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Today In History
June 14th
10 shows
102 tapes
Years
1995
29.9k
PlaybackListensHours
48h45762
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.3k372
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k307
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k323
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.8k366
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.8k378
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k348
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k164
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.5k945
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h961109
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.6k306
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.8k560
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.2k159
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k186
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k228
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k984
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.5k208
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.9k251
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.6k1.3k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h10.8k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47648
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.8k471
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.8k638
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h2.9k367
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k180
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.7k210
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.7k264
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h825101
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h11617
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h21417
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h352
7d886
30d60836
2 shows
2 tapes
1988
7/2/88
Iko Iko
6:30
Jack Straw
5:55
West L.A. Fadeaway
7:17
'lets hear more from Phil'
1:03
Stuck Inside of Mobile with the Memphis Blues Again
8:00
'let Mickey sing'
2:06
Row Jimmy
10:08
Blow Away ->
7:12
Victim or the Crime ->
5:43
Foolish Heart
8:57
Crazy Fingers ->
9:39
Playing in the Band ->
9:50
Uncle John's Band ->
8:15
Terrapin Station ->
11:56
Drums ->
7:07
Space ->
9:17
The Wheel ->
4:12
Gimme Some Lovin' ->
5:07
All Along The Watchtower ->
5:44
Morning Dew ->
11:12
Sugar Magnolia
9:54
Quinn The Eskimo (The Mighty Quinn)
4:51
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:49:17
SBD
Rating:
10.00 / 2 ratings
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 10, 2020
SHNID:
gd1988-07-02.150701.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:49:17
SBD
Rating:
8.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 10, 2020
SHNID:
gd1988-07-02.150683.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete
Transferrer: Kevin Tobin
1:38:06
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-07-02.138738.set2.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix; Set 2 Only</b> SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 04-JUL-2017 - Trader Little Helper - Tagged 04-JUL-2017 - Tag&Rename --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
1:38:06
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-07-02.138737.set2.mtx.tobin.flac16
Source:
<i>Matrix 2 Source Mix</i> <b>Set 2 Only</b> - SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 04-JUL-2017 - Trader Little Helper - Tagged 04-JUL-2017 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
1:38:05
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-07-02.138736.set2.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; <i>5.1 LPCM Surround Sound (48k) </i> <b>Set 2 Only</b> - SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound Mix (48k)
Transferrer: Charlie Miller
2:42:17
SBD
Rating:
9.60 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-07-02.sbd.miller.86817.sbeok.flac
Source:
SBD -> Dat (48k) D
Lineage:
Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC
Taper Notes:
View NotesPatch Info: SBD -> Cassette Master -> Dat (44.1k) supplies: Start of show through Row Jimmy Notes: -- Set 2 is seamless -- "We Want Phil" chant after West L.A. Fadeaway -- Thanks to Steve Rolfe for the patch source
Transferrer: Dan Haugh
2:42:48
SBD
Rating:
10.00 / 1 rating
Transferrer:
Dan Haugh
SHNID:
gd1988-07-02.mtx-v2.haugh.92583.flac16
Source:
SBD (80840) + AUD (31211)
Taper Notes:
View NotesDC offset was corrected on the FOB. AUD source disc 2 to Disc 3 was not seamless. A reverse fade and then removal of overlapping material. The following songs patched from Cassette Master SBD: Tuning, Aiko, Jack Straw, West L.A. Fadeaway, Let Phil Sing, Memphis Blues, Let Mickey Sing and Row Jimmy. The cassette SBD used for the patch material is very good and the source change is hard to detect. d1t07 "Let Mickey Sing Chant" is just from the AUD source. This was crossfaded, EQ'ed with some volume adjustments to blend better. This patch turned out very well and is hard to detect.
