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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h1.7k242
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h58983
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.3k715
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.6k208
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.9k515
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k348
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k416
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k150
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k274
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h76686
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h1.9k228
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k189
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k180
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k238
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k273
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k681
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k176
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h4.7k604
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.8k1.8k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h6.1k843
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h87173
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k544
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.2k558
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.3k405
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k241
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.4k837
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k582
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59873
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14021
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30022
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h423
7d1277
30d57234
2 shows
2 tapes
1988
9/2/88
01 - Tuning
2:23
02 - Hell In A Bucket
6:51
03 - They Love Each Other
7:37
04 - New Minglewood Blues
9:28
05 - Dire Wolf
5:35
06 - Queen Jane Approximately
6:05
07 - Althea
9:33
08 - Let It Grow
12:38
09 - Tuning
1:22
10 - Scarlet Begonias >
8:28
11 - Fire On The Mountain
10:34
12 - Looks Like Rain >
8:52
13 - Terrapin Station >
11:08
14 - Drums >
7:56
15 - Space >
9:14
16 - The Wheel >
4:11
17 - All Along The Watchtower >
5:19
18 - Stella Blue >
8:27
19 - Sugar Magnolia
8:40
20 - Encore Break
2:50
21 - Black Muddy River
7:39
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:34:50
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] July 24, 2022
SHNID:
gd1988-09-02.157720.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View Notes-- Recorded by Don Pearson and Dan Healy -- Tape flip in Drums covered by Ultramatrix DAT -- This is 157432 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:34:50
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] July 24, 2022
SHNID:
gd1988-09-02.157432.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesTape flip in Drums covered by Ultramatrix DAT
Transferrer: Charlie Miller
2:30:40
SBD
Rating:
8.00 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-09-02.sbd.miller.28799.sbeok.flac16
Source:
Set 1: SBD -> Cassette Master -> Dat (SV3800/48k) DSet 2: SBD -> Dat -> Sonic Solutions -> CD D
Lineage:
Set 1: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->
Taper Notes:
View NotesNotes: -- Seamless transition between discs 1 and 2. -- Set 2 tuning (d1t09) and Encore (d2t09) same source as Set 1.
Transferrer: Charlie Miller
2:32:36
SBD
Rating:
7.85 / 14 ratings
Transferrer:
Charlie Miller
SHNID:
gd88-09-02.sbd.miller.27748.sbeok.flacf
Source:
<b>flac16</b>SBD> Cassette Master> Dat (SV3800/48k);
Lineage:
Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller
Taper Notes:
View Notes<b>flac16</b>; SBD> Cassette Master> Dat (SV3800/48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller
Taper: Michael Hessberg
2:27:42
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-09-02.163788.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and the folks responsible for the Schoeps CMC3 MK41 source which supplies a 1:06 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2022
Taper: Michael Hessberg
2:27:42
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-09-02.163787.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and the folks responsible for the Schoeps CMC3 MK41 source which supplies a 1:06 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2022
Taper: Ted Mattes
2:38:52
Rating:
8.00 / 2 ratings
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1988-09-02.140732.schoeps.cmc3.mk41.mattes.miller.clugston.flac1644
Source:
Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (5th row center, OTS)
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master PCM source - Thanks to Charlie Miller for the transfer - Wheel space included in "The Wheel" Mastered by Scott Clugston January 19, 2018
Taper: datbrad
2:30:18
Rating:
10.00 / 1 rating
Taper:
datbrad
Transferrer:
datbrad
SHNID:
gd1988-09-02.131128.nakcm100.datbrad.flac16
Source:
OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s);
Lineage:
Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD
Taper Notes:
View Notes*Note: Several years ago Steve Leeds posted a SHN version to LMA from another set of discs that came from the same DATs Mark Lynn made from my masters. His seed included a patch source to bridge the tape flips. I made transfers to CDR off the DATs in real time sometime in 2001. This fresh version was a direct import into Wavelab as a single file per disc that was re-tracked with CDwave, with no other processing or edits performed. Considering the age of the DATs and the potential for unexpected digital tape dropouts, I decided to use the original CDRs I made when the DATs were brand new. If interested, you can find Steve's version here: https://archive.org/details/gd88-09-02.nakamichi.leeds.16156.sbeok.shnf
Taper: recorded by Boyd McHugh from tapers' section
2:24:07
Taper:
recorded by Boyd McHugh from tapers' section
Transferrer:
Dave Hanscom and bzl
SHNID:
gd1988-09-02.nak100.mchugh.bzl.82922.sbeok.flac16
Source:
NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s
Lineage:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Transfer by Dave Hanscom ([email protected]) Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files, mkw to encode to shn. This is done by Bzl ([email protected]) > flac
Taper: Jeff Hubbard
2:34:55
Taper:
Jeff Hubbard
Transferrer:
Charles Bandrofcheck
SHNID:
gd1988-09-02.senn4xx.hubbard.bandrofcheck.82542.sbeok.flac16
Source:
Sennheiser 4xx's > Marantz PMDxxx > MC
Lineage:
Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.
Source 11 of 11
2:27:36
Rating:
9.00 / 4 ratings
SHNID:
gd88-09-02.nakamichi.leeds.16156.sbeok.shnf
Source:
NAK 300's + CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700
Taper Notes:
View NotesNAK 300's + CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700; Cassette Playback on Nakamichi CR 7.AES/EBU out of AD into Fostex D5; Conversion: EAC>CD WAV> COOL EDIT PRO >MKW >SHN (Seekable); Converted and seeded to etree by Steven Leeds; Thanks to Mark Lynn and Mike B for the source discs, to Willy for the patch source