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June 13th
7 shows
49 tapes
Years
1995
29.8k
PlaybackListensHours
48h49065
7d1.2k163
30d29.8k4.2k
49 shows
343 tapes
1994
10.4k
PlaybackListensHours
48h1.6k256
7d3.4k427
30d10.4k1.4k
85 shows
460 tapes
1993
38.7k
PlaybackListensHours
48h2.7k357
7d6.3k804
30d38.7k5.1k
83 shows
656 tapes
1992
39.6k
PlaybackListensHours
48h4.3k579
7d4.6k600
30d39.6k5.2k
57 shows
539 tapes
1991
38.2k
PlaybackListensHours
48h4.2k546
7d8.2k1.1k
30d38.2k5.2k
78 shows
973 tapes
1990
47.3k
PlaybackListensHours
48h2.9k381
7d17.4k2.2k
30d47.3k6.1k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h3k370
7d5.5k686
30d47.8k6k
78 shows
1,017 tapes
1988
20k
PlaybackListensHours
48h1.5k172
7d2.4k279
30d20k2.3k
82 shows
882 tapes
1987
33.8k
PlaybackListensHours
48h7.7k925
7d4.5k506
30d33.8k3.7k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1.1k126
7d1.7k195
30d11.7k1.3k
47 shows
684 tapes
1985
22.2k
PlaybackListensHours
48h1.8k207
7d3.4k397
30d22.2k2.6k
73 shows
1,357 tapes
1984
20.7k
PlaybackListensHours
48h5.6k640
7d7.2k858
30d20.7k2.6k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.5k188
7d2.7k353
30d21.3k2.8k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.6k193
7d2.6k318
30d41.5k5.1k
63 shows
753 tapes
1981
41.1k
PlaybackListensHours
48h1.8k230
7d4k496
30d41.1k5.1k
92 shows
868 tapes
1980
64.1k
PlaybackListensHours
48h9.8k1.2k
7d8.1k911
30d64.1k7.4k
91 shows
794 tapes
1979
20.6k
PlaybackListensHours
48h1.8k245
7d3.2k455
30d20.6k2.9k
79 shows
608 tapes
1978
43.4k
PlaybackListensHours
48h2.1k278
7d3.8k525
30d43.4k5.9k
87 shows
592 tapes
1977
277.7k
PlaybackListensHours
48h9.6k1.3k
7d33.4k4.6k
30d277.7k38.3k
64 shows
419 tapes
1976
70.7k
PlaybackListensHours
48h15.2k2k
7d24.8k3.3k
30d70.7k9.6k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h39341
7d83384
30d6.3k643
25 shows
63 tapes
1974
91.3k
PlaybackListensHours
48h4k509
7d11.5k1.5k
30d91.3k11.6k
42 shows
324 tapes
1973
86.8k
PlaybackListensHours
48h5.4k714
7d16.6k2.3k
30d86.8k11.1k
75 shows
445 tapes
1972
64.6k
PlaybackListensHours
48h3k376
7d4.5k574
30d64.6k7.8k
88 shows
361 tapes
1971
32.9k
PlaybackListensHours
48h1.9k208
7d3.4k384
30d32.9k3.8k
82 shows
357 tapes
1970
40.3k
PlaybackListensHours
48h1.8k207
7d4k453
30d40.3k4.3k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k205
7d3.2k488
30d27.1k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h51664
7d1.5k202
30d7.4k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14621
7d23132
30d1.6k213
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30423
7d77947
30d7.9k523
32 shows
78 tapes
1965
619
PlaybackListensHours
48h322
7d956
30d61936
2 shows
2 tapes
1988
10/2/88
01 Tuning
1:39
02 Crazy Fingers
7:37
03 Samson And Delilah
8:16
04 Jam
4:33
05 Estimated Prophet
11:13
06 Eyes Of The World
8:02
07 Drums
10:07
08 Space
13:41
09 Gimme Some Lovin'
4:37
10 Stella Blue
8:17
11 Throwing Stones
10:32
12 Not Fade Away
6:43
13 Encore Break
4:27
14 Black Muddy River
6:24
FIN
View on archive.org
Sources
Taper: Steve Marcus
2:41:10
SBD
Taper:
Steve Marcus
Transferrer:
Charlie Miller
SHNID:
gd1988-10-02.169164.MountainView.CA.UltramatrixSBD.dolby.c.cm.marcus.miller.t-flac1648
Source:
Ultramatrix SBD > Cassette Master (Sony WM-D6C/Maxell MA/Dolby C)
Lineage:
Cassette Master (Nakamichi CR7A/Dolby C) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Steve Marcus -- Phil does a really nice bass solo at the start of Space -- This is 168964 2496 > 1648
Taper: Steve Marcus
2:41:10
SBD
Taper:
Steve Marcus
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 13, 2024
SHNID:
gd1988-10-02.168964.UltramatrixSBD.dolby.c.cm.marcus.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (Sony WM-D6C/Maxell MA/Dolby C)
Lineage:
Cassette Master (Nakamichi CR7A/Dolby C) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Steve Marcus -- Phil does a really nice bass solo at the start of Space
Transferrer: Charlie Miller
1:46:08
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-02.142490.s2.sbd.bm.miller.flac1644
Source:
SBD > Beta HiFi Master (Sony Betamax/TDK HS)
Lineage:
Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >dBpoweramp > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a Healy Mix SBD with no ambient mics -- I am currently missing the Set 1 from this source -- Phil does a really nice bass solo at the start of Space -- This file set is 16 bit at 44.1
