07
1988
Sources
Taper: Michael Hessberg
2:34:57
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-07-16.164615.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and the folks responsible for the Schoeps CMC3 MK41 source which supplies some crowd and the first notes of "Loser" (0:11 total), as well as a 14:56 patch in "Drums" - "Drums" with Baba Oatunji - Pitch corrected Mastered by Scott Clugston January 2021
Taper: Michael Hessberg
2:34:57
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-07-16.164614.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and the folks responsible for the Schoeps CMC3 MK41 source which supplies some crowd and the first notes of "Loser" (0:11 total), as well as a 14:56 patch in "Drums" - "Drums" with Baba Oatunji - Pitch corrected Mastered by Scott Clugston January 2021
Taper: DG Hale
2:40:21
Taper:
DG Hale
Transferrer:
DG Hale
SHNID:
gd1988-07-16.138037.hale.dbx.flac16
Source:
Source: NAK-CM100-CP4 Shotguns(2) TOA-K1 Cardoids(2) > Tascam PortaOne 4-Track; Cassette w/DBX Type II on > Maxell XLII-S90; Set up right of center on the hill behind seating and walkway on 2 mic stands 8'&12' high; Processing: Maxell XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps/start/end and patching) > encoded to FLAC (level 8) w/ TLH FM masters for patch processed the same as the audience masters (w/out dbx-224X) Maxell MX-90 > w/Onkyo TA-2027(Dolby C on)
Taper Notes:
View Notes-Set 2 is seamless -This show won't quite fit on 2 CD's. I prefer t1-t8(CD 1),t9-t14(CD 2),t15-t20(CD 3). -The show was not my favorite of the three from 88, but seeing the Dead at The Greek was extra special on any day. Four of us drove from Kansas on this trip. We had to replace our tires in Salt Lake City to make it across the Nevada desert in July. We found a motel in Berkeley and I remember parking was a bit of a problem around the theater. The only way to get a spot in the seating area was to spend the night in line. That wasn't in the cards. On this night Brent gave us one of the better versions of 'I Will Take You Home' and drums were cool w/ Baba. As I recall, the night he played the Kaiser in Oakland earlier in the year was sweet too. There were persistant problems with the sound on this night. I'm not sure was caused it. There was a high pitched squeal at one point and I remember Terrapin had a lot of issues. The static wasn't just on the FM's. The FM's were good in places. As I recall though there were problems with the signal and sound almost from start to finish. The encore was full of static on the FM that wasn't on the audience tape. I'm certain the Charlie Miller SBD of this show is the best version. I'm sure he worked some magic to remove or reduce the many issues with the sound system. This is what I could put together as a 25 year old kid with about one year of experienc recording shows. Japanese mic's and a decent 4-track w/dbx nr and a big mic stand. At the time these tapes meant much to me and still do. I know these recordings are far from the best quality available, but they have heart if you ask me. Peace & Music, dg hale