07
1988
Sources
Taper: Hale
2:34:27
Taper:
Hale
Transferrer:
Hale
SHNID:
gd1988-07-17.138013.hale.dbx.flac16
Source:
NAK-CM100-CP4 Shotguns(2) TOA-K1 Cardoids (2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up right of center on hill behind seating and walkway on 2 mic stands 8'&12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flips/start/end and patch) > encoded to FLAC (level 8) w/ TLH
Taper Notes:
View NotesNote: I'm reasonably sure all the SBD's from 88 Greek that say might be FM are probably pre-FM, there was also an FM radio broadcast, but if you were there you could pick up Healy's pirate signal all three night. The first night was flawless, the other two have issues in places, some that can be heard on the audience tapes as well.
Taper: Sean Weber-small
2:45:33
Rating:
9.40 / 10 ratings
Taper:
Sean Weber-small
Transferrer:
PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR by Sean Weber-small; EAC (Plex 8x, see log in individual folders) > Shn via MKW .97 by Bill Gardner
SHNID:
gd88-07-17.schoeps.gardner.9245.sbeok.shnf
Source:
2nd Row Behind Healy (see notes). Schoeps CMC42S (Spaced Omni 10' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters.
Taper Notes:
View Notes2nd Row Behind Healy (see notes). Schoeps CMC42S (Spaced Omni 10' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters. Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner