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June 16th
5 shows
82 tapes
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1988
7/3/88
Introduction/Crowd/Tuning
2:48
Hell In A Bucket
6:04
Sugaree
8:44
Walkin' Blues
6:48
Tennessee Jed
9:50
Queen Jane Approximately (Tape Flip After Song)
7:08
Bird Song, Set Break
12:18
Touch Of Grey
5:30
Hey Pocky Way
6:44
Looks Like Rain
9:54
Estimated Prophet >
11:37
Eyes Of The World >
8:12
I..Will Take You Home > (Tape Flip At Start, First Verse Missing)
3:33
Drums >
9:50
Space >
8:04
Going Down The Road Feeling Bad >
6:52
I Need A Miracle >
3:36
Dear Mr. Fantasy >
5:31
Hey Jude, Encore Break
2:36
Not Fade Away > (Added From Set 1 Tape)
7:30
Not Fade Away Chant
3:57
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:20:50
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-07-03.139082.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid = 3908) SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko + AUD (shnid = 124810) FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Dan Haugh
2:19:47
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Dan Haugh
SHNID:
gd1988-07-03.mtx.haugh.92585.flac16
Source:
SBD (3908) + AUD (82801) + AUD (3325)
Taper Notes:
View NotesThe entire show is seamless and can be burned to CD with any splits desired. Because there is a several second break after "I Will Take You Home" and before "Drums" I found that to be the best spot as not to cut any transisitions (like the usual drums > space). Plus this leaves us with 3 somewhat equal length CDs. Most between song tuning/crowd cheer was missing on the SBD source as well as a few spots on the AUD sources. As usual, a trememdous effort was made to have the between song flow sound as smooth and natural as possible. Several techniques were used to do this including volume adjustments, crossfades and borrowing crowd cheers from other portions of the recording.
Transferrer: Dan Haugh
2:19:47
SBD
Transferrer:
Dan Haugh
SHNID:
gd1988-07-03.mtx.dts.haugh.92584.flac16
Source:
SBD (3908) + AUD (82801) + AUD (3325)
Taper Notes:
View NotesThe entire show is seamless and can be burned to CD with any splits desired. Because there is a several second break after "I Will Take You Home" and before "Drums" I found that to be the best spot as not to cut any transisitions (like the usual drums > space). Plus this leaves us with 3 somewhat equal length CDs. Most between song tuning/crowd cheer was missing on the SBD source as well as a few spots on the AUD sources. As usual, a trememdous effort was made to have the between song flow sound as smooth and natural as possible. Several techniques were used to do this including volume adjustments, crossfades and borrowing crowd cheers from other portions of the recording.
Taper: Ray Ackerman
2:24:21
Taper:
Ray Ackerman
Transferrer:
Joe Noel and Charlie Miller
SHNID:
gd1988-07-03.145667.fob.akg460.ackerman.miller.noel.t-flac16
Source:
Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5
Lineage:
Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
Taper Notes:
View NotesEdited & Mastered by Joe Noel WAV > Audacity > FLAC 24/96 April 22, 2018 This file set is 16 bit @ 44.1 Patch info: - shnid 140675 (Neumann U89) supplies - s1t03; 08:37 - end - s1t04; start - 00:08, & 05:55 - end - s1t06; 05:57 - 07:11 - s2t06; 00:01 - 00:11 - s2t07; start - 00:23 - s2t08; 00:26 - 00:43 Notes: - Little Feat opened - Officially released as part of "30 Trips Around The Sun" - Ray picked a good weekend to have the mics dialed in.
