Bands
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Bands
Grateful Dead
Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h57877
7d1.5k202
30d30.2k4.2k
49 shows
341 tapes
1994
10.8k
PlaybackListensHours
48h739107
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.3k457
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.1k678
7d5.6k725
30d39.9k5.3k
57 shows
538 tapes
1991
39.2k
PlaybackListensHours
48h7k878
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.9k385
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h3k367
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k146
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h4.8k545
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k114
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k218
7d4.2k488
30d22.9k2.7k
73 shows
1,356 tapes
1984
21.2k
PlaybackListensHours
48h3.5k411
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.5k189
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k154
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k248
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h5.6k673
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k243
7d3.9k557
30d21.7k3k
79 shows
600 tapes
1978
46.1k
PlaybackListensHours
48h1.9k265
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
418 tapes
1976
71.6k
PlaybackListensHours
48h22.4k2.9k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h26729
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.6k477
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.8k787
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.4k308
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.8k195
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k178
7d7.8k819
30d45k4.8k
101 shows
375 tapes
1969
27.4k
PlaybackListensHours
48h1.4k174
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h43155
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14819
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h41930
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h212
7d1268
30d63237
2 shows
2 tapes
1988
Sources
Transferrer: Charlie Miller
2:23:08
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-16.141686.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to David Gans for making this possible -- Thanks to Ted Mattes for the patch source -- Thanks to Scott Clugston for the pitch correction settings -- This file set is 16 bit
Transferrer: Charlie Miller
2:23:08
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-16.141650.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to David Gans for making this possible -- Thanks to Ted Mattes for the patch source -- Thanks to Scott Clugston for the pitch correction settings
Taper: Unknown
2:23:26
SBD
Rating:
6.80 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-10-16.sbd.miller.92389.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-x90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16
Taper: Michael Hessberg
2:19:32
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-16.148497.nak300.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tim Mattes and the folks responsible for the Schoeps CMC3 MK41 source which supplies a 0:33 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:19:32
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-16.148496.nak300.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tim Mattes and the folks responsible for the Schoeps CMC3 MK41 source which supplies a 0:33 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:22:23
Rating:
10.00 / 3 ratings
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-10-16.146319.OTS-NAK300.Hessberg.Miller.Noel.t-flac2496
Source:
Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)
Taper Notes:
View NotesMaster Audience Recording by Micheal Hessberg DSD Transfer by Charlie Miller Edited & Mastered by Joe Noel May 10, 2019 Patch info: - shnid 141448 Schoeps (OTS) - s1t05; 07:40 - end - s1t06; start - 00:07 - s2t07; 06:20 - 06:44 Notes: - Thanks to Micheal Hessberg for recording the show. - Thanks to Charlie for coordinating this & the DSD transfer. - Thanks to Ted Mattes for the patch source - Bob Weir's 41st birthday - Mighty Quinn has a Happy Birthday intro - speed corrected - Touché Gris
Taper: Ted Mattes
2:29:01
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-16.141448.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the source PCM - Thanks to Charlie Miller for the transfer - Happy Birthday played before The Mighty Quinn for Bobby Mastered by Scott Clugston March 24, 2018
Taper: Doug Lamarre
2:16:55
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-10-16.138841.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 3, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Doug Lamarre
2:16:55
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-10-16.138840.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 3, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Bill Koucky
2:19:41
Taper:
Bill Koucky
Transferrer:
Chris Ladner
SHNID:
gd1988-10-16.aud.koucky.gmb.86914.sbeok.flac16
Source:
Master Analog Cassettes Nakamichi 300�s > Sony D5. Tapers section Maxell MX90 Type IV cassettes.
Lineage:
MAC playback on azimuth adjusted Nakamich CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to harddrive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves Z-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8).
Taper Notes:
View NotesNote: To fit on two CD�s best to place 2dt01 and d202 on 1st disc
Taper: Mark McCue
2:40:50
Rating:
10.00 / 1 rating
Taper:
Mark McCue
Transferrer:
Mark McCue and Alex Ford
SHNID:
gd1988-10-16.senn.mccue.ford.28478.sbeok.flac16
Source:
2 Sennheiser ME80 shotguns > Sony D-5 > Maxell MX 90 (first set), TDK MA-XG90 (2nd set). Mic Config: mics in a Y Location: right side of soundboard
Lineage:
Sony D5 > Tascam CDR4U stand alone burner > CDR > EAC (no errors) > Win XP Pro > FLAC Frontend > FLAC 16.
Taper Notes:
View Notes* tracks d1t08, d1t09, and d1t10 are from Miami Arena, Miami, FL on 10/14/88. Source: Nak 300's w/ guns > Sony D-5
Transferrer: Brad Ingle and mattman
1:24:10
Rating:
6.40 / 5 ratings
Transferrer:
Brad Ingle and mattman
SHNID:
gd88-10-16.set2.aud.mattman.26381.sbeok.flacf
Lineage:
AUD > MC > DAT > CDR > EAC > SHN > WAV > Adobe Audition > CD Wave > shntool > FLAC16
Taper Notes:
View Notes-Primary source Another installment of The Music Never Stopped Project!; EAC/SHN converted by Brad Ingle ([email protected]);Seeded to etree 06/02; and thanks to Paul Raoul for the audio discs. -Audio remastering by mattman ([email protected])on October 18, 2004. -Drop out in d1t04 1:02-1:09 replaced with audio from 4:07-4:14. -Drop out in d1t06 5:55-6:21 replaced with patch source. -Drop out in d2t05 11:01-end and d2t06 0:00-0:04 replaced with patch source. -Discs 1 and 2 are seemless. -Primary source E'Qd and pitch-corrected.
Transferrer: Brad Ingle
2:23:17
Rating:
8.00 / 6 ratings
Transferrer:
Brad Ingle
SHNID:
gd88-10-16.aud.ingle.10058.sbeok.shnf
Lineage:
AUD > MC > DAT > CDR > EAC > CD Wave > shntool > SHN
Taper Notes:
View NotesAUD>MC>DAT>CDR; via Paul Raoul; Seeded to etree by Brad Ingle -d1t06 (To Lay Me Down); d/o @ :12 -d2t04 (Looks Like Rain); d/o @ 1:08 -d2t06 (Drums); d/o @ 5:21; MC flip @ 6:32 -d2t07 (Space); d/o @ :54 Bobby's 41st birthday. Happy Birthday was sung before the encore.