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June 14th
Years
1995
29.9k
PlaybackListensHours
48h45762
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.3k372
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k307
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k323
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.8k366
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.8k378
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k348
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k164
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.5k945
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h961109
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.6k306
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.8k560
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.2k159
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k186
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k228
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k984
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.5k208
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.9k251
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.6k1.3k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h10.8k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47648
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.8k471
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.8k638
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h2.9k367
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k180
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.7k210
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.7k264
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h825101
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h11617
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h21417
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h352
7d886
30d60836
2 shows
2 tapes
1988
8/28/88
Tuning
1:33
Tuning
7:41
Little Red Rooster
10:30
Friend Of The Devil
10:30
We Can Run
11:40
Foolish Heart
9:22
Stuck Inside of Mobile
5:27
Don't Ease Me In
4:03
Tuning
2:48
Jack Straw >
6:10
Hey Pocky Way
6:57
Playin' in the Band
7:45
Terrapin Station
11:10
Drums
8:20
Space >
4:50
The Other One >
7:54
Standing on the Moon
8:13
Throwing Stones
8:44
Not Fade Away
8:02
Knockin' On Heaven's Door
9:53
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:31:32
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 6, 2023
SHNID:
gd1988-08-28.164247.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Jim Blackwood for his help with this project -- This is 163899 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:31:32
SBD
Rating:
6.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 6, 2023
SHNID:
gd1988-08-28.163899.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Jim Blackwood for his help with this project
Transferrer: C. Ladner
2:29:37
SBD
Rating:
7.90 / 28 ratings
Transferrer:
C. Ladner
SHNID:
gd88-08-28.sbd.ladner.31107.sbeok.flacf
Source:
Soundboard
Lineage:
Healy SBD Ultramix Patch > Sony D5 > MSC (TDK MA-XG90 Type IV) > Nakamichi DR2 > gold RCA connectors > Audiophile 2496 > WaveLab 5.0 (24/48) > Waves L3 Multimaximizer (16/44.1) > CD Wave v1.9 > FLAC16
Taper Notes:
View NotesDry sounding matrix VERY HEAVY on the vocals, particularly Brent who is by far the loudest - WATCH OUT for some near ear-splitting profanity during Red Rooster. If your kid doesn't know the S- and the F=word, they will. Compared to the already very clean TMNSP source of this show that circulates, this one has a more high end and doesn't have any of the dropouts (Half Step) or static (Friend Of The Devil) noted in the info file. Tape noise is almost non-detectable and NO noise reduction, either pre- or post-transfer, was used. The tape flip in "Foolish Heart" (05:12 - 05:19) was patched from the TMNSP source which is itself missing almost 45 seconds of music from this song (starting at 04:29 on the previously circulated source) which is present on this new source. The TMSNP source happens to have a portion of the brief segment missing from this source's first set tape flip including the start of the third verse which I spliced in using Wavelab. This suggests that someone else was patched into the SBD and has a MSC unique from this source. For the second set, I crossfaded the flip during Space so that it is audibly transparent. Oddly enough on both this new source and TMNSP source it sounds like there is an identical pause on this recording at the tail end of Not Fade Away > encore break. The first time I transferred the MSC of the second set I noticed there were infrequent mild transient fluctuations in pitch which I had attributed to a battery issue at the time of the recording, however, I fastforwarded/rewinded the tape a few times, and played it back again a few weeks later, and the fluctuations that I heard on the first transfer are no longer apparent so I'm guessing that the playback somehow "lubed" the tape mechanism back to health, or the lower humidity or some other random thing. I did the same thing to the first set tape and retransferred it even though I didn't hear any pitch fluctations on the intial transfer.
Transferrer: T. Wiley
2:23:00
SBD
Rating:
4.67 / 3 ratings
Transferrer:
T. Wiley
SHNID:
gd88-08-28.sbd.wiley.16085.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > MC > DAT > CDR
Taper Notes:
View NotesSBD>MC>DAT>CDR; via Paul G; Seeded by T. Wiley
Taper: Mark Severson
2:29:03
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-08-28.152080.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to slipkid68 and all the folks responsible for the WMD3 source which supplies a 0:07 patch in "Drums" - Pitch corrected Mastered by Scott Clugston August 2020
Taper: Mark Severson
2:29:03
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-08-28.152079.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to slipkid68 and all the folks responsible for the WMD3 source which supplies a 0:07 patch in "Drums" - Pitch corrected Mastered by Scott Clugston August 2020
Taper: Slipkid68
2:27:16
Rating:
6.00 / 1 rating
Taper:
Slipkid68
Transferrer:
JEMS
SHNID:
gd1988-08-28.140488.sonywmd3.flac1644
Source:
Sony WM-D3 with stock mic > Maxell XL-II 90 minute cassette > Nakamichi CR-7A azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 2.0 (16/44.1 capture to .wav) > iZotope RX and Ozone > FLAC
Taper Notes:
View NotesThis master recording captures the Grateful Dead performing in 1988 at Autzen Stadium in Eugene, Oregon. That day, the music didnít register as special. But playback allowed me to listen in a different environment, and after 29 years, I discovered some extraordinary moments. The first set was somewhat low-key. While engaging and well-played, it never quite caught fire, though ìLittle Red Roosterî had a nice spark that carried over into a fine ìFriend of the Devil.î The works-in-progress ìFoolish Heartî and ìVictim or the Crimeî showed the band's workshop ethic, and in front of a large, end-of-summer crowd that probably had more familiar songs in mind, that was laudable. ìJack Strawî and ìBerthaî opened the second set, two crowd-pleasers that usually appear earlier, giving the place a jolt. ìTruckiníî sounded robust, keeping the energy up, and we all got our tickets punched for ìTerrapin Station,î which tightened up considerably as it rolled to a great finish. But the high point was still to come, beginning with the jam out of ìSpace.î The band's focus there led to an amped-up version of ìThe Other Oneî and a stellar ìWharf Rat.î That was easily the most transcendent music the band played that afternoon. They found their collective mojo, making the last hour or so a real pleasure to hear. I taped on the field, standing house right, perhaps 30 yards back. I had to contend with a bit of a party atmosphere and wind, too, both of which youíll hear at times. Fortunately neither intrudes at length and both dissipated as the show progressed. By the time the music got really interesting in set two, the sound settles in nicely. In post, I made a few edits and smoothed out instances where I missed a couple tape flips (one in ìTerrapin Stationî and another in ìNot Fade Awayî). Parts of the drums segment and "Not Fade Away" feature slight volume-down fluctations, but neither is a major flaw. Thanks to BK for the transfer from the master tapes to digital (his only show came two days before in Tacoma, where near-disastrous sound problems and a lackluster performance deflated the argument I'd been making to him in favor of the band). It was a good day at Autzen, among friends, fellow fans, and good opening sets from Robert Cray and Jimmy Cliff. And having made a decent field recording, I'm pleased that the music sounds better than I remember. Share it freely, and for free! - slipkid68
Taper: Unknown
1:00:20
Transferrer:
Pete Ebel
SHNID:
gd1988-08-28.139356.cmc34.set1.ebel.flac1644
Source:
Schoeps CMC 34-> PCM-> DAT
Lineage:
Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1)