Transferrer: Dan Haugh
2:42:48
SBD
Rating:
2.00 / 2 ratings
Transferrer:
Dan Haugh
SHNID:
gd1988-07-02.mtx-v2.dts.haugh.92582.flac16
Source:
SBD (80840) + AUD (31211)
Taper Notes:
View NotesDC offset was corrected on the FOB. AUD source disc 2 to Disc 3 was not seamless. A reverse fade and then removal of overlapping material. The following songs patched from Cassette Master SBD: Tuning, Aiko, Jack Straw, West L.A. Fadeaway, Let Phil Sing, Memphis Blues, Let Mickey Sing and Row Jimmy. The cassette SBD used for the patch material is very good and the source change is hard to detect. d1t07 "Let Mickey Sing Chant" is just from the AUD source. This was crossfaded, EQ'ed with some volume adjustments to blend better. This patch turned out very well and is hard to detect.
Transferrer: Jeff M and Bill Tetzeli
2:39:12
SBD
Rating:
8.00 / 1 rating
Transferrer:
Jeff M and Bill Tetzeli
SHNID:
gd1988-07-02.sbd.jeffm.tetzeli.fix-2328.74652.reflac.flac16
Source:
SBD>Master Cassette>DAT
Lineage:
DAT>CDR>EAC>SHN>WAV>?>WAV>FLAC
Taper: [email protected]
2:35:47
SBD
Rating:
9.00 / 10 ratings
Taper:
[email protected]
Transferrer:
[email protected]
SHNID:
gd88-07-02.DTS.matrix.dan.21434.sbeok.shnf
Source:
5.1 DTS Mix
Lineage:
SBD + AUD: FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR; SBD > Dat > Sonic Solutions > CDR
Taper Notes:
View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b> Source: SBD + AUD '5.1 DTS'; FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR; SBD > Dat > Sonic Solutions > CDR
Source 11 of 37
2:35:46
SBD
Rating:
8.63 / 72 ratings
SHNID:
gd88-07-02.sbd-matrix.dan.21211.sbeok.shnf
Source:
SBD + AUD Matrix Mix
Taper Notes:
View NotesSource: SBD + AUD 'Matrix Mix' Source 1) FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR Source 2) SBD > Dat > Sonic Solutions > CDR Both sources were extracted using EAC and time aligned/mixed/shn'ed by [email protected] using Cool Edit 2k (see additional notes in text file)
Source 12 of 37
2:39:25
SBD
Rating:
7.00 / 6 ratings
SHNID:
gd88-07-02.sbd.jeffm.2328.sbeok.shnf
Source:
SBD> Master Cassette> DAT> CDR> EAC> SHN
Taper Notes:
View NotesSBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M.
Taper: Doug Lamarre
2:46:12
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-07-02.177148.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the Schoeps CMC42 source which supplies a 0:10 patch in "Space" - Pitch corrected Mastered by Scott Clugston October 2024
Taper: Michael Hessberg
2:45:10
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-07-02.163570.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joel Werner for the Nakamichi 700 source which supplies a 0:37 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston December 2021
Taper: Michael Hessberg
2:45:10
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-07-02.163569.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joel Werner for the Nakamichi 700 source which supplies a 0:37 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston December 2021
Taper: Ray Ackerman
2:39:54
Taper:
Ray Ackerman
Transferrer:
Joe Noel and Charlie Miller
SHNID:
gd1988-07-02.145666.fob.akg460.ackerman.miller.noel.t-flac16
Source:
Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5
Lineage:
Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
Taper Notes:
View NotesEdited & Mastered by Joe Noel WAV > Audacity > FLAC 24/96 April 21, 2018 This file set is 16 bit @ 44.1 Patch info: - shnid 140674 (Neumann U89) supplies - s1t06; start - 01:30 (banter) - s2t06; 00:03 - 00:17 - s2t11; 08:54 - 09:51 (crowd) Notes: - Thanks to Ray for sharing his archive - Thanks to Charlie for bringing it all home - Grateful for the Silberman FOB that supplies the patch - tape pauses & flip (s1) cross faded - there was not enough room for a proper crossfade before the encore, so a touch of crowd was added
