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Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h57376
7d1.5k202
30d30.2k4.2k
49 shows
341 tapes
1994
10.8k
PlaybackListensHours
48h757108
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.4k463
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5k658
7d5.6k725
30d39.9k5.3k
57 shows
538 tapes
1991
39.2k
PlaybackListensHours
48h7k877
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h3.1k402
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h3.1k377
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.2k143
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h4.7k527
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k113
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k215
7d4.2k488
30d22.9k2.7k
73 shows
1,356 tapes
1984
21.2k
PlaybackListensHours
48h3.4k407
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k184
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k154
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k247
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h5.3k638
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.8k245
7d3.9k557
30d21.7k3k
79 shows
600 tapes
1978
46.1k
PlaybackListensHours
48h1.9k260
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h8.8k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
418 tapes
1976
71.6k
PlaybackListensHours
48h22.2k2.9k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h25527
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.6k471
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.9k808
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.4k305
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.7k186
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k174
7d7.8k819
30d45k4.8k
101 shows
375 tapes
1969
27.4k
PlaybackListensHours
48h1.4k171
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h41554
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14418
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h40729
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h191
7d1268
30d63237
2 shows
2 tapes
1988
12/29/88
01 - Tuning
2:31
02 - Hell In A Bucket >
6:09
03 - Sugaree
11:38
04 - New Minglewood Blues
9:15
05 - Friend Of The Devil
9:04
06 - Queen Jane Approximately
7:19
07 - To Lay Me Down >
7:13
08 - Let It Grow
12:55
09 - Tuning
1:42
10 - Playing In The Band >
7:51
11 - Crazy Fingers >
8:12
12 - Samson And Delilah >
8:13
13 - Playing Jam >
3:09
14 - Eyes Of The World >
8:32
15 - Drums >
9:36
16 - Space >
5:49
17 - The Other One >
6:57
18 - Stella Blue >
7:34
19 - Throwing Stones >
9:15
20 - Not Fade Away
7:50
21 - Quinn The Eskimo (The Mighty Quinn)
5:01
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:35:45
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 17, 2021
SHNID:
gd1988-12-29.152582.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- I used the PCM Master (shind=140701) to cover the tape flips -- This is 152285 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:35:45
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 17, 2021
SHNID:
gd1988-12-29.152285.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- I used the PCM Master (shind=140701) to cover the tape flips
Transferrer: Charlie Miller
2:44:50
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-12-29.140701.ultramatrix.sbd.pcm.miller.flac1644
Source:
UltraMatrix SBD > PCM Master (Sony F1/Sony PRO-XL500)
Lineage:
PCM Master (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro >Samplitude Pro X3 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- There is a hum that appears in the second set
Taper: PO and Stucco TINA Holmes
2:38:28
SBD
Taper:
PO and Stucco TINA Holmes
Transferrer:
Jamie Waddell and Jason Chastain
SHNID:
gd1988-12-29.137692.sbd.GEMS.flac16
Source:
Healy Matrix -> Beta; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab7; Audition CC 2015 Mastering and Patching by Jason Chastain; Critical Listening Assistance and Track, FLAC, Pack by Norm
Source 5 of 9
2:36:24
SBD
Rating:
8.00 / 3 ratings
SHNID:
gd88-12-29.dsbd-matrix.gardner.7347.sbeok.shnf
Source:
Ultra-Matrix DSBD>DAT>CDR>EAC>HD>SHN
Taper Notes:
View NotesUltra-Matrix DSBD>DAT>CDR>EAC>HD>SHN; via Glenn Gillis; Tony Gardner
Source 6 of 9
2:38:36
SBD
Rating:
7.33 / 11 ratings
SHNID:
gd88-12-29.sbd.popi.6313.sbeok.shnf
Source:
sbd> dats> wav> shn
Taper Notes:
View Notessbd> dats> wav> shn; dat> wav> shn by popi n. feeldz, from Michael Grossman DAT seed
Taper: Ted Mattes
2:41:32
Rating:
9.00 / 2 ratings
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-12-29.141659.fob.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' (with an assist to Jeff Travitz) Master (FOB) Audience PCM; Schoeps CMC4/MK4 > Sony PCM-F1 with Apogee filters; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam SS-CDR2000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes and Jeff Travitz for the source PCM - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tony Gardner and Glenn Gillis for the shnid7347 ultramatrix source which supplies a 0:01.8 patch in "Hell In A Bucket" - Other One space included in "The Other One" Mastered by Scott Clugston April 6, 2018
