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June 6th
3 shows
3 tapes
Years
2026
67.7k
PlaybackListensHours
48h2.5k461
7d7k1.3k
30d67.7k12k
13 shows
13 tapes
2025
17k
PlaybackListensHours
48h1.3k239
7d2.8k498
30d17k3.1k
42 shows
42 tapes
2024
6k
PlaybackListensHours
48h592111
7d1.3k234
30d6k1.1k
39 shows
39 tapes
2023
4.2k
PlaybackListensHours
48h38467
7d858145
30d4.2k690
45 shows
45 tapes
2022
6.8k
PlaybackListensHours
48h1.7k264
7d3.4k529
30d6.8k1.1k
47 shows
48 tapes
2021
3.7k
PlaybackListensHours
48h29852
7d760134
30d3.7k666
35 shows
35 tapes
2020
326
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48h314
7d11215
30d32645
4 shows
4 tapes
2019
3.2k
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48h19829
7d687103
30d3.2k453
39 shows
39 tapes
2018
4.3k
PlaybackListensHours
48h19631
7d43167
30d4.3k654
39 shows
39 tapes
2017
2.4k
PlaybackListensHours
48h17727
7d661113
30d2.4k413
28 shows
28 tapes
2016
2.2k
PlaybackListensHours
48h25034
7d37453
30d2.2k289
45 shows
45 tapes
2015
1.8k
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48h15222
7d39361
30d1.8k291
31 shows
31 tapes
2014
1.6k
PlaybackListensHours
48h13018
7d32045
30d1.6k225
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h14822
7d21132
30d1.5k232
41 shows
41 tapes
2012
2k
PlaybackListensHours
48h28140
7d56575
30d2k273
37 shows
37 tapes
2011
7.3k
PlaybackListensHours
48h1.7k243
7d3.2k470
30d7.3k1.1k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h19827
7d36749
30d2.5k323
50 shows
50 tapes
2009
3.9k
PlaybackListensHours
48h72098
7d1.8k254
30d3.9k550
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h9524
7d27453
30d1.8k348
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h46986
7d1k184
30d5.2k992
45 shows
45 tapes
2002
326
PlaybackListensHours
48h172
7d314
30d32648
3 shows
3 tapes
2000
14.6k
PlaybackListensHours
48h887159
7d1.7k300
30d14.6k2.4k
56 shows
56 tapes
1999
17.3k
PlaybackListensHours
48h1.3k236
7d3.2k601
30d17.3k3.2k
64 shows
64 tapes
1998
20k
PlaybackListensHours
48h1.6k259
7d3.9k634
30d20k3.3k
70 shows
70 tapes
1997
21.1k
PlaybackListensHours
48h1.5k282
7d4k724
30d21.1k3.8k
81 shows
81 tapes
1996
8.6k
PlaybackListensHours
48h60690
7d1.1k167
30d8.6k1.3k
71 shows
71 tapes
1995
11.5k
PlaybackListensHours
48h986144
7d2.7k386
30d11.5k1.7k
82 shows
82 tapes
1994
29.2k
PlaybackListensHours
48h1.1k140
7d3.1k396
30d29.2k3.6k
124 shows
124 tapes
1993
14.3k
PlaybackListensHours
48h68686
7d2.1k249
30d14.3k1.7k
109 shows
109 tapes
1992
9.7k
PlaybackListensHours
48h36346
7d1k112
30d9.7k1.1k
109 shows
109 tapes
1991
6.8k
PlaybackListensHours
48h44445
7d90596
30d6.8k725
117 shows
119 tapes
1990
4.7k
PlaybackListensHours
48h54554
7d1k125
30d4.7k543
100 shows
101 tapes
1989
2.1k
PlaybackListensHours
48h547
7d13718
30d2.1k266
66 shows
66 tapes
1988
2.7k
PlaybackListensHours
48h8611
7d32939
30d2.7k346
44 shows
44 tapes
1987
773
PlaybackListensHours
48h202
7d9211
30d77394
18 shows
18 tapes
1986
398
PlaybackListensHours
48h506
7d587
30d39842
7 shows
7 tapes
1985
263
PlaybackListensHours
48h314
7d405
30d26338
7 shows
7 tapes
1984
184
PlaybackListensHours
48h749m
7d203
30d18426
2 shows
2 tapes
1983
78
PlaybackListensHours
48h19m
7d112
30d7811
1 show
1 tape
1992
4/29/92
Set 1
1:13:26
Suzy Greenberg
5:23
Foam
8:32
Sparkle
4:01
It's Ice
8:39
Runaway Jim
7:32
Guelah Papyrus
5:52
Rift
6:59
Bouncing Around the Room
3:46
Take the 'A' Train
5:00
David Bowie > Secret Language Instructions
6:52
David Bowie
10:50
Set 2
1:05:03
The Landlady
4:03
Possum
10:42
Mound
5:52
The Oh Kee Pa Ceremony
1:40
Llama
4:47
The Lizards
9:35
Mike's Song
6:32
I Am Hydrogen
1:57
Weekapaug Groove
6:29
Cold as Ice > Love You > Cold as Ice
8:27
Golgi Apparatus
4:59
Encore
6:22
Horn
3:42
Rocky Top
2:40
FIN
View on phish.in
View on phish.net
Sources
Source 1 of 1
2:24:51
SBD
Dot Net:
6.76 / 50 ratings
SHNID:
67
Taper Notes:
