Suzie Greenburg 2. Foam 3. Sparkle 4. It's Ice 5. Runaway Jim 6. Guelah Papyrus 7. Rift 8. Bouncing Around the Room 9. Take the A-Train 10. David Bowie > Secret Language Instructions > 11. David Bowie Set 2: 1. The Landlady-> 2. Possum, 3. Mound-> 4. Oh Kee Pa Ceremony 5. Llama 6. Lizards 7. Mike's Song-> 8. I Am Hydrogen->* 9. Weekapaug Groove 10. Cold as Ice-> Love You-> Cold as Ice 11. Golgi Apparatus 12. E: Horn 13. Rocky Top *Tape flip at the very beginning of the transition to I Am Hydrogen, the track break is the flip point- I have not altered the wavs in any way from the master cassette. Notes: A couple of seconds are missing from the beginning of "Suzie Greenburg". Sorry for the late start. There are two short gaps at the end of Rift where the taper ahead of me in the chain flipped without warning -- my own tape ran out moments before the song ended and needed to be flipped, too. Tape flip in the second set as I Am Hydrogen begins. Paul's deck was leading the chain and ran out. He was busy mixing, so it was a few seconds before he could be alerted that the tape needed to be flipped. Editing: Essentially, none. There was no EQ, digital noise reduction, or other digital post-processing applied. Normalization was achieved with the DA-20 level control and level margin indicator (and repeated transfer attempts until the levels were just exactly perfect). Regarding "essentially" -- two tracks were taken into Cool Edit for very minor repair. "Possum" -- one pop was carefully removed the first time they all sing "Possum" together in the first chorus. "Love You" had a few pops in it, possibly microphone overload (this is evident in the first set audience tape, so it was not brickwalling anywhere in the tape chain). These pops were removed where Fishman (I mean Henrietta) says "Hello Minneapolis" and "Peter" (as in Peter Schall). There were a couple of mild snapping noises during the Electrolux solo, but these were left alone as IMHO they are part of the authentic sound. All tracks have been checked for correct CD sector boundaries. The story behind this tape lineage: My friend Brad told me I should come out for this show since it was only 200 some miles from where I lived, and to bring my deck and cables to patch from the board. So, I didn't bring my mic rig with me. I got there, attempted to stealth my gear in and was caught (only time that ever happened -- fooled by the ominous NO TAPING sign)... told them the band said it was OK. They checked, came back, said something like "Aww, I wanted a new tape deck", and let me in. Col. Bruce Hampton was getting ready to play, so I settled down with a beer. Didn't see Brad anywhere. After the set, I talked to Paul and told him Brad said it would be all right to patch in. Paul said he'd have to hear that from Brad. Well... I held out about as long as I could waiting to Brad to turn up, but no... so, just as set one began I patched into a D5 that belonged to someone I'd just met there. Some time after flipping the tape during the first set, I see Brad and Paul chatting at the board and wander over. "Hey, got your patch right?" "No." (some discussion) "Want it?" "Well... I'd rather not interrupt a rolling tape. Can I get it for set two?" "Sure." So, for set two I was patched out of Chris Kuroda's D6 (and it was also my job to run his deck while he handled the lights -- masterfully as always). Kind of a shame the first set patch did not materialize, but I'm glad to have got what I got. I checked the other decks and none of them were using noise reduction. I've always liked to use that (dbx usually) and leave plenty of headroom, so my guess is that this second set may be a sonic upgrade from what previously circulated. The first set has not, to my knowledge, circulated previously as a digital copy of this audience master; only as cassette copies. When the other audience tapers saw I'd gotten a patch, they all wanted to patch with me. I nearly had to fend them off with a shillelagh. ;-) I promised some of them copies, but nobody ever contacted me. Analog copies of the whole show were circulated back in the day. Now, enjoy the whole thing direct from the masters. Remind me not to take 16 years to get stuff out next time...