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June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h45061
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h2.1k337
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.4k308
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h2.7k362
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h2.8k369
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h2.8k371
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.8k351
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.4k166
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.5k932
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h931105
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2.3k276
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5k585
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.3k164
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k197
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k233
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h8.5k1k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.5k211
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.9k255
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.6k1.3k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h10.8k1.5k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h41241
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.9k486
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h4.9k643
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h2.8k362
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.8k191
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.8k214
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k234
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h77094
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h8312
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22617
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h342
7d1037
30d62737
2 shows
2 tapes
1988
10/2/88
Tuning (start set 1)
0:52
Cold Rain & Snow
6:34
New Minglewood Blues
7:30
Peggy-O
7:13
Stuck Inside Of Mobile With The Memphis Blues Again
9:16
To Lay Me Down (tape flip)
7:50
Box Of Rain
5:10
Deal
7:05
Crazy Fingers > (start set 2)
8:28
Samson & Delilah
7:37
Jam >
4:13
Estimated Prophet >
11:28
Eyes Of The World >
8:07
Drums > (tape flip)
9:37
Space >
14:00
Gimme Some Lovin'>
4:50
Stella Blue >
8:17
Throwing Stones >
10:41
Not Fade Away (tape flip)
9:02
Black Muddy River (encore)
6:40
FIN
View on archive.org
Sources
Taper: Steve Marcus
2:41:10
SBD
Taper:
Steve Marcus
Transferrer:
Charlie Miller
SHNID:
gd1988-10-02.169164.MountainView.CA.UltramatrixSBD.dolby.c.cm.marcus.miller.t-flac1648
Source:
Ultramatrix SBD > Cassette Master (Sony WM-D6C/Maxell MA/Dolby C)
Lineage:
Cassette Master (Nakamichi CR7A/Dolby C) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Steve Marcus -- Phil does a really nice bass solo at the start of Space -- This is 168964 2496 > 1648
Taper: Steve Marcus
2:41:10
SBD
Taper:
Steve Marcus
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 13, 2024
SHNID:
gd1988-10-02.168964.UltramatrixSBD.dolby.c.cm.marcus.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (Sony WM-D6C/Maxell MA/Dolby C)
Lineage:
Cassette Master (Nakamichi CR7A/Dolby C) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Steve Marcus -- Phil does a really nice bass solo at the start of Space
Transferrer: Charlie Miller
1:46:08
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-02.142490.s2.sbd.bm.miller.flac1644
Source:
SBD > Beta HiFi Master (Sony Betamax/TDK HS)
Lineage:
Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >dBpoweramp > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a Healy Mix SBD with no ambient mics -- I am currently missing the Set 1 from this source -- Phil does a really nice bass solo at the start of Space -- This file set is 16 bit at 44.1
Transferrer: Charlie Miller
1:46:08
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-02.142403.s2.sbd.miller.flac2496
Source:
SBD > Beta HiFi Master (Sony Betamax/TDK HS)
Lineage:
Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >dBpoweramp > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a Healy Mix SBD with no ambient mics -- I am currently missing the Set 1 from this source -- Phil does a really nice bass solo at the start of Space
Transferrer: Darrin Sacks and Bill Tetzeli
2:26:49
SBD
Transferrer:
Darrin Sacks and Bill Tetzeli
SHNID:
gd1988-10-02.sbd.sacks.tetzeli.fix-7637.34467.reflac.flac16
Source:
Cassette Soundboard>DAT
Lineage:
DAT>CDR>EAC>SHN(seekable)>WAV>?>WAV>FLAC
Source 6 of 8
2:28:32
SBD
Rating:
7.00 / 14 ratings
SHNID:
gd88-10-02.sbd.sacks.7637.sbeok.shnf
Source:
SBD> Cass> DAT> CDR> EAC>SHN (seekable)
Taper Notes:
View NotesSBD> Cass> DAT> CDR> EAC>SHN (seekable); via Darrin Sacks to abgd, etree
Taper: OldNeumanntapr
2:34:30
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1988-10-02.168661.superscopeEC7.ont.flac1644
Source:
OTS; SEC 202, Row E, Seat #20, Front Row Of Tapers Section; Superscope EC 7 Cardioid Condensers >Marantz PMD-430 [XLIIS]
Lineage:
Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes: This was my second time recording the Dead at Shoreline. The previous year, in 1987, I came home with really good sounding tapes that had a lot of punch and impact, being that they were recorded with the addition of the repeater towers on the lawn. In 1988 they moved the tapers section to Section 202, in the reserved section, directly behind the soundboard. We were a little closer to the stage PA, but we lost the addition of the repeater towers. When I ordered tickets through the Dead office I put a note in my mailer and requested to be next to 'Taper Ron' Owensby, my friend in Oakland who I stayed with when I went to Bay Area shows. I was blown away to see Ron walk up and have a reserved seat RIGHT next to me, in Section 202 Row E, the first row behind the board and front row of the tapers section! THANK'S GDTS!!!! :) I will never forget, being in the first row of the tapers section, when Dan Healy passed his headphones to a lady to the left of my friend Ron during 'To Lay Me Down' in the first set. She listened to the board mix afor a bit, and I was sure that she was going to pass them to my friend Ron, and then hopefully I would get a turn. But instead, she handed them right back to Healy and that was that. Shucks! I would have loved to have heard the board mix, even if only for a brief bit. She wasn't even a taper and she got to experience that. I'm sure, looking back, that Healy only let her listen because she was a pretty girl. I was having some trouble with my Sony 153, which turned out to be a dirty record switch as reported by the electronics repair shop, so I had borrowed a Marantz PMD-430 from my friend Dick, another taper I knew. (My guess would be the dust clouds from Ventura Fairgrounds '87 being the culprit.) I would eventally get the Sony TC-153SD deck working again, but in the meantime I got a new Sony WM-D6C PRO for Christmas '88, because I wanted a new deck and I wanted something that I could record other bands with and the 153 was just too large to take in for stealth shows. I hadn't transferred this show, Oct 1 1988, until now because the first time I was going to transfer it to CD with my HHb CDR 800 about 10 or 12 years ago I found that the master tape of the first set had print through, but listening now it seems like it only affected the early part of the set, between 'Minglewood' and 'Peggy-O', where you can hear an echo in the quiet part of the tuning between songs. I was pleasantly surprised that the rest of the recording sounded so good. The second set doesn't seem to be affected at all.
Taper: Russ Cansler
2:43:44
Taper:
Russ Cansler
Transferrer:
Russ Cansler
SHNID:
gd1988-10-02.beyerM88.russjcan.94479.flac16
Source:
Beyerdynamic M-88's XY60 with Sony WMD6-C Maxell MX 90 No nr Offical taping section front of lawn 140 feet away,dead center Mic stand at 7 feet
Lineage:
Master>D6>HD>Audacity>CDWave>TLH>FLAC
Taper Notes:
View Notes- Standout performance from begining to end - cut in Not Fade Away