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Bands
Grateful Dead
Today In History
June 12th
Years
1995
30.1k
PlaybackListensHours
48h51770
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.2k153
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k430
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.8k369
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5.3k665
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h5.9k747
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k344
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k133
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h3k344
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h1k113
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k200
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.7k434
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k176
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.1k140
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.1k265
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h3k346
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k209
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k259
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h9k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h19.5k2.5k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h22524
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.6k479
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h8.6k1.2k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2k255
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.6k174
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.5k178
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k165
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h48661
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h10614
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h46530
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h322
7d1368
30d63237
2 shows
2 tapes
1988
Sources
Transferrer: Charlie Miller
2:23:08
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-16.141686.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to David Gans for making this possible -- Thanks to Ted Mattes for the patch source -- Thanks to Scott Clugston for the pitch correction settings -- This file set is 16 bit
Transferrer: Charlie Miller
2:23:08
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-16.141650.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to David Gans for making this possible -- Thanks to Ted Mattes for the patch source -- Thanks to Scott Clugston for the pitch correction settings
Taper: Unknown
2:23:26
SBD
Rating:
6.80 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-10-16.sbd.miller.92389.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-x90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16
Taper: Michael Hessberg
2:19:32
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-16.148497.nak300.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tim Mattes and the folks responsible for the Schoeps CMC3 MK41 source which supplies a 0:33 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:19:32
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-16.148496.nak300.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tim Mattes and the folks responsible for the Schoeps CMC3 MK41 source which supplies a 0:33 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:22:23
Rating:
10.00 / 3 ratings
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-10-16.146319.OTS-NAK300.Hessberg.Miller.Noel.t-flac2496
Source:
Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)
Taper Notes:
View NotesMaster Audience Recording by Micheal Hessberg DSD Transfer by Charlie Miller Edited & Mastered by Joe Noel May 10, 2019 Patch info: - shnid 141448 Schoeps (OTS) - s1t05; 07:40 - end - s1t06; start - 00:07 - s2t07; 06:20 - 06:44 Notes: - Thanks to Micheal Hessberg for recording the show. - Thanks to Charlie for coordinating this & the DSD transfer. - Thanks to Ted Mattes for the patch source - Bob Weir's 41st birthday - Mighty Quinn has a Happy Birthday intro - speed corrected - Touché Gris
Taper: Ted Mattes
2:29:01
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-16.141448.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the source PCM - Thanks to Charlie Miller for the transfer - Happy Birthday played before The Mighty Quinn for Bobby Mastered by Scott Clugston March 24, 2018
Taper: Doug Lamarre
2:16:55
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-10-16.138841.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 3, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Doug Lamarre
2:16:55
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-10-16.138840.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 3, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Bill Koucky
2:19:41
Taper:
Bill Koucky
Transferrer:
Chris Ladner
SHNID:
gd1988-10-16.aud.koucky.gmb.86914.sbeok.flac16
Source:
Master Analog Cassettes Nakamichi 300�s > Sony D5. Tapers section Maxell MX90 Type IV cassettes.
Lineage:
MAC playback on azimuth adjusted Nakamich CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to harddrive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves Z-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8).
Taper Notes:
View NotesNote: To fit on two CD�s best to place 2dt01 and d202 on 1st disc
Taper: Mark McCue
2:40:50
Rating:
10.00 / 1 rating
Taper:
Mark McCue
Transferrer:
Mark McCue and Alex Ford
SHNID:
gd1988-10-16.senn.mccue.ford.28478.sbeok.flac16
Source:
2 Sennheiser ME80 shotguns > Sony D-5 > Maxell MX 90 (first set), TDK MA-XG90 (2nd set). Mic Config: mics in a Y Location: right side of soundboard
Lineage:
Sony D5 > Tascam CDR4U stand alone burner > CDR > EAC (no errors) > Win XP Pro > FLAC Frontend > FLAC 16.
Taper Notes:
View Notes* tracks d1t08, d1t09, and d1t10 are from Miami Arena, Miami, FL on 10/14/88. Source: Nak 300's w/ guns > Sony D-5
Transferrer: Brad Ingle and mattman
1:24:10
Rating:
6.40 / 5 ratings
Transferrer:
Brad Ingle and mattman
SHNID:
gd88-10-16.set2.aud.mattman.26381.sbeok.flacf
Lineage:
AUD > MC > DAT > CDR > EAC > SHN > WAV > Adobe Audition > CD Wave > shntool > FLAC16
Taper Notes:
View Notes-Primary source Another installment of The Music Never Stopped Project!; EAC/SHN converted by Brad Ingle ([email protected]);Seeded to etree 06/02; and thanks to Paul Raoul for the audio discs. -Audio remastering by mattman ([email protected])on October 18, 2004. -Drop out in d1t04 1:02-1:09 replaced with audio from 4:07-4:14. -Drop out in d1t06 5:55-6:21 replaced with patch source. -Drop out in d2t05 11:01-end and d2t06 0:00-0:04 replaced with patch source. -Discs 1 and 2 are seemless. -Primary source E'Qd and pitch-corrected.
Transferrer: Brad Ingle
2:23:17
Rating:
8.00 / 6 ratings
Transferrer:
Brad Ingle
SHNID:
gd88-10-16.aud.ingle.10058.sbeok.shnf
Lineage:
AUD > MC > DAT > CDR > EAC > CD Wave > shntool > SHN
Taper Notes:
View NotesAUD>MC>DAT>CDR; via Paul Raoul; Seeded to etree by Brad Ingle -d1t06 (To Lay Me Down); d/o @ :12 -d2t04 (Looks Like Rain); d/o @ 1:08 -d2t06 (Drums); d/o @ 5:21; MC flip @ 6:32 -d2t07 (Space); d/o @ :54 Bobby's 41st birthday. Happy Birthday was sung before the encore.