China Cat Sunflower > | 1988-09-09 | Grateful Dead

View NotesPatch Info:
Schoeps CMC3/MK4 > PCM supplies:
I Will Take You Home (0:20 - 0:30)

All Transfers and Mastering By Charlie Miller
[email protected]
October 28, 2019

Notes:
-- Recorded by Don Pearson and Dan Healy
-- Thanks to Don Crandall, Chris Huron and Ted Mattes for the patch source
-- Thanks to Joe B. Jones for the pitch correction settings
-- This file set is 16 bit @ 44.1

Taper: Don Pearson and Dan Healy

2:23:56

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

Charlie Miller

SHNID:

gd1988-09-09.147844.sbd.ultramatrix.miller.flac24

Source:

UltraMatrix SBD > Cassette Master (TDK SA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesPatch Info:
Schoeps CMC3/MK4 > PCM supplies:
I Will Take You Home (0:20 - 0:30)

All Transfers and Mastering By Charlie Miller
[email protected]
October 28, 2019

Notes:
-- Recorded by Don Pearson and Dan Healy
-- Thanks to Don Crandall, Chris Huron and Ted Mattes for the patch source
-- Thanks to Joe B. Jones for the pitch correction settings

Source 3 of 10

SBD > Cass Master > DAT > CDR > CDR > EAC > SHN

Taper Notes:

View NotesSBD > Cass Master > DAT > CDR > CDR > EAC > SHN

Taper: Ray Ackerman

Joe Noel and Charlie Miller

SHNID:

gd1988-09-09.145671.ots.akg460.ackerman.miller.noel.t-flac16

Source:

Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5

Lineage:

Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)

Taper: Ted Mattes and Don Crandall & Chris Huron

2:29:04

Taper:

Ted Mattes and Don Crandall & Chris Huron

Transferrer:

Charlie Miller and Joe Noel

SHNID:

gd1988-09-09.142148.FOB.Schoeps.PCM.Mattes.Miller.Noel.t-flac1644

Source:

Don Crandall & Chris Huron Recording (FOB): Schoeps CMC3/MK4 ORTF > PCM (Nakamichi DMP-100); Charlie Miller

Lineage:

Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16

Taper Notes:

View NotesNotes:
- upgrade to shnid 120488
- Thanks to Ted for sharing his masters
- Thanks to Don & Chris for manning Ted's rig
- Thanks to Charlie for coordinating
- recorded from the 16th row.

Taper: Ray Ackerman

Charlie Miller and Joe Noel

SHNID:

gd1988-09-09.141742.OTS.AKG.Ackerman.Miller.Noel.t-flac2496

Source:

Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)

Taper: Craig Hillwig

gd1988-09-09.120488.mk41.sbeok.flac16

Source:

Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM

Lineage:

PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe

Taper Notes:

View Notes- Thanks to all involved

Seeded to etree on:

06/05/2012

Taper: Boeditaper

gd1988-09-09.110654.senn441.boeditaper.flac6

Source:

Sony D6 Cassette Master>Sennheiser 441 Mics>Sony TC- We 325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac.

Taper Notes:

View Notes1) Quality Is About A For The Most Part(Subjective Of Course)

2) I Was Not Going To Upload This Show Like I Did The Other 3 Shows From This Philly Run,But Got Requests To,So I Am.Reason Being That I Wasn't Going To Upload Is Because Of The Following(BEar With Me While I Explain Below):

I Patched Out Of A Guy That Night Who Was Running Sennheiser 441 Mics.Before The Start Of The Show,This Guy Told Me That He Starts Recording The Show From Where He Left Off From The Previous Show.In Other Words,He Wouldn't Use New Fresh Tapes For Each Set.So If There Was ,Lets' Say 15 Minutes Of Tape Left Over From The Previous Show,He Would Start The Next Show With What Was Left Over.So That Is Why There Is A Drop-out On My Copy Near The End Of "Hell In A Bucket",An Approximately 2 Second Drop-Out Between "Uncle>River"(Apparently When he Flipped His tape),And A Slight Pause Right Before "Sugar Magnolia".Even back Then,Blank Tapes Were No More Than $2.00-$3.00 Each,But The Guy Wouldn't Use Fresh Tapes Before Each Set.His Comment To Me Was Something Like This:"Yea,Alot Of People WOnder Why I Do This,But I have My Reasons".Regardless,Hope This Is Ok,Considering What I just Explained.

3)In Order To Fit On 2 Discs,I put The Encore On The End Of The 1St Disc.

Taper: Jon Pasternak

gd1988-09-09.109517.nak-pasternak.mallick.flac16

Source:

Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick

Source 10 of 10

View NotesTape Flip After d01t07
Tape Flip After d02t06
Pause After Sugar Magnolia