Bands
Featured
Bands
Grateful Dead
Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h47364
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.9k308
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.4k313
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h2.7k369
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h2.9k385
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h2.9k379
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.8k351
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.4k165
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.5k935
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h971110
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2.1k247
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.1k593
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.3k167
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k196
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.7k220
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h8.7k1k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.6k225
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.8k248
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.5k1.3k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h11k1.5k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h36638
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.8k476
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5k658
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h2.8k364
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.7k190
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.8k216
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.5k217
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h70386
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h8513
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h24718
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h372
7d1037
30d62737
2 shows
2 tapes
1988
Sources
Transferrer: Charlie Miller
2:23:08
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-16.141686.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to David Gans for making this possible -- Thanks to Ted Mattes for the patch source -- Thanks to Scott Clugston for the pitch correction settings -- This file set is 16 bit
Transferrer: Charlie Miller
2:23:08
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-16.141650.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to David Gans for making this possible -- Thanks to Ted Mattes for the patch source -- Thanks to Scott Clugston for the pitch correction settings
Taper: Unknown
2:23:26
SBD
Rating:
6.80 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-10-16.sbd.miller.92389.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-x90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16
Taper: Michael Hessberg
2:19:32
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-16.148497.nak300.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tim Mattes and the folks responsible for the Schoeps CMC3 MK41 source which supplies a 0:33 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:19:32
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-16.148496.nak300.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tim Mattes and the folks responsible for the Schoeps CMC3 MK41 source which supplies a 0:33 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:22:23
Rating:
10.00 / 3 ratings
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-10-16.146319.OTS-NAK300.Hessberg.Miller.Noel.t-flac2496
Source:
Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)
Taper Notes:
View NotesMaster Audience Recording by Micheal Hessberg DSD Transfer by Charlie Miller Edited & Mastered by Joe Noel May 10, 2019 Patch info: - shnid 141448 Schoeps (OTS) - s1t05; 07:40 - end - s1t06; start - 00:07 - s2t07; 06:20 - 06:44 Notes: - Thanks to Micheal Hessberg for recording the show. - Thanks to Charlie for coordinating this & the DSD transfer. - Thanks to Ted Mattes for the patch source - Bob Weir's 41st birthday - Mighty Quinn has a Happy Birthday intro - speed corrected - Touché Gris
Taper: Ted Mattes
2:29:01
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-16.141448.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the source PCM - Thanks to Charlie Miller for the transfer - Happy Birthday played before The Mighty Quinn for Bobby Mastered by Scott Clugston March 24, 2018
Taper: Doug Lamarre
2:16:55
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-10-16.138841.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 3, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Doug Lamarre
2:16:55
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-10-16.138840.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 3, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Bill Koucky
2:19:41
Taper:
Bill Koucky
Transferrer:
Chris Ladner
SHNID:
gd1988-10-16.aud.koucky.gmb.86914.sbeok.flac16
Source:
Master Analog Cassettes Nakamichi 300�s > Sony D5. Tapers section Maxell MX90 Type IV cassettes.
Lineage:
MAC playback on azimuth adjusted Nakamich CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to harddrive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves Z-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8).
Taper Notes:
View NotesNote: To fit on two CD�s best to place 2dt01 and d202 on 1st disc
Taper: Mark McCue
2:40:50
Rating:
10.00 / 1 rating
Taper:
Mark McCue
Transferrer:
Mark McCue and Alex Ford
SHNID:
gd1988-10-16.senn.mccue.ford.28478.sbeok.flac16
Source:
2 Sennheiser ME80 shotguns > Sony D-5 > Maxell MX 90 (first set), TDK MA-XG90 (2nd set). Mic Config: mics in a Y Location: right side of soundboard
Lineage:
Sony D5 > Tascam CDR4U stand alone burner > CDR > EAC (no errors) > Win XP Pro > FLAC Frontend > FLAC 16.
Taper Notes:
View Notes* tracks d1t08, d1t09, and d1t10 are from Miami Arena, Miami, FL on 10/14/88. Source: Nak 300's w/ guns > Sony D-5
Transferrer: Brad Ingle and mattman
1:24:10
Rating:
6.40 / 5 ratings
Transferrer:
Brad Ingle and mattman
SHNID:
gd88-10-16.set2.aud.mattman.26381.sbeok.flacf
Lineage:
AUD > MC > DAT > CDR > EAC > SHN > WAV > Adobe Audition > CD Wave > shntool > FLAC16
Taper Notes:
View Notes-Primary source Another installment of The Music Never Stopped Project!; EAC/SHN converted by Brad Ingle ([email protected]);Seeded to etree 06/02; and thanks to Paul Raoul for the audio discs. -Audio remastering by mattman ([email protected])on October 18, 2004. -Drop out in d1t04 1:02-1:09 replaced with audio from 4:07-4:14. -Drop out in d1t06 5:55-6:21 replaced with patch source. -Drop out in d2t05 11:01-end and d2t06 0:00-0:04 replaced with patch source. -Discs 1 and 2 are seemless. -Primary source E'Qd and pitch-corrected.
Transferrer: Brad Ingle
2:23:17
Rating:
8.00 / 6 ratings
Transferrer:
Brad Ingle
SHNID:
gd88-10-16.aud.ingle.10058.sbeok.shnf
Lineage:
AUD > MC > DAT > CDR > EAC > CD Wave > shntool > SHN
Taper Notes:
View NotesAUD>MC>DAT>CDR; via Paul Raoul; Seeded to etree by Brad Ingle -d1t06 (To Lay Me Down); d/o @ :12 -d2t04 (Looks Like Rain); d/o @ 1:08 -d2t06 (Drums); d/o @ 5:21; MC flip @ 6:32 -d2t07 (Space); d/o @ :54 Bobby's 41st birthday. Happy Birthday was sung before the encore.