RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 14th
Years
1995
30.1k
PlaybackListensHours
48h51970
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.8k293
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.6k338
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h3.5k471
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.4k442
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k398
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.9k365
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k171
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.9k965
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k120
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2k232
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.6k642
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.4k184
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.7k207
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k237
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h9.5k1.1k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.7k242
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.9k259
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.8k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h12.5k1.7k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h36638
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.9k499
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.4k715
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3k383
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.8k195
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.9k229
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.5k217
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h64680
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h10415
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h27221
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h332
7d1037
30d62737
2 shows
2 tapes
1988
8/28/88
intro
0:05
02_Mississippi Half-Step Toodleoo
7:48
03_Little Red Rooster
10:39
04_Friend of the Devil
9:39
05_Stuck Inside of Mobile With the Memphis Blues Again
11:07
06_Foolish Heart
9:26
07_Victim or the Crime
5:29
08_Don't Ease Me In
3:33
ambiance
0:10
10_Jack Straw
6:17
Bertha
7:00
12_Truckin'
7:50
13_Terrapin Station
11:06
Drums
8:30
Space
8:36
16_The Other One
4:14
17_Wharf Rat
8:20
18_Throwing Stones
8:54
19_Not Fade Away
10:25
20_Knockin' on Heaven's Door
8:08
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:31:32
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 6, 2023
SHNID:
gd1988-08-28.164247.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Jim Blackwood for his help with this project -- This is 163899 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:31:32
SBD
Rating:
6.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 6, 2023
SHNID:
gd1988-08-28.163899.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Jim Blackwood for his help with this project
Transferrer: C. Ladner
2:29:37
SBD
Rating:
7.90 / 28 ratings
Transferrer:
C. Ladner
SHNID:
gd88-08-28.sbd.ladner.31107.sbeok.flacf
Source:
Soundboard
Lineage:
Healy SBD Ultramix Patch > Sony D5 > MSC (TDK MA-XG90 Type IV) > Nakamichi DR2 > gold RCA connectors > Audiophile 2496 > WaveLab 5.0 (24/48) > Waves L3 Multimaximizer (16/44.1) > CD Wave v1.9 > FLAC16
Taper Notes:
View NotesDry sounding matrix VERY HEAVY on the vocals, particularly Brent who is by far the loudest - WATCH OUT for some near ear-splitting profanity during Red Rooster. If your kid doesn't know the S- and the F=word, they will. Compared to the already very clean TMNSP source of this show that circulates, this one has a more high end and doesn't have any of the dropouts (Half Step) or static (Friend Of The Devil) noted in the info file. Tape noise is almost non-detectable and NO noise reduction, either pre- or post-transfer, was used. The tape flip in "Foolish Heart" (05:12 - 05:19) was patched from the TMNSP source which is itself missing almost 45 seconds of music from this song (starting at 04:29 on the previously circulated source) which is present on this new source. The TMSNP source happens to have a portion of the brief segment missing from this source's first set tape flip including the start of the third verse which I spliced in using Wavelab. This suggests that someone else was patched into the SBD and has a MSC unique from this source. For the second set, I crossfaded the flip during Space so that it is audibly transparent. Oddly enough on both this new source and TMNSP source it sounds like there is an identical pause on this recording at the tail end of Not Fade Away > encore break. The first time I transferred the MSC of the second set I noticed there were infrequent mild transient fluctuations in pitch which I had attributed to a battery issue at the time of the recording, however, I fastforwarded/rewinded the tape a few times, and played it back again a few weeks later, and the fluctuations that I heard on the first transfer are no longer apparent so I'm guessing that the playback somehow "lubed" the tape mechanism back to health, or the lower humidity or some other random thing. I did the same thing to the first set tape and retransferred it even though I didn't hear any pitch fluctations on the intial transfer.
Transferrer: T. Wiley
2:23:00
SBD
Rating:
4.67 / 3 ratings
Transferrer:
T. Wiley
SHNID:
gd88-08-28.sbd.wiley.16085.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > MC > DAT > CDR
Taper Notes:
View NotesSBD>MC>DAT>CDR; via Paul G; Seeded by T. Wiley
Taper: Mark Severson
2:29:03
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-08-28.152080.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to slipkid68 and all the folks responsible for the WMD3 source which supplies a 0:07 patch in "Drums" - Pitch corrected Mastered by Scott Clugston August 2020
Taper: Mark Severson
2:29:03
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-08-28.152079.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to slipkid68 and all the folks responsible for the WMD3 source which supplies a 0:07 patch in "Drums" - Pitch corrected Mastered by Scott Clugston August 2020
Taper: Slipkid68
2:27:16
Rating:
6.00 / 1 rating
Taper:
Slipkid68
Transferrer:
JEMS
SHNID:
gd1988-08-28.140488.sonywmd3.flac1644
Source:
Sony WM-D3 with stock mic > Maxell XL-II 90 minute cassette > Nakamichi CR-7A azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 2.0 (16/44.1 capture to .wav) > iZotope RX and Ozone > FLAC
Taper Notes:
View NotesThis master recording captures the Grateful Dead performing in 1988 at Autzen Stadium in Eugene, Oregon. That day, the music didnít register as special. But playback allowed me to listen in a different environment, and after 29 years, I discovered some extraordinary moments. The first set was somewhat low-key. While engaging and well-played, it never quite caught fire, though ìLittle Red Roosterî had a nice spark that carried over into a fine ìFriend of the Devil.î The works-in-progress ìFoolish Heartî and ìVictim or the Crimeî showed the band's workshop ethic, and in front of a large, end-of-summer crowd that probably had more familiar songs in mind, that was laudable. ìJack Strawî and ìBerthaî opened the second set, two crowd-pleasers that usually appear earlier, giving the place a jolt. ìTruckiníî sounded robust, keeping the energy up, and we all got our tickets punched for ìTerrapin Station,î which tightened up considerably as it rolled to a great finish. But the high point was still to come, beginning with the jam out of ìSpace.î The band's focus there led to an amped-up version of ìThe Other Oneî and a stellar ìWharf Rat.î That was easily the most transcendent music the band played that afternoon. They found their collective mojo, making the last hour or so a real pleasure to hear. I taped on the field, standing house right, perhaps 30 yards back. I had to contend with a bit of a party atmosphere and wind, too, both of which youíll hear at times. Fortunately neither intrudes at length and both dissipated as the show progressed. By the time the music got really interesting in set two, the sound settles in nicely. In post, I made a few edits and smoothed out instances where I missed a couple tape flips (one in ìTerrapin Stationî and another in ìNot Fade Awayî). Parts of the drums segment and "Not Fade Away" feature slight volume-down fluctations, but neither is a major flaw. Thanks to BK for the transfer from the master tapes to digital (his only show came two days before in Tacoma, where near-disastrous sound problems and a lackluster performance deflated the argument I'd been making to him in favor of the band). It was a good day at Autzen, among friends, fellow fans, and good opening sets from Robert Cray and Jimmy Cliff. And having made a decent field recording, I'm pleased that the music sounds better than I remember. Share it freely, and for free! - slipkid68
Taper: Unknown
1:00:20
Transferrer:
Pete Ebel
SHNID:
gd1988-08-28.139356.cmc34.set1.ebel.flac1644
Source:
Schoeps CMC 34-> PCM-> DAT
Lineage:
Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1)