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Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h58077
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h774109
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k463
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.9k643
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k870
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.1k404
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k373
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k141
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.6k515
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k114
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k212
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k182
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h2k242
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5.2k620
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k234
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.8k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h22.1k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23926
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k468
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k823
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k305
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.7k183
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.5k171
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k172
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h41354
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40529
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1988
4/9/88
Big Boss Man
4:45
Walkin' Blues
8:03
Far From Me
5:37
Candyman
6:51
Me And My Uncle >
2:42
Mexicali Blues
5:55
Tennessee Jed
7:50
When I Paint My Masterpiece
5:00
Deal
6:56
Tuning
1:09
Hell In A Bucket >
5:58
Iko Iko
5:42
Looks Like Rain >
9:04
Terrapin Station >
11:10
Drums >
6:11
Hell in a Bucket
7:28
Jack a Roe
5:36
The Same Thing
3:20
Dear Mr. Fantasy >
5:36
Hey Jude >
2:10
Black Throated Wind
9:07
Not Fade Away
7:59
Not Fade Away
1:00
Let It Grow
5:03
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:23:01
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 11, 2022
SHNID:
gd1988-04-09.156453.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple Ultramatrix masters were used to make this show complete -- This is 156056 2496 > 1644.1
Taper: Recorded by Don Pearson and Dan Healy
2:23:01
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 11, 2022
SHNID:
gd1988-04-09.156056.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple Ultramatrix masters were used to make this show complete
Transferrer: Charlie Miller
2:21:31
SBD
Rating:
8.00 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-04-09.sbd.miller.91241.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-X90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesPatch Info: FM -> Cassette Master -> ? -> PCM -> Dat -> CD (shnid=15098) supplies: Space (6:16 - 6:24) Notes: -- Disc change is seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: See info file
2:20:09
SBD
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1988-04-09.mtx.tobin.91019.sbeok.flac16
Source:
SBD + AUD Matrix 3 Source Mix (50%-SBD/50%-AUD)
Lineage:
See info file
Taper Notes:
View NotesAudio Source Information SBD1 (shnid=91241) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] April 7, 2008 Patch Info: FM -> Cassette Master -> ? -> PCM -> Dat -> CD (shnid=15098) supplies: Space (6:16 - 6:24) Notes: -- Disc change is seamless -- Thanks to Joe B. Jones for his help with the pitch correction SBD2 (shnid=15098) - only used for patches Source: Pre-FM broadcast Lineage: Master Reel> VHS (PCM)> DAT> CD> SHN Note: While a "master reel" seems unlikely for 1988 (the VHS is more likely the master tape), the frequency spectrum suggests that this is indeed a pre-broadcast reel, with content above 15K Hz. AUD (shnid=90487) (Set 1 Right channel and all of set 2 both channels) Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. Notes: - Patches from Shn-ID 82671 cover tape flips as follows: - Masterpiece, 0:01 > 0:18. - Space, from 0:09 until mended at 0:33.964 (patch not complete). - NFA (crowd chant) 6:32 > NFA Reprise 0:01. - Disc break is seamless. - Alternate burn option: make Disc One as first set plus NFA Reprise and OMSN (59:40), make Disc Two as second set (79:56). - Soundforge used to make fades, add patches, and adjust levels. - TLH used for SBE-OK, FLAC compression, and making checksums. --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 25-APR-2008 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0 AUD -0 SET TWO Stereo Matrix SBD -0 AUD -0 --------------------------------------------------------- Audio Patches: 1) At the beginning of soundboard, 30.988 seconds were missing from the SBD1 source and was filled in with audio from the AUD source. 2) At the beginning of Space, 39.533 seconds were missing from the AUD source and was filled in with audio from the SBD2 source. 3) During the crowd chant before the encore, 1 minute and 16.530 seconds were missing from the AUD source and was filled in with audio from the SBD2 source. 4) As this matrix was made to use with video of set 1, both AUD\SBD sources were synced to video source for set 1. The AUD speed was almost identical to video so it was used as reference for set 2. The SBD1 source ran slightly slow at about .5% or .100 seconds per minute minute. Brokedown House Production
Taper: Recorded by Doug Lamarre a few days after the show
2:20:12
Rating:
10.00 / 1 rating
Taper:
Recorded by Doug Lamarre a few days after the show
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 13, 2022
SHNID:
gd1988-04-09.156454.prefm.lamarre.miller.t.flac1644
Source:
Pre-FM (WCUW-FM) > Reel Master > VHS HiFi (Scott SVR330S)
Lineage:
VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Doug Lamarre a few days after the show -- The station used an Ultramatrix SBD for the broadcast -- Patch source recorded by Don Pearson and Dan Healy -- This is 156419 2496 > 1644.1
Taper: Recorded by Doug Lamarre a few days after the show
2:20:12
Taper:
Recorded by Doug Lamarre a few days after the show
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 13, 2022
SHNID:
gd1988-04-09.156419.prefm.lamarre.miller.flac2496
Source:
Pre-FM (WCUW-FM) > Reel Master > VHS HiFi (Scott SVR330S)
Lineage:
VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Doug Lamarre a few days after the show -- The station used an Ultramatrix SBD for the broadcast -- Patch source recorded by Don Pearson and Dan Healy
Taper: Doug Lamarre
2:20:05
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-04-09.140490.prefm.lamarre.berger.flac1644
Source:
source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy;
Lineage:
pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
Taper Notes:
View NotesDoug and Ted Dralle went to the WCUW 91.3 studio in Worcester and both dubbed the station’s original pre fm reels onto their hifi vhs decks (not pcm).