Taper: Ray Ackerman
2:39:55
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-07-02.141757.FOB.AKG.Ackerman.Miller.Noel.t-flac2496
Source:
Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
Taper Notes:
View NotesPatch info: - shnid 140674 (Neumann U89) supplies - s1t06; start - 01:30 (banter) - s2t06; 00:03 - 00:17 - s2t11; 08:54 - 09:51 (crowd) Notes: - Thanks to Ray for sharing his archive - Thanks to Charlie for bringing it all home - Grateful for the Silberman FOB that supplies the patch - tape pauses & flip (s1) cross faded - there was not enough room for a proper crossfade before the encore, so a touch of crowd was added
Taper: Robert Bryant patched out of Oade Brothers; From Gastwirt Collection
1:10:31
Taper:
Robert Bryant patched out of Oade Brothers; From Gastwirt Collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-07-02.140673.s1.FOB.Schoeps.Bryant.Gastwirt.Miller.Noel.t-flac1644
Source:
Set 1 from Robert Bryant (from an Oade Bros. patch) FOB; Recording: Schoeps MK2 spaced omni's > Sony F1 > PCM > DAT; Charlie Miller
Lineage:
DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source # 140674 (Neumann's) - s1t12; - 4:06 - end Notes: - dc offset removed - Hey Now! - the trifecta of GD stage banter
Source 19 of 37
2:46:12
SHNID:
gd1988-07-02.1777147.senn441.lamarre.miller.clugston.flac1648
Taper: Kyle Holbrook
2:44:07
Taper:
Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1988-07-02.167978.beyerm201.holbrook.flac2448
Source:
microphones: Beyer M201c XY on stand at LEft side repeater stack > recorder: Sony TC-D5M|Maxell MX90 NO NR
Lineage:
Transfer: Nakamichi 680ZX > Benchmark Sonic AD2k 24.48 > Marantz PMD 661
Taper Notes:
View Notestapers notes: I was late to the show as my friends did not want to drive down from the cabin we were staying at 30 minutes North of the Speedway. So I missed Little Feat and the first two songs of the GD taping wise. I walked in with about four Little Feat songs to go but could not get close enough to the soundboard area carrying my backpack and blanket, raincoat etc. OF course, my friends from the camp would wind up with Tom and Lynn our Escer vendr friends and hava great time while I was slogging alone being a taper! So I never located the tapers, it turned out they all went in front of the board slughtly left of center. I set up near a repeater stack on the stage right side about 250 feet from the stage. It was a patch of asphalt just off the grass infield, must have been a walkway for the drivers. I was very uncomfortable the whole show. All around me were people smiling and dancing on the grass!
Taper: Kyle Holbrook
2:44:07
Taper:
Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1988-07-02.167977.beyerm201.holbrook.flac1644
Source:
microphones: Beyer M201c XY on stand at LEft side repeater stack > recorder: Sony TC-D5M|Maxell MX90 NO NR
Lineage:
Transfer: Nakamichi 680ZX > Benchmark Sonic AD2k 24.48 > Marantz PMD 661
Taper Notes:
View Notestapers notes: I was late to the show as my friends did not want to drive down from the cabin we were staying at 30 minutes North of the Speedway. So I missed Little Feat and the first two songs of the GD taping wise. I walked in with about four Little Feat songs to go but could not get close enough to the soundboard area carrying my backpack and blanket, raincoat etc. OF course, my friends from the camp would wind up with Tom and Lynn our Escer vendr friends and hava great time while I was slogging alone being a taper! So I never located the tapers, it turned out they all went in front of the board slughtly left of center. I set up near a repeater stack on the stage right side about 250 feet from the stage. It was a patch of asphalt just off the grass infield, must have been a walkway for the drivers. I was very uncomfortable the whole show. All around me were people smiling and dancing on the grass!
