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June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h822115
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h59985
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h4.5k599
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k353
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h8.1k1.1k
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.7k356
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.9k366
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k147
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k258
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h87296
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k212
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.1k140
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k189
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k220
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.3k301
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.6k618
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k172
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.3k306
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h15.9k2.2k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h3.8k523
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h79174
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.3k556
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.7k610
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k430
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k225
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.4k965
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.3k386
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h41049
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10916
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23318
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h493
7d1066
30d56034
2 shows
2 tapes
1988
10/2/88
01 Tuning
1:39
02 Crazy Fingers
7:37
03 Samson And Delilah
8:16
04 Jam
4:33
05 Estimated Prophet
11:13
06 Eyes Of The World
8:02
07 Drums
10:07
08 Space
13:41
09 Gimme Some Lovin'
4:37
10 Stella Blue
8:17
11 Throwing Stones
10:32
12 Not Fade Away
6:43
13 Encore Break
4:27
14 Black Muddy River
6:24
FIN
View on archive.org
Sources
Taper: Steve Marcus
2:41:10
SBD
Taper:
Steve Marcus
Transferrer:
Charlie Miller
SHNID:
gd1988-10-02.169164.MountainView.CA.UltramatrixSBD.dolby.c.cm.marcus.miller.t-flac1648
Source:
Ultramatrix SBD > Cassette Master (Sony WM-D6C/Maxell MA/Dolby C)
Lineage:
Cassette Master (Nakamichi CR7A/Dolby C) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Steve Marcus -- Phil does a really nice bass solo at the start of Space -- This is 168964 2496 > 1648
Taper: Steve Marcus
2:41:10
SBD
Taper:
Steve Marcus
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 13, 2024
SHNID:
gd1988-10-02.168964.UltramatrixSBD.dolby.c.cm.marcus.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (Sony WM-D6C/Maxell MA/Dolby C)
Lineage:
Cassette Master (Nakamichi CR7A/Dolby C) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Steve Marcus -- Phil does a really nice bass solo at the start of Space
Transferrer: Charlie Miller
1:46:08
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-02.142490.s2.sbd.bm.miller.flac1644
Source:
SBD > Beta HiFi Master (Sony Betamax/TDK HS)
Lineage:
Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >dBpoweramp > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a Healy Mix SBD with no ambient mics -- I am currently missing the Set 1 from this source -- Phil does a really nice bass solo at the start of Space -- This file set is 16 bit at 44.1
Transferrer: Charlie Miller
1:46:08
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-02.142403.s2.sbd.miller.flac2496
Source:
SBD > Beta HiFi Master (Sony Betamax/TDK HS)
Lineage:
Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >dBpoweramp > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a Healy Mix SBD with no ambient mics -- I am currently missing the Set 1 from this source -- Phil does a really nice bass solo at the start of Space
Transferrer: Darrin Sacks and Bill Tetzeli
2:26:49
SBD
Transferrer:
Darrin Sacks and Bill Tetzeli
SHNID:
gd1988-10-02.sbd.sacks.tetzeli.fix-7637.34467.reflac.flac16
Source:
Cassette Soundboard>DAT
Lineage:
DAT>CDR>EAC>SHN(seekable)>WAV>?>WAV>FLAC
Source 6 of 8
2:28:32
SBD
Rating:
7.00 / 14 ratings
SHNID:
gd88-10-02.sbd.sacks.7637.sbeok.shnf
Source:
SBD> Cass> DAT> CDR> EAC>SHN (seekable)
Taper Notes:
View NotesSBD> Cass> DAT> CDR> EAC>SHN (seekable); via Darrin Sacks to abgd, etree
Taper: OldNeumanntapr
2:34:30
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1988-10-02.168661.superscopeEC7.ont.flac1644
Source:
OTS; SEC 202, Row E, Seat #20, Front Row Of Tapers Section; Superscope EC 7 Cardioid Condensers >Marantz PMD-430 [XLIIS]
Lineage:
Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes: This was my second time recording the Dead at Shoreline. The previous year, in 1987, I came home with really good sounding tapes that had a lot of punch and impact, being that they were recorded with the addition of the repeater towers on the lawn. In 1988 they moved the tapers section to Section 202, in the reserved section, directly behind the soundboard. We were a little closer to the stage PA, but we lost the addition of the repeater towers. When I ordered tickets through the Dead office I put a note in my mailer and requested to be next to 'Taper Ron' Owensby, my friend in Oakland who I stayed with when I went to Bay Area shows. I was blown away to see Ron walk up and have a reserved seat RIGHT next to me, in Section 202 Row E, the first row behind the board and front row of the tapers section! THANK'S GDTS!!!! :) I will never forget, being in the first row of the tapers section, when Dan Healy passed his headphones to a lady to the left of my friend Ron during 'To Lay Me Down' in the first set. She listened to the board mix afor a bit, and I was sure that she was going to pass them to my friend Ron, and then hopefully I would get a turn. But instead, she handed them right back to Healy and that was that. Shucks! I would have loved to have heard the board mix, even if only for a brief bit. She wasn't even a taper and she got to experience that. I'm sure, looking back, that Healy only let her listen because she was a pretty girl. I was having some trouble with my Sony 153, which turned out to be a dirty record switch as reported by the electronics repair shop, so I had borrowed a Marantz PMD-430 from my friend Dick, another taper I knew. (My guess would be the dust clouds from Ventura Fairgrounds '87 being the culprit.) I would eventally get the Sony TC-153SD deck working again, but in the meantime I got a new Sony WM-D6C PRO for Christmas '88, because I wanted a new deck and I wanted something that I could record other bands with and the 153 was just too large to take in for stealth shows. I hadn't transferred this show, Oct 1 1988, until now because the first time I was going to transfer it to CD with my HHb CDR 800 about 10 or 12 years ago I found that the master tape of the first set had print through, but listening now it seems like it only affected the early part of the set, between 'Minglewood' and 'Peggy-O', where you can hear an echo in the quiet part of the tuning between songs. I was pleasantly surprised that the rest of the recording sounded so good. The second set doesn't seem to be affected at all.
Taper: Russ Cansler
2:43:44
Taper:
Russ Cansler
Transferrer:
Russ Cansler
SHNID:
gd1988-10-02.beyerM88.russjcan.94479.flac16
Source:
Beyerdynamic M-88's XY60 with Sony WMD6-C Maxell MX 90 No nr Offical taping section front of lawn 140 feet away,dead center Mic stand at 7 feet
Lineage:
Master>D6>HD>Audacity>CDWave>TLH>FLAC
Taper Notes:
View Notes- Standout performance from begining to end - cut in Not Fade Away