Taper: Doug Lamarre
2:20:05
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-04-09.140395.prefm.lamarre.berger.flac2496
Source:
source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy;
Lineage:
pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
Source 9 of 15
1:30:31
SHNID:
gd1988-04-09.127694.FM.set2.flac16
Source:
Set 2
Lineage:
WCUW Worcester 91.3 FM stereo broadcast > reciever > Teac 3340 reel recorder (3.3/4 ips) > Maxell UD 7" master reel > played on Akai GX-77 into soundforge (wav) > flac (sb's aligned)
Taper: Da Weez
2:16:20
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1988-04-09.111691.daweez.d5scott.NeumannKMF4.flac16
Source:
Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones - 13th row-center > Sony TC-D5M - analog master cassettes
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View NotesThe first 2:20 of Big Boss Man was missing so I patched it from a different source. There is also short gap in Deal from a tape flip which is also filled in from the same source.. --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Bob Morris
2:13:22
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1988-04-09.nak300.morris.crazyfingers.106589.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/TDK MA 90) ; Recorded from Taper Section 101, Row CC, Seat 14
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Transferrer: Matrix by Kevin Tobin
2:20:09
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1988-04-09.dts.tobin.91632.flac
Source:
DTS-Audio-CD 5.1 Mix
Taper Notes:
View Notes- Mixed by [email protected] - FLAC conversion 26-APR-2008 --------------------------------------------------------- Audio Patches: 1) At the beginning of soundboard, 30.988 seconds were missing from the SBD1 source and was filled in with audio from the AUD source. 2) At the beginning of Space, 39.533 seconds were missing from the AUD source and was filled in with audio from the SBD2 source. 3) During the crowd chant before the encore, 1 minute and 16.530 seconds were missing from the AUD source and was filled in with audio from the SBD2 source. 4) As the matrix was made to use with video of set 1, both AUD\SBD sources were synced to video source for set 1. The AUD speed was almost identical to video so it was used as reference for set 2. The SBD1 source ran slightly slow at about .5% or .100 seconds per minute minute. ------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -0db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -0db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Taper: Ted Carpenter
2:19:23
Taper:
Ted Carpenter
Transferrer:
Andrew F
SHNID:
gd1988-04-09.nak300.carpenter.andrewf.90487.sbeok.flac16
Source:
Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View Notes- Patches from Shn-ID 82671 cover tape flips as follows: - Masterpiece, 0:01 > 0:18. - Space, from 0:09 until mended at 0:33.964 (patch not complete). - NFA (crowd chant) 6:32 > NFA Reprise 0:01. - Disc break is seamless. - Alternate burn option: make Disc One as first set plus NFA Reprise and OMSN (59:40), make Disc Two as second set (79:56). - Soundforge used to make fades, add patches, and adjust levels. - TLH used for SBE-OK, FLAC compression, and making checksums.
Taper: Tony Suraci, Mike E.
2:10:48
Taper:
Tony Suraci, Mike E.
Transferrer:
Tony Suraci
SHNID:
gd1988-04-09.nakcm304.suraci.mike.82671.sbeok.flac16
Source:
Nak CM304's>Sony D5M
Lineage:
NakCR5A.Luntaec V3>SD722
Taper Notes:
View NotesNotes: This is the 16Bit version. 24 Bit is archived on DVDA.
Source 15 of 15
2:20:01
Rating:
8.00 / 8 ratings
SHNID:
gd88-04-09.pre-fm.braverman.15098.sbeok.shnf
Source:
pre-FM Master Reel> VHS (PCM)> DAT> CD> SHNvia Skip Jenkins, encoded by Peter Braverman
Taper Notes:
View Notespre-FM Master Reel> VHS (PCM)> DAT> CD> SHN via Skip Jenkins, encoded by Peter Braverman