Bands
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Bands
Grateful Dead
Today In History
June 12th
Years
1995
29.9k
PlaybackListensHours
48h58178
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h797111
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k458
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.8k627
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k859
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.2k419
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k369
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k137
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.4k496
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k113
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k209
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k179
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5k600
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k229
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.7k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.9k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23425
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k459
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k832
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k304
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k178
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k168
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k176
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42555
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39528
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1988
Sources
Transferrer: Charlie Miller
2:23:08
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-16.141686.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to David Gans for making this possible -- Thanks to Ted Mattes for the patch source -- Thanks to Scott Clugston for the pitch correction settings -- This file set is 16 bit
Transferrer: Charlie Miller
2:23:08
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-16.141650.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to David Gans for making this possible -- Thanks to Ted Mattes for the patch source -- Thanks to Scott Clugston for the pitch correction settings
Taper: Unknown
2:23:26
SBD
Rating:
6.80 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-10-16.sbd.miller.92389.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-x90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16
Taper: Michael Hessberg
2:19:32
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-16.148497.nak300.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tim Mattes and the folks responsible for the Schoeps CMC3 MK41 source which supplies a 0:33 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:19:32
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-16.148496.nak300.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tim Mattes and the folks responsible for the Schoeps CMC3 MK41 source which supplies a 0:33 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:22:23
Rating:
10.00 / 3 ratings
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-10-16.146319.OTS-NAK300.Hessberg.Miller.Noel.t-flac2496
Source:
Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)
Taper Notes:
View NotesMaster Audience Recording by Micheal Hessberg DSD Transfer by Charlie Miller Edited & Mastered by Joe Noel May 10, 2019 Patch info: - shnid 141448 Schoeps (OTS) - s1t05; 07:40 - end - s1t06; start - 00:07 - s2t07; 06:20 - 06:44 Notes: - Thanks to Micheal Hessberg for recording the show. - Thanks to Charlie for coordinating this & the DSD transfer. - Thanks to Ted Mattes for the patch source - Bob Weir's 41st birthday - Mighty Quinn has a Happy Birthday intro - speed corrected - Touché Gris
Taper: Ted Mattes
2:29:01
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-16.141448.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the source PCM - Thanks to Charlie Miller for the transfer - Happy Birthday played before The Mighty Quinn for Bobby Mastered by Scott Clugston March 24, 2018
Taper: Doug Lamarre
2:16:55
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-10-16.138841.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 3, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Doug Lamarre
2:16:55
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-10-16.138840.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 3, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Bill Koucky
2:19:41
Taper:
Bill Koucky
Transferrer:
Chris Ladner
SHNID:
gd1988-10-16.aud.koucky.gmb.86914.sbeok.flac16
Source:
Master Analog Cassettes Nakamichi 300�s > Sony D5. Tapers section Maxell MX90 Type IV cassettes.
Lineage:
MAC playback on azimuth adjusted Nakamich CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to harddrive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves Z-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8).
Taper Notes:
View NotesNote: To fit on two CD�s best to place 2dt01 and d202 on 1st disc
Taper: Mark McCue
2:40:50
Rating:
10.00 / 1 rating
Taper:
Mark McCue
Transferrer:
Mark McCue and Alex Ford
SHNID:
gd1988-10-16.senn.mccue.ford.28478.sbeok.flac16
Source:
2 Sennheiser ME80 shotguns > Sony D-5 > Maxell MX 90 (first set), TDK MA-XG90 (2nd set). Mic Config: mics in a Y Location: right side of soundboard
Lineage:
Sony D5 > Tascam CDR4U stand alone burner > CDR > EAC (no errors) > Win XP Pro > FLAC Frontend > FLAC 16.
Taper Notes:
View Notes* tracks d1t08, d1t09, and d1t10 are from Miami Arena, Miami, FL on 10/14/88. Source: Nak 300's w/ guns > Sony D-5
Transferrer: Brad Ingle and mattman
1:24:10
Rating:
6.40 / 5 ratings
Transferrer:
Brad Ingle and mattman
SHNID:
gd88-10-16.set2.aud.mattman.26381.sbeok.flacf
Lineage:
AUD > MC > DAT > CDR > EAC > SHN > WAV > Adobe Audition > CD Wave > shntool > FLAC16
Taper Notes:
View Notes-Primary source Another installment of The Music Never Stopped Project!; EAC/SHN converted by Brad Ingle ([email protected]);Seeded to etree 06/02; and thanks to Paul Raoul for the audio discs. -Audio remastering by mattman ([email protected])on October 18, 2004. -Drop out in d1t04 1:02-1:09 replaced with audio from 4:07-4:14. -Drop out in d1t06 5:55-6:21 replaced with patch source. -Drop out in d2t05 11:01-end and d2t06 0:00-0:04 replaced with patch source. -Discs 1 and 2 are seemless. -Primary source E'Qd and pitch-corrected.
Transferrer: Brad Ingle
2:23:17
Rating:
8.00 / 6 ratings
Transferrer:
Brad Ingle
SHNID:
gd88-10-16.aud.ingle.10058.sbeok.shnf
Lineage:
AUD > MC > DAT > CDR > EAC > CD Wave > shntool > SHN
Taper Notes:
View NotesAUD>MC>DAT>CDR; via Paul Raoul; Seeded to etree by Brad Ingle -d1t06 (To Lay Me Down); d/o @ :12 -d2t04 (Looks Like Rain); d/o @ 1:08 -d2t06 (Drums); d/o @ 5:21; MC flip @ 6:32 -d2t07 (Space); d/o @ :54 Bobby's 41st birthday. Happy Birthday was sung before the encore.