Bands
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Bands
Grateful Dead
Today In History
June 12th
6 shows
73 tapes
Years
1995
30.1k
PlaybackListensHours
48h55274
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h847117
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.3k451
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h4.2k557
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h6.5k813
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h3.7k478
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k348
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k126
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h4k451
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h1k112
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k200
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.3k389
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k169
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k147
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h1.9k231
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h4.4k526
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.6k224
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.8k252
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h8.4k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h21k2.8k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h24026
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.3k438
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h6.5k908
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2.3k287
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.5k169
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.4k171
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.4k172
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h41554
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13017
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h39528
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h222
7d1368
30d63237
2 shows
2 tapes
1988
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:23:25
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] August 23, 2022
SHNID:
gd1988-09-03.157832.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X90)
Lineage:
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- This is 157681 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:23:24
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] August 23, 2022
SHNID:
gd1988-09-03.157681.ultramarix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24
Transferrer: Charlie Miller
21:37
SBD
Rating:
6.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd88-09-03.sbd-encores.miller.31224.sbeok.flacf
Source:
<b>flac16</b> Encores verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC
Lineage:
Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
Taper Notes:
View Notes<b>flac16</b>; verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
Transferrer: Kevin Tobin
2:21:48
SBD
Rating:
8.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-03.136755.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (original shnid = 27749)verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch;
Taper Notes:
View Notes5.1 LPCM Surround Sound Mix (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 20-AUG-2016 - Trader Little Helper - Tagged 20-AUG-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:21:47
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-03.136753.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (original shnid = 27749)verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch;
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 20-AUG-2016 - Trader Little Helper - Tagged 20-AUG-2016 - Tag&Rename --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:21:47
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-03.136752.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (original shnid = 27749)verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch;
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 20-AUG-2016 - Trader Little Helper - Tagged 20-AUG-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:21:47
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-03.136750.upg-sbd.tobin.flac16
Source:
(original shnid = 27749) verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch;
Lineage:
Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; & (original shnid = 31224) Vault dat SBD (of encore) - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected soundboard Brokedown House Production
Source 8 of 18
2:19:20
SBD
Rating:
7.67 / 26 ratings
SHNID:
gd88-09-03.sbd.miller.27749.sbeok.flacf
Source:
<b>flac16</b>
Lineage:
Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
Taper Notes:
View Notes<b>flac16</b>; verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
Taper: Michael Hessberg
2:20:21
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-09-03.163790.nak300.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Boyd McHugh for the Nakamichi 100 source which supplies a 0:26 patch in "Space" - Pitch corrected Mastered by Scott Clugston January 2022
Taper: Michael Hessberg
2:20:21
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-09-03.163789.nak300.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Boyd McHugh for the Nakamichi 100 source which supplies a 0:26 patch in "Space" - Pitch corrected Mastered by Scott Clugston January 2022
Taper: Ted Mattes
2:28:39
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-09-03.142142.OTS.Schoeps.PCM.Mattes.Miller.Noel.t-flac1644
Source:
Don Crandall & Chris Huron OTS Recording: Schoeps CMC3 MK41 > PCM (Nakamichi DMP-100); Charlie Miller
Lineage:
Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
Taper Notes:
View NotesPatch info: - shnid 136751 (AKG-OTS) supplies - s2t11; 09:59 - 10:49 Notes: - Master PCM courtesy of Ted Mattes - Thanks to Don Crandall & Chris Huron for manning Ted's rig. - Thanks to Charlie Miller for directing traffic - 1st row tapers section - DC offset removed - Dixie tuning before M&MU - Big River has a Mexicali intro - last Ripple (acoustic): 10-16-81 [459] - last/final Ripple (electric): 04-29-71 [1113]
Transferrer: DES and Charlie Miller
2:18:48
Rating:
7.33 / 15 ratings
Transferrer:
DES and Charlie Miller
SHNID:
gd88-09-03.aud.miller.5913.sbeok.shnf
Taper: FOB Recording by Jonathan Mow
2:20:38
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 01, 2020
SHNID:
gd1988-09-03.150549.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac2496
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)
Taper Notes:
View NotesPatch info: - shnid 142142 (Schoeps CMC3 MK41) supplies - s1t06; 0:43 - 0:55, 07:02 - end (Dixie tuning) - s1t07; 0:57 - end - s1t08; all - s2t07; 05:08 - end - s2t08; start - 00:10 Notes; - Thanks to Jonathon Mow for recording the show - Thanks to Ted Mattes for putting the project together - Thanks to Charlie Miller for transfer - Thanks to Don Crandall, Chris Huron, et al. for the patch source - pitch corrected - The mix for the 1st minute (s1t01) is a bit rough. Gets much better after that. - Dixie tuning before M&MU - Big River has a Mexicali intro - last Ripple (acoustic): 10-16-81 [459] - last/final Ripple (electric): 04-29-71 [1113]
Transferrer: Kevin Tobin
2:21:47
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-03.136751.upg-aud.tobin.flac16
Source:
(original shnid = 82980) Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet
Taper Notes:
View NotesPatched and pitch corrected audience
Transferrer: datbrad
2:22:31
Transferrer:
datbrad
SHNID:
gd1988-09-03.131130.nakcm100.datbrad.flac16
Source:
OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s);
Lineage:
Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
Taper: Unknown, Tony Suraci
2:16:34
Rating:
8.50 / 4 ratings
Transferrer:
Tony Suraci
SHNID:
gd1988-09-03.akgmics.suraci.82980.sbeok.flac16
Source:
AKG>Sony D5M
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View Notes*I got shut out for taper tix and hooked up a patch. It was tough to get near the section, so my D5 was handed to the taper. He was using small diameter AKG mics, probably 451's or 461's and a full sized DAT recorder. Unfortunately, I do not remember his name. # The OTS was in the first riser at the back of the floor. Notes: This is the 16 bit version.
Taper: Boyd McHugh
2:18:15
Rating:
10.00 / 1 rating
Taper:
Boyd McHugh
Transferrer:
Dave Hanscom and bzl
SHNID:
gd1988-09-03.nak100.mchugh.82967.sbeok.flac16
Source:
NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section([email protected])
Lineage:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Transfer by Dave Hanscom ([email protected]) Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files, mkw to encode to shn. This is done by Bzl ([email protected]) > flac
Taper Notes:
View Notesleft channel levels vary for first ~40 secs of Box. There is a tape flip before Bird Song. No music missing. There is a tape flip at 5:21.03 of Space which, after editing, is not perceptible to the human ear, at least not to mine! I received this show in .shn format and converted them to .flac with shntool (shntool conv -o flac *.shn) prior to circulating. The files were renamed to Etree standards. Trader's Little Helper was used to generate checksums. Shntool was used to verify that all tracks were cut on sector boundaries.
Taper: Jeff Hubbard
2:26:07
Rating:
7.00 / 4 ratings
Taper:
Jeff Hubbard
Transferrer:
Charles Bandrofcheck
SHNID:
gd1988-09-03.senn4xx.hubbard.bandrofcheck.82511.sbeok.flac16
Source:
Sennheiser 4xx's > Marantz PMDxxx > MC
Lineage:
Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.
Taper Notes:
View NotesEncores will fit at the end of Disc 1. I chose to track it this way for continuity and filler at the end of Disc 3.