Bands
Featured
Bands
Grateful Dead
Today In History
June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h760105
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h71198
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.7k491
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.9k365
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.3k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h2.7k353
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k377
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k153
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k247
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h927103
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k212
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k144
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.6k207
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k217
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.3k298
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.4k682
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k182
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k284
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.5k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.6k503
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h83984
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.4k572
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.6k592
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.4k411
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2k221
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h9.2k937
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.3k360
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h36344
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11115
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23818
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h412
7d1026
30d57334
2 shows
2 tapes
1988
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:29:22
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
Transfer by David Minches Mastering by Charlie Miller [email protected] June 20, 2023
SHNID:
gd1988-09-22.165050.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi Dragon) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered with shnid=133697 -- Thanks to Kevin Tobin for the patch source -- This is 164958 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:29:22
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
Transfer by David Minches Mastering by Charlie Miller [email protected] June 20, 2023
SHNID:
gd1988-09-22.164958.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi Dragon) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered with shnid=133697 -- Thanks to Kevin Tobin for the patch source
Transferrer: Kevin Tobin
2:23:49
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-22.133700.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-JUL-2015 - Trader Little Helper - Tagged 07-JUL-2015 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -1db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:23:49
SBD
Rating:
8.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-22.133699.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix(42%-SBD/58%-AUD) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-JUL-2015 - Trader Little Helper - Tagged 07-JUL-2015 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD -1 SET TWO Stereo Matrix SBD 0 AUD -1 --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:23:49
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-22.133697.upd-sbd.tobin.flac16
Source:
(original shnid = 5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected Soundboard Only minor patching - 1st set had some additional dead air before To Lay Me Down match audience tracks. 2nd set had 3 seconds added during the start of Just Like Tom Thumb's Blues, 8 seconds towards the end of Estimated Propphet, 8 seconds towards the end of Drums, 6 seconds close to the end of Dear Mr. Fantasy and 6 seconds before Brokedown Palace. Speedwise the soundboard was very fast compared to other recordings - about 1.5 seconds per minute. Brokedown House Production
Source 6 of 15
2:26:46
SBDREMASTER
SHNID:
gd1988-09-22.172745.ultramatrix.remaster.miksis.venezia.miller.flac16
Source:
Remaster source (shnid=5290): SBD Ultramatrix > Cassette Master > DAT > CD > Izotope RX/Peak Pro > Xact > FLAC16/44.1 Remastered by Brian Miksis July 2025
Taper Notes:
View NotesNotes: - This source is 100% complete Ultramatrix - Grateful to Frank Venezia and Charlie Miller for both Ultramatrix sources - Second Ultramatrix source (shnid=165050) supplies brief patches in To Lay Me Down and Brokedown Palace - Shakedown Street right channel dropout fixed - Just Like Tom Thumb's Blues has been repaired and is complete - Fully patched, remastered, de-clicked, tape dropouts repaired and pitch corrected
Source 7 of 15
2:24:56
SBD
Rating:
7.87 / 16 ratings
SHNID:
gd88-09-22.sbd.miller.5290.sbeok.shnf
Source:
Soundboard> Master Cassette> DAT> CD
Taper Notes:
View NotesSoundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and <a href="http://fvenezia.homestead.com/files/msg_9_88/MSG_9_88.htm" rel="nofollow">treed</a> by Frank Venezia; see info file for flaw notes
Taper: Don Crandall & Chris Huron
2:36:02
Taper:
Don Crandall & Chris Huron
Transferrer:
Charlie Miller and Joe Noel and Ted Mattes
SHNID:
gd1988-09-22.140947.OTS.Schoeps.PCM.Mattes.Miller.Noel.t-flac.1644
Source:
Recording info: Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Don Crandall & Chris Huron (OTS)
Taper Notes:
View NotesNotes: - DC offset was removed - Some small digi pops were cleaned up through out show - 22 count BIODTL - Under appreciated first set - Night seven of a nine night residency In Memoriam - John Perry Barlow October 03, 1947 - February 06, 2018 Rest in Peace
Taper: Stephen Porter
2:22:33
Taper:
Stephen Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-09-22.150695.senn-me-80.porter.carbonetta.sirmick.flac24
Source:
Sennheiser ME-80s > Sony D-5 > Master Cassette
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz - Transferred by Nick Carbonetta Lineage: DSF 1-bit/5.6MHz > DBPoweramp > wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > CD Wave > flac 24
Taper Notes:
View NotesNotes: - Pitch corrected - Tape flips patch with shnid 149942 - Thank Yyou David Dyche. Thanks to Stephen Porter for providing his masters. Thanks to Nick Carbonetta for the transfer. edited and mastered SIRMick October 2020
Taper: Stephen Porter
2:28:42
Taper:
Stephen Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-09-22.150694.senn-me-80.porter.carbonetta.sirmick.flac16
Source:
Sennheiser ME-80s > Sony D-5 > Master Cassette
Lineage:
Master Cassette > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz
Taper Notes:
View NotesNotes: - Pitch corrected - Tape flips patch with shnid 149942 - Thank Yyou David Dyche. Thanks to Stephen Porter for providing his masters. Thanks to Nick Carbonetta for the transfer. edited and mastered SIRMick October 2020
Taper: David Dyche
2:20:27
Taper:
David Dyche
Transferrer:
David Dyche
SHNID:
gd1988-09-22.149942.akg.dyche.flac1644
Source:
AKG 224’s > Sony TCD5M
Lineage:
Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT
Taper Notes:
View Notes* Dear Mr. Fantasy Rap By Brent
Transferrer: Kevin Tobin
2:23:49
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-22.133698.upd-aud.tobin.flac16
Source:
(original shnid = 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected Audience Only minor patching - 1st set had some additional dead air before To Lay Me Down match soundboard tracks. 2nd set had 2 minutes and 17 seconds added during the end of Drums and 26 seconds before Brokedown Palace. Speedwise the audience was very slow compared to other recordings - about 1 seconds per minute. Brokedown House Production
Taper: fitzy
2:23:10
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-09-22.Nak300CP4.Fitzy.Keo.124922.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Another excellent recording from the Fitzy collection of Grateful Dead Masters from 1988!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: fitzy
2:23:10
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-09-22.Nak300CP4.Fitzy.Keo.124921.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Another excellent recording from the Fitzy collection of Grateful Dead Masters from 1988!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Andreew F.
2:24:36
Taper:
Andreew F.
Transferrer:
Andreew F.
SHNID:
gd1988-09-22.nak304.andrewf.89048.sbeok.flac16
Source:
Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC