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370
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114
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27
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5.3k
32
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594
2
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2
tapes
1988
SBD
12/31
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
154
4:07:00
11
tapes
12/29
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
92
2:44:50
9
tapes
12/28
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
324
2:35:46
8
tapes
12/11
SBD
Long Beach Arena
Long Beach, CA, USA
190
2:07:05
4
tapes
12/10
SBD
Long Beach Arena
Long Beach, CA, USA
176
2:36:12
4
tapes
12/09
SBD
Long Beach Arena
Long Beach, CA, USA
179
2:22:18
6
tapes
10/21
SBD
Reunion Arena
Dallas, TX, USA
132
2:30:00
7
tapes
10/20
SBD
The Summit
Houston, TX, USA
45
2:17:42
7
tapes
10/18
SBD
Keifer Lakefront Arena
New Orleans, LA, USA
121
2:49:57
10
tapes
10/16
SBD
Pelletier Farm
St. Helens, OR, USA
502
2:40:50
13
tapes
10/15
SBD
Bayfront Center Arena
St. Petersburg, FL, USA
81
2:29:32
12
tapes
10/14
SBD
Miami Arena
Miami, FL, USA
46
2:25:06
14
tapes
10/02
SBD
Shoreline Amphitheatre
Mountain View, CA, USA
66
2:43:44
8
tapes
10/01
SBD
Shoreline Amphitheatre
Mountain View, CA, USA
81
2:24:35
8
tapes
9/30
SBD
Shoreline Amphitheatre
Mountain View, CA, USA
113
2:19:47
5
tapes
9/24
SBD
Madison Square Garden
New York, NY, USA
212
3:10:54
15
tapes
9/23
SBD
Madison Square Garden
New York, NY, USA
207
2:27:04
12
tapes
9/22
SBD
Madison Square Garden
New York, NY, USA
250
2:36:02
15
tapes
9/20
SBD
Madison Square Garden
New York, NY, USA
226
2:29:03
19
tapes
9/19
SBD
Madison Square Garden
New York, NY, USA
120
2:21:29
15
tapes
9/18
SBD
Madison Square Garden
New York, NY, USA
170
2:26:39
15
tapes
9/16
SBD
Madison Square Garden
New York, NY, USA
349
2:40:34
12
tapes
9/15
SBD
Madison Square Garden
New York, NY, USA
189
2:25:53
12
tapes
9/14
SBD
Madison Square Garden
New York, NY, USA
156
3:34:54
14
tapes
9/12
SBD
The Spectrum
Philadelphia, PA, USA
319
2:30:42
8
tapes
9/11
SBD
The Spectrum
Philadelphia, PA, USA
90
2:45:17
14
tapes
9/09
SBD
The Spectrum
Philadelphia, PA, USA
30
2:29:04
10
tapes
9/08
SBD
The Spectrum
Philadelphia, PA, USA
97
2:31:45
17
tapes
9/06
SBD
Capital Centre
Landover, MD, USA
127
2:41:49
8
tapes
9/05
SBD
Capital Centre
Landover, MD, USA
30
2:24:46
13
tapes
9/03
SBD
Capital Centre
Landover, MD, USA
169
2:28:39
18
tapes
9/02
SBD
Capital Centre
Landover, MD, USA
59
2:38:52
11
tapes
8/28
SBD
Autzen Stadium, U. of Oregon
Eugene, OR, USA
114
2:31:32
8
tapes
8/26
SBD
Tacoma Dome
Tacoma, WA, USA
268
2:37:11
8
tapes
7/31
SBD
Laguna Seca Recreation Area
Monterey, CA, USA
162
2:32:04
5
tapes
7/30
SBD
Laguna Seca Recreation Area
Monterey, CA, USA
83
2:50:49
6
tapes
7/29
SBD
Laguna Seca Recreation Area
Monterey, CA, USA
163
2:37:17
8
tapes
7/17
SBD
Greek Theatre
Berkeley, CA, USA
303
4:28:06
14
tapes
7/16
SBD
Greek Theatre
Berkeley, CA, USA
78
4:20:09
14
tapes
7/15
SBD
Greek Theatre
Berkeley, CA, USA
492
3:54:33
18
tapes
7/03
SBD
Oxford Plains Speedway
Oxford, ME, USA
368
2:31:02
30
tapes
7/02
SBD
Oxford Plains Speedway
Oxford, ME, USA
851
2:55:31
37
tapes
6/30
SBD
Silver Stadium
Rochester, NY, USA
405
2:43:42
15
tapes
6/28
SBD
Saratoga Performing Arts Center
Saratoga Springs, NY, USA
348
2:47:49
16
tapes
6/26
SBD
Civic Arena
Pittsburgh, PA, USA
211
2:13:09
8
tapes
6/25
SBD
Buckeye Lake Music Center
Hebron, OH, USA
339
2:46:24
8
tapes
6/23
SBD
Alpine Valley Music Theatre
East Troy, WI, USA
362
4:42:12
9
tapes
6/22
SBD
Alpine Valley Music Theatre
East Troy, WI, USA
120
2:21:09
7
tapes
6/20
SBD
Alpine Valley Music Theatre
East Troy, WI, USA
395
2:26:28
10
tapes
6/19
SBD
Alpine Valley Music Theatre
East Troy, WI, USA
627
2:28:02
12
tapes
6/17
Metropolitan Sports Center
Bloomington, MN, USA
952
2:36:42
3
tapes
6/01
SBD
Unknown
Unknown, Unknown
829
51:37
1
tape
5/01
SBD
Frost Amphitheatre
Palo Alto, CA, USA
111
2:35:27
8
tapes
4/30
SBD
Frost Amphitheatre
Palo Alto, CA, USA
307
4:59:15
12
tapes
4/24
SBD
Irvine Meadows
Irvine, CA, USA
267
2:22:25
6
tapes
4/23
SBD
Irvine Meadows
Irvine, CA, USA
211
2:32:38
10
tapes
4/22
SBD
Irvine Meadows
Irvine, CA, USA
123
2:34:07
10
tapes
4/15
SBD
Rosemont Horizon
Rosemont, IL, USA
154
2:18:35
7
tapes
4/14
SBD
Rosemont Horizon
Rosemont, IL, USA
244
2:24:41
7
tapes
4/13
SBD
Rosemont Horizon
Rosemont, IL, USA
69
2:07:30
7
tapes
4/11
SBD
Joe Louis Arena
Detriot, MI, USA
111
2:13:36
5
tapes
4/09
SBD
The Centrum
Worcester, MA, USA
122
2:23:01
15
tapes
4/08
SBD
The Centrum
Worcester, MA, USA
70
2:04:58
11
tapes
4/07
SBD
The Centrum
Worcester, MA, USA
137
2:28:57
14
tapes
4/05
SBD
Hartford Civic Center
Hartford, CT, USA
171
2:25:03
7
tapes
4/04
SBD
Hartford Civic Center
Hartford, CT, USA
252
2:19:58
7
tapes
4/03
SBD
Hartford Civic Center
Hartford, CT, USA
137
2:18:33
7
tapes
4/01
SBD
Meadowlands Arena
East Rutherford, NJ, USA
648
2:34:19
15
tapes
3/31
SBD
Meadowlands Arena
East Rutherford, NJ, USA
233
2:32:10
11
tapes
3/30
SBD
Meadowlands Arena
East Rutherford, NJ, USA
437
2:16:20
12
tapes
3/28
SBD
Hampton Coliseum
Hampton, VA, USA
243
2:46:11
16
tapes
3/27
SBD
Hampton Coliseum
Hampton, VA, USA
746
4:50:22
16
tapes
3/26
SBD
Hampton Coliseum
Hampton, VA, USA
299
2:42:07
22
tapes
3/24
SBD
The Omni
Atlanta, GA, USA
170
2:30:18
8
tapes
3/18
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
247
2:22:42
6
tapes
3/17
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
146
2:23:53
8
tapes
3/16
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
502
2:24:39
8
tapes
3/12
SBD
S.F Civic Auditorium
San Francisco, CA, USA
11
56:33
2
tapes
2/17
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
310
4:42:50
7
tapes
2/16
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
268
4:08:44
7
tapes
2/14
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
606
4:31:51
12
tapes
2/13
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
192
4:02:42
8
tapes
8/28/88
01 Mississippi Half-Step
9:03
02 Little Red Rooster
10:35
03 Friend Of The Devil
10:20
04 Memphis Blues
11:41
05 Foolish Heart
9:13
06 Victim Or The Crime
5:29
07 Don't Ease Me In
3:59
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:31:32
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller
[email protected]
March 6, 2023
SHNID:
gd1988-08-28.164247.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View Notes
Notes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Jim Blackwood for his help with this project -- This is 163899 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:31:32
SBD
Rating:
6.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller
[email protected]
March 6, 2023
SHNID:
gd1988-08-28.163899.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View Notes
Notes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Jim Blackwood for his help with this project
Transferrer: C. Ladner
2:29:37
SBD
Rating:
7.90 / 28 ratings
Transferrer:
C. Ladner
SHNID:
gd88-08-28.sbd.ladner.31107.sbeok.flacf
Source:
Soundboard
Lineage:
Healy SBD Ultramix Patch > Sony D5 > MSC (TDK MA-XG90 Type IV) > Nakamichi DR2 > gold RCA connectors > Audiophile 2496 > WaveLab 5.0 (24/48) > Waves L3 Multimaximizer (16/44.1) > CD Wave v1.9 > FLAC16
Taper Notes:
View Notes
Dry sounding matrix VERY HEAVY on the vocals, particularly Brent who is by far the loudest - WATCH OUT for some near ear-splitting profanity during Red Rooster. If your kid doesn't know the S- and the F=word, they will. Compared to the already very clean TMNSP source of this show that circulates, this one has a more high end and doesn't have any of the dropouts (Half Step) or static (Friend Of The Devil) noted in the info file. Tape noise is almost non-detectable and NO noise reduction, either pre- or post-transfer, was used. The tape flip in "Foolish Heart" (05:12 - 05:19) was patched from the TMNSP source which is itself missing almost 45 seconds of music from this song (starting at 04:29 on the previously circulated source) which is present on this new source. The TMSNP source happens to have a portion of the brief segment missing from this source's first set tape flip including the start of the third verse which I spliced in using Wavelab. This suggests that someone else was patched into the SBD and has a MSC unique from this source. For the second set, I crossfaded the flip during Space so that it is audibly transparent. Oddly enough on both this new source and TMNSP source it sounds like there is an identical pause on this recording at the tail end of Not Fade Away > encore break. The first time I transferred the MSC of the second set I noticed there were infrequent mild transient fluctuations in pitch which I had attributed to a battery issue at the time of the recording, however, I fastforwarded/rewinded the tape a few times, and played it back again a few weeks later, and the fluctuations that I heard on the first transfer are no longer apparent so I'm guessing that the playback somehow "lubed" the tape mechanism back to health, or the lower humidity or some other random thing. I did the same thing to the first set tape and retransferred it even though I didn't hear any pitch fluctations on the intial transfer.