Taper: Jon Pasternak
2:40:59
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak
SHNID:
gd1988-07-02.159377.OTS-Nak300.pasterrnak.vernon.flac2448
Source:
OTS Nakamichi CM300/CP-4/Marantz PMD 420/Maxell XLII 90
Lineage:
Transfer: Nak DR3/SD 722/24/48
Taper Notes:
View NotesTracked by Matt Vernon using Audacity This is a 24bit 48khz file set
Taper: Jon Pasternak
2:40:59
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak
SHNID:
gd1988-07-02.159376.OTS-Nak300.pasterrnak.vernon.flac1648
Source:
OTS Nakamichi CM300/CP-4/Marantz PMD 420/Maxell XLII 90
Lineage:
Transfer: Nak DR3/SD 722/24/48
Taper Notes:
View NotesTracked by Matt Vernon using Audacity This is a 16bit 48khz file set
Taper: Ted Carpenter
2:41:27
Taper:
Ted Carpenter
Transferrer:
Ted Carpenter
SHNID:
gd1988-07-02.158161.Nak300.carpenter.flac2448
Source:
Nak 300s -> Sony TCD5M ( no dolby )-> Maxell MX 90s
Lineage:
Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, SBE, flac, checksums
Taper Notes:
View NotesNote: any patches not conforming to 24bit has been re-sampled to 24bit using R8brain
Taper: Joel Werner
2:43:34
Taper:
Joel Werner
Transferrer:
Joel Werner
SHNID:
gd1988-07-02.156917.nak700.werner.flac1644
Source:
Nakamichi CM-700's w/-15db attenuation > Sony TC-D5M (Mark) > Sony TC-D5M (me, dolby B ?) FOB, about 25-30 feet from stage, just left of center, slightly in the Phil zone. Mics on stand, about 6 feet high.
Lineage:
Transfer: Nakamichi CR-7A > Edirol R-09HR or Sony PCM-M10. [email protected]
Taper Notes:
View NotesTapers Notes: This was nothing short of an outstanding show. The setlist was incredible, the playing was at the top of their game, and the sound was spectacular. The stars aligned that day! WARNING: The low end (bass), AKA The Phil Zone, in Terrapin Station and Morning Dew should be respected unless you want to blow your speakers.
Taper: PCM Archived and Transferred by Stucco
2:55:31
Taper:
PCM Archived and Transferred by Stucco
Transferrer:
Mastering by Jim Blackwood, gsarchivist at LL; with help from Jamie Waddell
SHNID:
gd1988-07-02.150323.aud.CMC42s.FOB.flac16
Source:
FOB Schoeps CMC42s (8ft. spaced omni) > PCM
Lineage:
Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
Taper: Steve Porter
2:47:04
Taper:
Steve Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-07-02.147158.sennme80.porter.carbonetta.sirmick.flac24
Source:
Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24
Taper Notes:
View NotesNotes: - Pitch corrected. - Tape flip in Set II was patched with 140674 - thanks to all involved. Thanks to Stephen Porter for his masters. Thanks to Nick Carbonetta fot the transfers. edited and mastered SIRMick July 2019
Taper: Stephen Porter
2:46:15
Taper:
Stephen Porter
Transferrer:
Joe Noel and Kris Wescott
SHNID:
gd1988-07-02.142977.Senn.Porter.Wescott.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Recording by Stephen Porter: Sennheiser Me80 > Sony D5 > Master Cassette (Maxell XLII-S 90); Transfer by Kris Wescott: Master Cassette > Nakamichi CR7a (dolby on) > Korg mr1000 1 bit @ 5.6 mhz > WAV 1648
Taper Notes:
View NotesPatch info: - shnid 140674 (Neumann U89) supplies - s1t07; start - 00:55 (banter) - s2t06; 05:35 - 06:28 & 6:44 - end - s2t07; start - 00:28 Notes: - Little Feat opened. - Thanks to Stephen for sharing his master cassettes. - Thanks to Kris for the transfer. - Grateful for the Silberman FOB that supplies the patch. - tape pauses (s1) cross faded.