Taper: Jaime Poris;Taz Yamaguchi;Kyle Holbrook
2:16:42
Taper:
Jaime Poris;Taz Yamaguchi;Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1988-07-03.167980.nak700.poris.yamaguchi.holbrook.flac2448
Source:
Nakamichi 700 Jaime Poris mod > dbx/dolby splitter > dolby out > [Patched out courtesy Taz Yamaguchi] recorder: Sony TC-D5M|Maxell MX90 x 2
Lineage:
transfer: Nakamichi LX5 > Marantz PMD661|SD (24.48) processing: SD|WIN10|Audacity|cdwaveditor|TLH|foobar2000 tagger
Taper Notes:
View NotesThe day before I located the California ctrew with Taz Yamaguchi in it and was able to connect up with them on this day and patched out of their avant garde Dbx 224 noise reduciton box set-up out of the Dolby side. The show was not as strong as day one, but the vibe was so mellow. "Never had such a good time". the Grateful Dead sure loved maine and played strng shows there over the years, including these two. The Beatles ending of Set II was unusual, if not one of a kind. ** Set I ends sort of unexpectadly after Birdsong. Possibly due to an u;tra-light plane appearing over the crowd finishing its' appearance with a swoop close to the stage which may have had the crew deciding to shut down early. Only my speculation.
Taper: Jaime Poris;Taz Yamaguchi;Kyle Holbrook
2:16:42
Taper:
Jaime Poris;Taz Yamaguchi;Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1988-07-03.167979.nak700.poris.yamaguchi.holbrook.flac1644
Source:
Nakamichi 700 Jaime Poris mod > dbx/dolby splitter > dolby out > [Patched out courtesy Taz Yamaguchi] recorder: Sony TC-D5M|Maxell MX90 x 2
Lineage:
transfer: Nakamichi LX5 > Marantz PMD661|SD (24.48) processing: SD|WIN10|Audacity|cdwaveditor|TLH|foobar2000 tagger
Taper Notes:
View NotesThe day before I located the California ctrew with Taz Yamaguchi in it and was able to connect up with them on this day and patched out of their avant garde Dbx 224 noise reduciton box set-up out of the Dolby side. The show was not as strong as day one, but the vibe was so mellow. "Never had such a good time". the Grateful Dead sure loved maine and played strng shows there over the years, including these two. The Beatles ending of Set II was unusual, if not one of a kind. ** Set I ends sort of unexpectadly after Birdsong. Possibly due to an u;tra-light plane appearing over the crowd finishing its' appearance with a swoop close to the stage which may have had the crew deciding to shut down early. Only my speculation.
Taper: Seremetcc
2:22:04
Rating:
8.00 / 1 rating
Taper:
Seremetcc
Transferrer:
Keo
SHNID:
gd1988-07-03.132399.Nak100CP4.Seremetcc.Keo.Flac2496
Source:
Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD 430 > Tapes:Denon HD 8-100's; Recorded From The Repeater Stack; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Little Feat Opened! * Comments:Another Huge Thanks out to Seremetcc for recording and sharing his source for this show!Some tape pauses between first set songs.All and all another excellent share from the Seremetcc collection of masters and the Grateful Dead's 1988 Summer Tour!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!
Taper: Seremetcc
2:22:04
Taper:
Seremetcc
Transferrer:
Keo
SHNID:
gd1988-07-03.132398.Nak100CP4.Seremetcc.Keo.Flac1644
Source:
Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD 430 > Tapes Denon HD 8-100's; Recorded From The Repeater Stack; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Little Feat Opened! * Comments:Another Huge Thanks out to Seremetcc for recording and sharing his source for this show!Some tape pauses between first set songs.All and all another excellent share from the Seremetcc collection of masters and the Grateful Dead's 1988 Summer Tour!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!
Taper: fitzy
2:27:06
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-07-03.Nak300CP4.Fitzy.Keo.124856.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo! Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Even though there are a couple of cuts in this sources second set this is another excellent source for this show!Possibly down the road we may have another source from this mic rig and another deck patched in line with the missing pieces of the cut songs, so for now.. AS ALWAYS ENJOY!!!!!!!!!!!!!!!
Taper: fitzy
2:27:06
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-07-03.Nak300CP4.Fitzy.Keo.124855.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo! Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Even though there are a couple of cuts in this sources second set this is another excellent source for this show!Possibly down the road we may have another source from this mic rig and another deck patched in line with the missing pieces of the cut songs, so for now.. AS ALWAYS ENJOY!!!!!!!!!!!!!!!