View NotesPhish First Avenue Minneapolis, MN 1992-04-29 Set I Source: audience, Audix cardioids > TC-D5M (mic pre-amp, pass-thru) > Cass/0 (WM-D6C, TDK SA-X, Dolby C) Transfer: Original master cassettes (Cass/0) played back in JVC TD-V541 (dual capstan, 3 head, Dolby C decoding) > Tascam DA-20 (pass-thru), SPDIF/optical converter > Creative Nomad Jukebox 3 > Firewire > CDWAV > FLAC Set II Source: SDBD>CASS0 Transfer: CASS0>HB850>EAC>CDwav>SHN(Chris Jonus) Taped and transferred (9/2008) by Pat Volkerding <[email protected]> Set One: 1. Suzie Greenburg 2. Foam 3. Sparkle 4. It's Ice 5. Runaway Jim 6. Guelah Papyrus 7. Rift 8. Bouncing Around the Room 9. Take the A-Train 10. David Bowie > Secret Language Instructions > 11. David Bowie Set 2: 1. The Landlady-> 2. Possum, 3. Mound-> 4. Oh Kee Pa Ceremony 5. Llama 6. Lizards 7. Mike's Song-> 8. I Am Hydrogen->* 9. Weekapaug Groove 10. Cold as Ice-> Love You-> Cold as Ice 11. Golgi Apparatus 12. E: Horn 13. Rocky Top *Tape flip at the very beginning of the transition to I Am Hydrogen, the track break is the flip point- I have not altered the wavs in any way from the master cassette. Notes: A couple of seconds are missing from the beginning of "Suzie Greenburg". Sorry for the late start. There are two short gaps at the end of Rift where the taper ahead of me in the chain flipped without warning -- my own tape ran out moments before the song ended and needed to be flipped, too. Tape flip in the second set as I Am Hydrogen begins. Paul's deck was leading the chain and ran out. He was busy mixing, so it was a few seconds before he could be alerted that the tape needed to be flipped. Editing: Essentially, none. There was no EQ, digital noise reduction, or other digital post-processing applied. Normalization was achieved with the DA-20 level control and level margin indicator (and repeated transfer attempts until the levels were just exactly perfect). Regarding "essentially" -- two tracks were taken into Cool Edit for very minor repair. "Possum" -- one pop was carefully removed the first time they all sing "Possum" together in the first chorus. "Love You" had a few pops in it, possibly microphone overload (this is evident in the first set audience tape, so it was not brickwalling anywhere in the tape chain). These pops were removed where Fishman (I mean Henrietta) says "Hello Minneapolis" and "Peter" (as in Peter Schall). There were a couple of mild snapping noises during the Electrolux solo, but these were left alone as IMHO they are part of the authentic sound. All tracks have been checked for correct CD sector boundaries. The story behind this tape lineage: My friend Brad told me I should come out for this show since it was only 200 some miles from where I lived, and to bring my deck and cables to patch from the board. So, I didn't bring my mic rig with me. I got there, attempted to stealth my gear in and was caught (only time that ever happened -- fooled by the ominous NO TAPING sign)... told them the band said it was OK. They checked, came back, said something like "Aww, I wanted a new tape deck", and let me in. Col. Bruce Hampton was getting ready to play, so I settled down with a beer. Didn't see Brad anywhere. After the set, I talked to Paul and told him Brad said it would be all right to patch in. Paul said he'd have to hear that from Brad. Well... I held out about as long as I could waiting to Brad to turn up, but no... so, just as set one began I patched into a D5 that belonged to someone I'd just met there. Some time after flipping the tape during the first set, I see Brad and Paul chatting at the board and wander over. "Hey, got your patch right?" "No." (some discussion) "Want it?" "Well... I'd rather not interrupt a rolling tape. Can I get it for set two?" "Sure." So, for set two I was patched out of Chris Kuroda's D6 (and it was also my job to run his deck while he handled the lights -- masterfully as always). Kind of a shame the first set patch did not materialize, but I'm glad to have got what I got. I checked the other decks and none of them were using noise reduction. I've always liked to use that (dbx usually) and leave plenty of headroom, so my guess is that this second set may be a sonic upgrade from what previously circulated. The first set has not, to my knowledge, circulated previously as a digital copy of this audience master; only as cassette copies. When the other audience tapers saw I'd gotten a patch, they all wanted to patch with me. I nearly had to fend them off with a shillelagh. ;-) I promised some of them copies, but nobody ever contacted me. Analog copies of the whole show were circulated back in the day. Now, enjoy the whole thing direct from the masters. Remind me not to take 16 years to get stuff out next time...