Transferrer: T. Wiley
2:23:00
SBD
Rating:
4.67 / 3 ratings
Transferrer:
T. Wiley
SHNID:
gd88-08-28.sbd.wiley.16085.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > MC > DAT > CDR
Taper Notes:
View Notes
SBD>MC>DAT>CDR; via Paul G; Seeded by T. Wiley
Taper: Mark Severson
2:29:03
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-08-28.152080.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to slipkid68 and all the folks responsible for the WMD3 source which supplies a 0:07 patch in "Drums" - Pitch corrected Mastered by Scott Clugston August 2020
Taper: Mark Severson
2:29:03
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-08-28.152079.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to slipkid68 and all the folks responsible for the WMD3 source which supplies a 0:07 patch in "Drums" - Pitch corrected Mastered by Scott Clugston August 2020
Taper: Slipkid68
2:27:16
Rating:
6.00 / 1 rating
Taper:
Slipkid68
Transferrer:
JEMS
SHNID:
gd1988-08-28.140488.sonywmd3.flac1644
Source:
Sony WM-D3 with stock mic > Maxell XL-II 90 minute cassette > Nakamichi CR-7A azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 2.0 (16/44.1 capture to .wav) > iZotope RX and Ozone > FLAC
Taper Notes:
View Notes
This master recording captures the Grateful Dead performing in 1988 at Autzen Stadium in Eugene, Oregon. That day, the music didnÃt register as special. But playback allowed me to listen in a different environment, and after 29 years, I discovered some extraordinary moments. The first set was somewhat low-key. While engaging and well-played, it never quite caught fire, though ìLittle Red Roosterî had a nice spark that carried over into a fine ìFriend of the Devil.î The works-in-progress ìFoolish Heartî and ìVictim or the Crimeî showed the band's workshop ethic, and in front of a large, end-of-summer crowd that probably had more familiar songs in mind, that was laudable. ìJack Strawî and ìBerthaî opened the second set, two crowd-pleasers that usually appear earlier, giving the place a jolt. ìTruckinÃî sounded robust, keeping the energy up, and we all got our tickets punched for ìTerrapin Station,î which tightened up considerably as it rolled to a great finish. But the high point was still to come, beginning with the jam out of ìSpace.î The band's focus there led to an amped-up version of ìThe Other Oneî and a stellar ìWharf Rat.î That was easily the most transcendent music the band played that afternoon. They found their collective mojo, making the last hour or so a real pleasure to hear. I taped on the field, standing house right, perhaps 30 yards back. I had to contend with a bit of a party atmosphere and wind, too, both of which youÃll hear at times. Fortunately neither intrudes at length and both dissipated as the show progressed. By the time the music got really interesting in set two, the sound settles in nicely. In post, I made a few edits and smoothed out instances where I missed a couple tape flips (one in ìTerrapin Stationî and another in ìNot Fade Awayî). Parts of the drums segment and "Not Fade Away" feature slight volume-down fluctations, but neither is a major flaw. Thanks to BK for the transfer from the master tapes to digital (his only show came two days before in Tacoma, where near-disastrous sound problems and a lackluster performance deflated the argument I'd been making to him in favor of the band). It was a good day at Autzen, among friends, fellow fans, and good opening sets from Robert Cray and Jimmy Cliff. And having made a decent field recording, I'm pleased that the music sounds better than I remember. Share it freely, and for free! - slipkid68
Taper: Unknown
1:00:20
Transferrer:
Pete Ebel
SHNID:
gd1988-08-28.139356.cmc34.set1.ebel.flac1644
Source:
Schoeps CMC 34-> PCM-> DAT
Lineage:
Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1)