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June 8th
Years
1995
30k
PlaybackListensHours
48h764105
7d11.4k1.6k
30d30k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h68296
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.8k505
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.9k363
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.3k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
967 tapes
1990
35.2k
PlaybackListensHours
48h2.6k346
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k372
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k157
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k248
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h932103
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k212
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k145
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k203
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k224
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.3k301
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.3k670
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k184
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k284
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.3k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.7k503
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h80481
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.3k560
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.6k603
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.4k420
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2.1k228
7d6.2k691
30d34.3k3.9k
82 shows
356 tapes
1970
42.2k
PlaybackListensHours
48h9.3k947
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k360
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h42152
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10815
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h24318
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h493
7d1026
30d57334
2 shows
2 tapes
1988
9/5/88
Iko Iko
6:40
Walkin' Blues
7:29
Ramble On Rose
8:57
Mama Tried ->
2:42
Mexicali Blues
7:05
Row Jimmy
10:51
Stuck In Mobile With The Memphis Blues Again
9:51
When Push Comes To Shove
4:41
The Music Never Stopped
8:20
China Cat Sunflower
6:24
I Know You Rider
5:16
Playing in the Band
7:52
Uncle John's Band
7:21
Playing in the Band Reprise
2:48
Drums
8:30
Space
7:16
Gimme Some Lovin'
4:44
Black Peter
8:50
Around and Around
3:49
Turn On Your Lovelight
8:24
U.S. Blues
5:28
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:24:46
SBD
Rating:
8.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] August 12, 2023
SHNID:
gd1988-09-05.165828.UltraMatrix.sbd.cm.miller.t-flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X90/TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 (Set 1) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Ted Mattes for the encore patch source -- This is 165505 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:24:45
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] August 12, 2023
SHNID:
gd1988-09-05.165505.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X90/TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 (Set 1) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Ted Mattes for the encore patch source
Transferrer: Kevin Tobin 5.1 LPCM Surround Sound Mix (48k)
2:23:18
SBD
Transferrer:
Kevin Tobin 5.1 LPCM Surround Sound Mix (48k)
SHNID:
gd1988-09-05.139475.5-1.tobin.flac1648
Source:
<b>flac16/48kHz;</b> <i>5.1 LPCM Surround Sound (48k)</i> - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section
Lineage:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - mixing by Kevin Tobin
Taper Notes:
View NotesLPCM Surround Sound Mix (48k) 5.1 Brokedown House Production
Transferrer: DTS mix by Kevin Tobin
2:23:17
SBD
Transferrer:
DTS mix by Kevin Tobin
SHNID:
gd1988-09-05.139474.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix;</b> - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section
Lineage:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Matrix by Kevin Tobin
2:23:17
SBD
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1988-09-05.139473.mtx.tobin.flac16
Source:
<i>Matrix 3 Source Mix</i> - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section
Lineage:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSet 1: SBD + AUD2 Matrix 2 Source Mix Set 2: AUD1 + AUD2 Matrix 2 Source Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-SEP-2017 - Trader Little Helper - Tagged 28-SEP-2017 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
1:06:40
SBD
Rating:
6.50 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-09-05.sbd-set1.miller.80630.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA90) D
Lineage:
Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) ->
Taper: Jim Vita
2:21:48
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-09-05.168191.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes for the Schoeps source which supplies a 0:45 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston May 2024
Taper: Jim Vita
2:21:48
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-09-05.168188.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes for the Schoeps source which supplies a 0:45 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston May 2024
Taper: Ted Mattes
2:24:37
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-09-05.142143.FOB.Schoeps.PCM.Mattes.Miller.Noel.t-flac1644
Source:
Don Crandall & Chris Huron FOB Recording: Schoeps sub cards @ 130ยบ > PCM (Nakamichi DMP-100); Charlie Miller
Lineage:
Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
Taper Notes:
View NotesPatch info: - shnid 83250 Nak 100's supplies - s1t01; all - s1t02; all - s1t03; start - 03:02 Notes: - Master PCM courtesy of Ted Mattes. - Thanks to Don Crandall & Chris Huron for manning Ted's rig. - Thanks to Charlie Miller for directing traffic - Grateful for Boyd McHugh's source that supplies the patch - DC offset removed
Taper: Dave Boedicker
2:22:04
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1988-09-05.140015.me80.boedicker.flac1644
Transferrer: datbrad
2:20:04
Transferrer:
datbrad
SHNID:
gd1988-09-05.131131.nakcm100.datbrad.flac16
Source:
OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s);
Lineage:
Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD
Taper Notes:
View Notes*Note: Several years ago Steve Leeds posted a SHN version to LMA from another set of discs that came from the same DATs Mark Lynn made from my masters. His seed included a patch source to bridge the tape flips. I made transfers to CDR off the DATs in real time sometime in 2001. This fresh version was a direct import into Wavelab as a single file per disc that was re-tracked with CDwave, with no other processing or edits performed. Considering the age of the DATs and the potential for unexpected digital tape dropouts, I decided to use the original CDRs I made when the DATs were brand new. If interested, you can find Steve's version here: https://archive.org/details/gd88-09-05.nakamichi.leeds.16440.sbeok.shnf
Taper: recorded by Boyd McHugh from tapers' section
2:18:26
Rating:
8.00 / 1 rating
Taper:
recorded by Boyd McHugh from tapers' section
Transferrer:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Transfer by Dave Hanscom ([email protected]) Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files, mkw to encode to shn. This is done by Bzl ([email protected]) > flac
SHNID:
gd1988-09-05.nak100.mchugh.83250.sbeok.flac16
Source:
NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s
Taper Notes:
View NotesThere is a tape flip cut at the beginning of Gimme Some Lovin', but the flip is very fast and fairly non-harsh.
Source 13 of 13
2:19:06
Rating:
8.25 / 8 ratings
SHNID:
gd88-09-05.nakamichi.leeds.16440.sbeok.shnf
Source:
NAK 300's+CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700
Taper Notes:
View NotesNAK 300's+CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700; Cassette Playback on Nakamichi CR 7; AES/EBU out of AD into Fostex D5; Conversion: EAC> CD WAV> COOL EDIT PRO >MKW >SHN (Seekable); via Steven Leeds, with thanks to Mark Lynn and Mike B for discs