Bands
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Bands
Grateful Dead
Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h1.4k197
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h59083
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.8k786
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h2k261
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h4.6k606
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k366
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k404
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.2k143
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k273
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h82293
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k235
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k187
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k181
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k239
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k279
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k689
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k179
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h3.7k482
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.2k1.7k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h5.4k755
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85171
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.5k564
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.4k583
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.5k433
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k242
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h9.4k952
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k594
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59572
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13521
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30323
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h382
7d1277
30d57234
2 shows
2 tapes
1988
Sources
Taper: Don Pearson and Dan Healy
2:15:38
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 23, 2021
SHNID:
gd1988-10-20.152172.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MX-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- The levels on Cold Rain And Snow were extremely low on the master causing tape hiss -- It took dozens of hours to repair the flutter issues but it was worth the effort -- This is far from perfect but still a lot better than what I started off with -- Thanks to Ted Mattes and Scott Clugston for the patch source -- 152119 24 > 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:15:37
SBD
Rating:
8.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 23, 2021
SHNID:
gd1988-10-20.152119.ultramatrix.healy-pearson.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MX-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- The levels on Cold Rain And Snow were extremely low on the master causing tape hiss -- It took dozens of hours to repair the flutter issues but it was worth the effort -- This is far from perfect but still a lot better than what I started off with -- Thanks to Ted Mattes and Scott Clugston for the patch source
Taper: Ted Mattes
2:17:42
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-20.141656.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (OTS); Schoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the source PCM - Thanks to Charlie Miller for the transfer and coordinating this effort - "Built To Last" played for the first time Mastered by Scott Clugston April 4, 2018
Taper: Mr. White
2:11:47
Taper:
Mr. White
Transferrer:
Keo
SHNID:
gd1988-10-20.Senn441.White.Keo.116358.Flac2496
Source:
Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
Taper Notes:
View Notes**!** First Built To Last **!** Comments:Another HUGE thanks out to Mr. White for recording this show and sharing his source tapes! Another excellent sounding recording with perfect recording levels!The first song starts out with high recording levels then evens out and is missing the start,"Queen Jane"missing the first few seconds or so from the tape flip.First "Built To Last"!Lots of audience participation but a great listen! As Always ENJOY!
Taper: Mr.White
2:11:46
Taper:
Mr.White
Transferrer:
Keo
SHNID:
gd1988-10-20.Senn441.White.Keo.116357.Flac1644
Source:
Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
Taper Notes:
View Notes**!** First Built To Last **!** Comments:Another HUGE thanks out to Mr. White for recording this show and sharing his source tapes! Another excellent sounding recording with perfect recording levels!The first song starts out with high recording levels then evens out and is missing the start,"Queen Jane"missing the first few seconds or so from the tape flip.First "Built To Last"!Lots of audience participation but a great listen! As Always ENJOY!
Taper: Alan "Dogman" Miller
2:00:58
Rating:
8.00 / 8 ratings
Taper:
Alan "Dogman" Miller
Transferrer:
Jamie Waddell and Patrick White
SHNID:
gd1988-10-20.aud.dogman.gems.105858.flac16
Source:
AKG Microphones > Nakamichi550 1st Generation Maxell XLII-S Tapes ( the masters are gone ).
Lineage:
1st Gen Cassette > Nakamichi DR-1 [no dolby] > Lynx2 Studio Reference Interface > Wavelab 6.01 at 24 BIT 48 kHz Editing and Mastering on the GEMS Edit Station. Weiss Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz. Tracked in CDWAV Tag&Rename for Meta_Data. Trader's Little Helper for FLAC Level8
Taper Notes:
View NotesConcerning the show at The Summit in Houston, Texas (which, by the way, is now known as The Lakewood Church aka The Oasis of Love, run by televangelist Joel Osteen). But it was the night of October 20, 1988 when the last real service was held there! That was the night of a family outing for myself,Randy and my wife,(the late) Sandi Gardner and our three sons, Lenny, Hunter, and Cassidy; they were 12, 6 and 4 at the time. Although we had taken one or two with us before, this was the first time we took all three to see a show; and we even brought along their Godparents, Mary and Steve, who had never seen a Dead show before.... as well as a few friends. So this was a really great night with wonderful memories. I remember this was only one of two times when I was able to get all of us to wear tie-dyes at the same time! One of the cool things I remember about this show is that my wife, being the artist she was, had done a beautiful wood burning of the State of Texas with a Yellow rose in the middle of it, and it said "Dead in the Heart of Texas" across it. Just before the show began, she took it to the soundboard and gave it to whomever was there at the time and asked if they would take it to Bobby and give to him for his birthday. They promised they would, but of course she never knew whether he got it for sure or where it might be today. She always imagined that it would be hanging somewhere in the Dead's office or in his home. I hope that it is! Three years later she got a chance to meet Bobby after a show but was so excited she forgot to ask him if he had got it or not. But she did get him to sign a note to our son, Cassidy...to which he wrote, Hey Now Cassidy, and as he signed his name the sharpie began to run out of ink...and Bobby looks at Sandi and says, "what you have here is a dead pen"! Priceless! Glad I hung on to this first gen tape since my friend Alan no longer has the masters. Only wish the Dead had used a better venue as the sound was never that great in here for any band to play. I remember many of the folks I worked with thinking it strange we were going as a family to see the Grateful Dead, because at that time I was a funeral director so I was already working with the dead all day long! - Randy Gardner February 6, 2010
Taper: Unknown
1:04:59
Rating:
7.20 / 6 ratings
Transferrer:
Todd Evans
SHNID:
gd1988-10-20.set2.akgC422.west.82488.sbeok.flac16
Source:
AKGC422 > Sony D5 8ft high 30 ft center (or D5 tuned up and Nak300)
Lineage:
JVC TD-V1050 cassette deck -> Lynx Two A/D (24-bit, 48kHz) -> Wavelab 6.0
Taper Notes:
View Notes-Set 2 only. -Set Two contains the first version of Built to Last and this source is the first circulating copy of this concert -The levels and vocals were very off in this recording and were mastered to a listenable point. -DrumZ had a pause and for ease of listening I blended them to "sound seamless". Music is missing. -Hopefully a more pristine copy will surface. -Noise Reduction would deteriorate the fragile vocals, therefore none was used. Hiss is present.