Taper: Jeff Silberman
2:51:15
Rating:
10.00 / 1 rating
Taper:
Jeff Silberman
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1988-07-02.140674.FOB.Neumann.Silberman.Ammons.Noel.t-flac1644
Source:
Jeff Silberman Master FOB Recording: Neumann U89 spaced omnis -> Technics SV-100 -> PCM; John Ammons
Lineage:
Tascam DA20 Mark II -> Roland SRC-2 -> Mac Mini > Audacity 3.0 @ 44K -> WAV; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #140673 (Schoeps Bryant/Oade) - first three tracks - Source #92583 (matrix) supplies - s2t03; 1:09 - 1:18 & 6:22 - 6:31 Notes: - Hey Now! - If you were within the Oxford city limits, you were in the Phil Zone.
Taper: Seremetcc
2:42:58
Taper:
Seremetcc
Transferrer:
Keo
SHNID:
gd1988-07-02.132394.Nak100CP4.Seremetcc.Keo.Flac2496
Source:
Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD8 100's; Recorded By The Soundboard; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Seremetcc for recording and sharing his source for this show!Some tape pauses between first set songs.All and all another excellent share from the Seremetcc collection of masters and the Grateful Dead's 1988 Summer Tour!!!!!!! AS ALWAYS ENJOY!!!!!!
Taper: Seremetcc
2:42:58
Taper:
Seremetcc
Transferrer:
Keo
SHNID:
gd1988-07-02.132393.Nak100CP4.Seremetcc.Keo.Flac1644
Source:
Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD8 100's; Recorded By The Soundboard; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Little Feat Opened! * Comments:Another Huge Thanks out to Seremetcc for recording and sharing his source for this show!Some tape pauses between first set songs.All and all another excellent share from the Seremetcc collection of masters and the Grateful Dead's 1988 Summer Tour!!!!!!! AS ALWAYS ENJOY!!!!!!
Taper: fitzy
2:45:35
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-07-02.Nak300CP4.Fitzy.Keo.124845.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! I remember this one like it was yesterday, from long wait in the car in the blistering heat to the show, the excellent sound and performance from this days music and the after show events and non stop party which went on all night long! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: fitzy
2:45:35
Rating:
10.00 / 1 rating
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-07-02.Nak300CP4.Fitzy.Keo.124844.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! I remember this one like it was yesterday, from long wait in the car in the blistering heat to the show, the excellent sound and performance from this days music and the after show events and non stop party which went on all night long! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: M.Laurentus
2:47:34
Rating:
8.00 / 1 rating
Taper:
M.Laurentus
Transferrer:
M.Laurentus
SHNID:
gd1988-07-02.124766.AT835.laurentis.flac16
Source:
Taper: M. Laurentus; FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
Taper: Bob Morris
2:39:30
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1988-07-02.nak300.morris.crazyfingers.106588.flac16
Source:
(FOB) Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/TDK MA 90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Tony Suraci
2:36:18
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1988-07-02.nakcm304.beyerm101.suraci.82762.sbeok.flac16
Source:
Nak CM304's+VBeyer M101>Sony Mixer>Sony D5M
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View Notes*Setup at right front corner of board Notes: This is the 16Bit version. 24 Bit is archived on DVDA.
Taper: Unknown
2:41:05
Source:
Nakamichi 100's > Marantz 430-PDM [Maxell metals w/ dbx] Sony 59 ES > wavelab > cd wave > flac
Taper Notes:
View Notes* 3-4 seconds missing @ 1:25:11.6 (end tape #2) / S.S.D.D. (Beg tape #3), spliced and cleaned up w/ Wavelab The boys were in a great mood at the end of this tour and the show reflects it; rarely do they joke around and talk onstage like they did this night.