Transferrer: Charlie Miller
1:46:08
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-02.142403.s2.sbd.miller.flac2496
Source:
SBD > Beta HiFi Master (Sony Betamax/TDK HS)
Lineage:
Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >dBpoweramp > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a Healy Mix SBD with no ambient mics -- I am currently missing the Set 1 from this source -- Phil does a really nice bass solo at the start of Space
Transferrer: Darrin Sacks and Bill Tetzeli
2:26:49
SBD
Transferrer:
Darrin Sacks and Bill Tetzeli
SHNID:
gd1988-10-02.sbd.sacks.tetzeli.fix-7637.34467.reflac.flac16
Source:
Cassette Soundboard>DAT
Lineage:
DAT>CDR>EAC>SHN(seekable)>WAV>?>WAV>FLAC
Source 6 of 8
2:28:32
SBD
Rating:
7.00 / 14 ratings
SHNID:
gd88-10-02.sbd.sacks.7637.sbeok.shnf
Source:
SBD> Cass> DAT> CDR> EAC>SHN (seekable)
Taper Notes:
View NotesSBD> Cass> DAT> CDR> EAC>SHN (seekable); via Darrin Sacks to abgd, etree
Taper: OldNeumanntapr
2:34:30
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1988-10-02.168661.superscopeEC7.ont.flac1644
Source:
OTS; SEC 202, Row E, Seat #20, Front Row Of Tapers Section; Superscope EC 7 Cardioid Condensers >Marantz PMD-430 [XLIIS]
Lineage:
Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes: This was my second time recording the Dead at Shoreline. The previous year, in 1987, I came home with really good sounding tapes that had a lot of punch and impact, being that they were recorded with the addition of the repeater towers on the lawn. In 1988 they moved the tapers section to Section 202, in the reserved section, directly behind the soundboard. We were a little closer to the stage PA, but we lost the addition of the repeater towers. When I ordered tickets through the Dead office I put a note in my mailer and requested to be next to 'Taper Ron' Owensby, my friend in Oakland who I stayed with when I went to Bay Area shows. I was blown away to see Ron walk up and have a reserved seat RIGHT next to me, in Section 202 Row E, the first row behind the board and front row of the tapers section! THANK'S GDTS!!!! :) I will never forget, being in the first row of the tapers section, when Dan Healy passed his headphones to a lady to the left of my friend Ron during 'To Lay Me Down' in the first set. She listened to the board mix afor a bit, and I was sure that she was going to pass them to my friend Ron, and then hopefully I would get a turn. But instead, she handed them right back to Healy and that was that. Shucks! I would have loved to have heard the board mix, even if only for a brief bit. She wasn't even a taper and she got to experience that. I'm sure, looking back, that Healy only let her listen because she was a pretty girl. I was having some trouble with my Sony 153, which turned out to be a dirty record switch as reported by the electronics repair shop, so I had borrowed a Marantz PMD-430 from my friend Dick, another taper I knew. (My guess would be the dust clouds from Ventura Fairgrounds '87 being the culprit.) I would eventally get the Sony TC-153SD deck working again, but in the meantime I got a new Sony WM-D6C PRO for Christmas '88, because I wanted a new deck and I wanted something that I could record other bands with and the 153 was just too large to take in for stealth shows. I hadn't transferred this show, Oct 1 1988, until now because the first time I was going to transfer it to CD with my HHb CDR 800 about 10 or 12 years ago I found that the master tape of the first set had print through, but listening now it seems like it only affected the early part of the set, between 'Minglewood' and 'Peggy-O', where you can hear an echo in the quiet part of the tuning between songs. I was pleasantly surprised that the rest of the recording sounded so good. The second set doesn't seem to be affected at all.
Taper: Russ Cansler
2:43:44
Taper:
Russ Cansler
Transferrer:
Russ Cansler
SHNID:
gd1988-10-02.beyerM88.russjcan.94479.flac16
Source:
Beyerdynamic M-88's XY60 with Sony WMD6-C Maxell MX 90 No nr Offical taping section front of lawn 140 feet away,dead center Mic stand at 7 feet
Lineage:
Master>D6>HD>Audacity>CDWave>TLH>FLAC
Taper Notes:
View Notes- Standout performance from begining to end - cut in Not Fade Away