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June 12th
Years
1995
30.1k
PlaybackListensHours
48h51770
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.2k153
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k430
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.8k369
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5.3k665
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h5.9k747
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k344
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k133
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h3k344
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h1k113
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k200
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.7k434
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k176
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.1k140
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.1k265
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h3k346
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k209
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k259
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h9k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h19.5k2.5k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h22524
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.6k479
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h8.6k1.2k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2k255
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.6k174
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.5k178
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k165
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h48661
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h10614
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h46530
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h322
7d1368
30d63237
2 shows
2 tapes
1988
10/2/88
01 - Tuning
0:56
02 - Cold Rain And Snow
6:15
03 - New Minglewood Blues
8:16
04 - Peggy-O
7:00
05 - Stuck Inside Of Mobile With The Memphis Blues Again
11:24
06 - To Lay Me Down
8:13
07 - Box Of Rain
4:59
08 - Deal
7:04
09 - Tuning >
1:24
10 - Crazy Fingers >
7:33
11 - Samson And Delilah
8:15
12 - Jam >
4:32
13 - Estimated Prophet >
11:12
14 - Eyes Of The World >
7:56
15 - Drums >
10:05
16 - Space >
13:36
17 - Gimme Some Lovin' >
4:36
18 - Stella Blue >
8:14
19 - Throwing Stones >
10:28
20 - Not Fade Away
6:37
21 - Encore Break
4:28
22 - Black Muddy River
8:07
FIN
View on archive.org
Sources
Taper: Steve Marcus
2:41:10
SBD
Taper:
Steve Marcus
Transferrer:
Charlie Miller
SHNID:
gd1988-10-02.169164.MountainView.CA.UltramatrixSBD.dolby.c.cm.marcus.miller.t-flac1648
Source:
Ultramatrix SBD > Cassette Master (Sony WM-D6C/Maxell MA/Dolby C)
Lineage:
Cassette Master (Nakamichi CR7A/Dolby C) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Steve Marcus -- Phil does a really nice bass solo at the start of Space -- This is 168964 2496 > 1648
Taper: Steve Marcus
2:41:10
SBD
Taper:
Steve Marcus
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 13, 2024
SHNID:
gd1988-10-02.168964.UltramatrixSBD.dolby.c.cm.marcus.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (Sony WM-D6C/Maxell MA/Dolby C)
Lineage:
Cassette Master (Nakamichi CR7A/Dolby C) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Steve Marcus -- Phil does a really nice bass solo at the start of Space
Transferrer: Charlie Miller
1:46:08
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-02.142490.s2.sbd.bm.miller.flac1644
Source:
SBD > Beta HiFi Master (Sony Betamax/TDK HS)
Lineage:
Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >dBpoweramp > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a Healy Mix SBD with no ambient mics -- I am currently missing the Set 1 from this source -- Phil does a really nice bass solo at the start of Space -- This file set is 16 bit at 44.1
Transferrer: Charlie Miller
1:46:08
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-02.142403.s2.sbd.miller.flac2496
Source:
SBD > Beta HiFi Master (Sony Betamax/TDK HS)
Lineage:
Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >dBpoweramp > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a Healy Mix SBD with no ambient mics -- I am currently missing the Set 1 from this source -- Phil does a really nice bass solo at the start of Space
Transferrer: Darrin Sacks and Bill Tetzeli
2:26:49
SBD
Transferrer:
Darrin Sacks and Bill Tetzeli
SHNID:
gd1988-10-02.sbd.sacks.tetzeli.fix-7637.34467.reflac.flac16
Source:
Cassette Soundboard>DAT
Lineage:
DAT>CDR>EAC>SHN(seekable)>WAV>?>WAV>FLAC
Source 6 of 8
2:28:32
SBD
Rating:
7.00 / 14 ratings
SHNID:
gd88-10-02.sbd.sacks.7637.sbeok.shnf
Source:
SBD> Cass> DAT> CDR> EAC>SHN (seekable)
Taper Notes:
View NotesSBD> Cass> DAT> CDR> EAC>SHN (seekable); via Darrin Sacks to abgd, etree
Taper: OldNeumanntapr
2:34:30
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1988-10-02.168661.superscopeEC7.ont.flac1644
Source:
OTS; SEC 202, Row E, Seat #20, Front Row Of Tapers Section; Superscope EC 7 Cardioid Condensers >Marantz PMD-430 [XLIIS]
Lineage:
Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes: This was my second time recording the Dead at Shoreline. The previous year, in 1987, I came home with really good sounding tapes that had a lot of punch and impact, being that they were recorded with the addition of the repeater towers on the lawn. In 1988 they moved the tapers section to Section 202, in the reserved section, directly behind the soundboard. We were a little closer to the stage PA, but we lost the addition of the repeater towers. When I ordered tickets through the Dead office I put a note in my mailer and requested to be next to 'Taper Ron' Owensby, my friend in Oakland who I stayed with when I went to Bay Area shows. I was blown away to see Ron walk up and have a reserved seat RIGHT next to me, in Section 202 Row E, the first row behind the board and front row of the tapers section! THANK'S GDTS!!!! :) I will never forget, being in the first row of the tapers section, when Dan Healy passed his headphones to a lady to the left of my friend Ron during 'To Lay Me Down' in the first set. She listened to the board mix afor a bit, and I was sure that she was going to pass them to my friend Ron, and then hopefully I would get a turn. But instead, she handed them right back to Healy and that was that. Shucks! I would have loved to have heard the board mix, even if only for a brief bit. She wasn't even a taper and she got to experience that. I'm sure, looking back, that Healy only let her listen because she was a pretty girl. I was having some trouble with my Sony 153, which turned out to be a dirty record switch as reported by the electronics repair shop, so I had borrowed a Marantz PMD-430 from my friend Dick, another taper I knew. (My guess would be the dust clouds from Ventura Fairgrounds '87 being the culprit.) I would eventally get the Sony TC-153SD deck working again, but in the meantime I got a new Sony WM-D6C PRO for Christmas '88, because I wanted a new deck and I wanted something that I could record other bands with and the 153 was just too large to take in for stealth shows. I hadn't transferred this show, Oct 1 1988, until now because the first time I was going to transfer it to CD with my HHb CDR 800 about 10 or 12 years ago I found that the master tape of the first set had print through, but listening now it seems like it only affected the early part of the set, between 'Minglewood' and 'Peggy-O', where you can hear an echo in the quiet part of the tuning between songs. I was pleasantly surprised that the rest of the recording sounded so good. The second set doesn't seem to be affected at all.
Taper: Russ Cansler
2:43:44
Taper:
Russ Cansler
Transferrer:
Russ Cansler
SHNID:
gd1988-10-02.beyerM88.russjcan.94479.flac16
Source:
Beyerdynamic M-88's XY60 with Sony WMD6-C Maxell MX 90 No nr Offical taping section front of lawn 140 feet away,dead center Mic stand at 7 feet
Lineage:
Master>D6>HD>Audacity>CDWave>TLH>FLAC
Taper Notes:
View Notes- Standout performance from begining to end - cut in Not Fade Away