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Bands
Grateful Dead
Today In History
June 8th
Years
1995
30k
PlaybackListensHours
48h764105
7d11.4k1.6k
30d30k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h66293
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.8k507
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.9k361
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.3k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
967 tapes
1990
35.2k
PlaybackListensHours
48h2.6k344
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k373
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k159
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k249
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h937104
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k211
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k147
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k204
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k224
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.4k306
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.2k664
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k187
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k284
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.1k2.6k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.6k499
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h76278
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.3k560
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.6k597
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.5k422
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2.1k229
7d6.2k691
30d34.3k3.9k
82 shows
356 tapes
1970
42.2k
PlaybackListensHours
48h9.3k950
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k358
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h42953
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10815
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23118
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h493
7d1026
30d57334
2 shows
2 tapes
1988
Sources
Transferrer: Charlie Miller
2:23:08
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-16.141686.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to David Gans for making this possible -- Thanks to Ted Mattes for the patch source -- Thanks to Scott Clugston for the pitch correction settings -- This file set is 16 bit
Transferrer: Charlie Miller
2:23:08
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-16.141650.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to David Gans for making this possible -- Thanks to Ted Mattes for the patch source -- Thanks to Scott Clugston for the pitch correction settings
Taper: Unknown
2:23:26
SBD
Rating:
6.80 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-10-16.sbd.miller.92389.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-x90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16
Taper: Michael Hessberg
2:19:32
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-16.148497.nak300.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tim Mattes and the folks responsible for the Schoeps CMC3 MK41 source which supplies a 0:33 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:19:32
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-16.148496.nak300.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tim Mattes and the folks responsible for the Schoeps CMC3 MK41 source which supplies a 0:33 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:22:23
Rating:
10.00 / 3 ratings
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-10-16.146319.OTS-NAK300.Hessberg.Miller.Noel.t-flac2496
Source:
Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)
Taper Notes:
View NotesMaster Audience Recording by Micheal Hessberg DSD Transfer by Charlie Miller Edited & Mastered by Joe Noel May 10, 2019 Patch info: - shnid 141448 Schoeps (OTS) - s1t05; 07:40 - end - s1t06; start - 00:07 - s2t07; 06:20 - 06:44 Notes: - Thanks to Micheal Hessberg for recording the show. - Thanks to Charlie for coordinating this & the DSD transfer. - Thanks to Ted Mattes for the patch source - Bob Weir's 41st birthday - Mighty Quinn has a Happy Birthday intro - speed corrected - Touché Gris
Taper: Ted Mattes
2:29:01
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-16.141448.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the source PCM - Thanks to Charlie Miller for the transfer - Happy Birthday played before The Mighty Quinn for Bobby Mastered by Scott Clugston March 24, 2018
Taper: Doug Lamarre
2:16:55
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-10-16.138841.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 3, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Doug Lamarre
2:16:55
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-10-16.138840.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 3, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Bill Koucky
2:19:41
Taper:
Bill Koucky
Transferrer:
Chris Ladner
SHNID:
gd1988-10-16.aud.koucky.gmb.86914.sbeok.flac16
Source:
Master Analog Cassettes Nakamichi 300�s > Sony D5. Tapers section Maxell MX90 Type IV cassettes.
Lineage:
MAC playback on azimuth adjusted Nakamich CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to harddrive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves Z-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8).
Taper Notes:
View NotesNote: To fit on two CD�s best to place 2dt01 and d202 on 1st disc
Taper: Mark McCue
2:40:50
Rating:
10.00 / 1 rating
Taper:
Mark McCue
Transferrer:
Mark McCue and Alex Ford
SHNID:
gd1988-10-16.senn.mccue.ford.28478.sbeok.flac16
Source:
2 Sennheiser ME80 shotguns > Sony D-5 > Maxell MX 90 (first set), TDK MA-XG90 (2nd set). Mic Config: mics in a Y Location: right side of soundboard
Lineage:
Sony D5 > Tascam CDR4U stand alone burner > CDR > EAC (no errors) > Win XP Pro > FLAC Frontend > FLAC 16.
Taper Notes:
View Notes* tracks d1t08, d1t09, and d1t10 are from Miami Arena, Miami, FL on 10/14/88. Source: Nak 300's w/ guns > Sony D-5
Transferrer: Brad Ingle and mattman
1:24:10
Rating:
6.40 / 5 ratings
Transferrer:
Brad Ingle and mattman
SHNID:
gd88-10-16.set2.aud.mattman.26381.sbeok.flacf
Lineage:
AUD > MC > DAT > CDR > EAC > SHN > WAV > Adobe Audition > CD Wave > shntool > FLAC16
Taper Notes:
View Notes-Primary source Another installment of The Music Never Stopped Project!; EAC/SHN converted by Brad Ingle ([email protected]);Seeded to etree 06/02; and thanks to Paul Raoul for the audio discs. -Audio remastering by mattman ([email protected])on October 18, 2004. -Drop out in d1t04 1:02-1:09 replaced with audio from 4:07-4:14. -Drop out in d1t06 5:55-6:21 replaced with patch source. -Drop out in d2t05 11:01-end and d2t06 0:00-0:04 replaced with patch source. -Discs 1 and 2 are seemless. -Primary source E'Qd and pitch-corrected.
Transferrer: Brad Ingle
2:23:17
Rating:
8.00 / 6 ratings
Transferrer:
Brad Ingle
SHNID:
gd88-10-16.aud.ingle.10058.sbeok.shnf
Lineage:
AUD > MC > DAT > CDR > EAC > CD Wave > shntool > SHN
Taper Notes:
View NotesAUD>MC>DAT>CDR; via Paul Raoul; Seeded to etree by Brad Ingle -d1t06 (To Lay Me Down); d/o @ :12 -d2t04 (Looks Like Rain); d/o @ 1:08 -d2t06 (Drums); d/o @ 5:21; MC flip @ 6:32 -d2t07 (Space); d/o @ :54 Bobby's 41st birthday. Happy Birthday was sung before the encore.