Taper: OldNeumanntapr
2:36:25
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1988-12-29.168691.akgd190e.ont.flac1644
Source:
OTS; AKG D-190E Dynamic Cardioids (ORTF) >Sony WM-D6C >(patch) >Sony WM-D6C [MX90]
Lineage:
Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes: This was the first show that I recorded with my, at the time, brand new Sony WM-D6C PRO. I had purchased an adapter to convert the 1/4' phone plugs from my microphones to work with the 1/8" stereo microphone input but I had inadvertently bought a headphone adapter and didn't realize that it only worked in one direction and was not compatible for my purpose. I was frantic when sound checking my gear to find that I was only getting one channel so I had no choice but to take a patch from the taper to my left who was also using a D6 and running AKG microphones. A BIG thanks to whoever that taper was, because I have long ago forgotten. I have ticket stubs, and my ex wife Nikki's handwritten set list in my setlist book, for the previous night's show on December 28 at the Coliseum, so I was definitely there, but I have no idea why I didn't at least try to record that one. I also included scans of those stubs, along with that set list, with this show from the 29th. It's a mystery that I have no memory at all of. I definitely remember the 29th show as being the first time I had taken a patch from another taper (I liked to be self contained and use my own microphones) but if I was to have discovered that I had a problem with the cables for my new D6 I would have thought that it would have been apparent the night before on 12/28. I always tried to record every show I went to, starting with the Mother's Day show at the Frost on 5/11/86. If I had found the problem with the microphones at the first show, I don't know why I didn't at least try to get a patch the night before, but maybe I wasn't able to buy the adapter until the 29th. Who knows. (These things bother me.) ;) After recording the 12/29/88 Dead show at the Coliseum, and apparently watching the 12/28/88 show, we trouped off to San Francisco on the 30th to see Hot Tuna acoustic at the Fillmore on the off night. I didn't attempt to record that one because I still didn't feel comfortable attempting a stealth recording yet, (my first stealth show wasn't until Miles Davis at Cal Poly SLO in 1990), but I helped out my friend Dick who took in his Marantz PMD-430 in while ace bandaged to his lower back and padded with hotel towels. The doorman kept patting him down and said, 'You're really tight. Do you work out?' and he said 'Yeah'. Too funny! My friend Taper Ron tried to bring his D6 into the Fillmore and they found it on the pat down and made him bring it back to the truck. I remember the bouncers that kept coming by and shining flashlight beams under all the cocktail tables, where we were sitting. I don't know if they were looking for drugs, alcohol, or taping gear, or maybe any and all of the above. At the end of the show I took the master tape out with me because Dick, Dave, and their friends were also staying for the late show and all Ron, Nikki and I had tickets for was the early show and Dick wanted the master tape from the early set to be safe. Looking back now his recording was really poor and I was happy to eventually find digital soundboards of both the early and late Tuna sets. On the way back to Oakland we stopped at Giant Burger for a late dinner. We recorded the Dead's New Year's Eve show off of KFOG FM from Ron's house in Oakland, so at least I felt I was a part of all of those shows in that run. Later, I bought good quality Switchcraft adapters to use my Superscope EC7s with my new D6 and was all set for the February '89 Kaiser Dead shows. I think this was the first time that I used Metal Tape, as my Sony TC-153SD was built before that formulation was available.
Taper: Greg Holtz
2:26:37
Taper:
Greg Holtz
Transferrer:
Brion Green
SHNID:
gd1988-12-29.fob.nak100.holtz.lmpp.98925.flac16
Source:
2 Nak 100's w/ CP-4 Guns > Sony D5
Lineage:
MAC > Nak dr-1 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit ) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )
Taper Notes:
View NotesNotes: - Another fine show. Thanks To Greg for supplying yet another aud source to fight the plauge of sbds - Tape flips crossfaded where needed - Patches (from shnID 7347) are some between song crowd/tuning and: D1t02 apprx. 0:35-0:50 - No music missing at the end of NFA. Sounds like the tape was paused during the crowd chant and started back during the tune-up, shortly before Quinn starts.