When I Paint My Masterpiece | 1988-03-28 | Grateful Dead

Bands

Featured

Grateful Dead

1.3M

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell and the WOO Warriors

27 shows

29 tapes

Bernie Worrell Orchestra

Blueground Undergrass

182 shows

205 tapes

Grateful Dead

Years Recent Top Venues Songs Tours

Years

1988

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Keifer Lakefront Arena

Bayfront Center Arena

St. Petersburg, FL, USA

Shoreline Amphitheatre

Mountain View, CA, USA

2:43:44

8 tapes

10/01SBD

Shoreline Amphitheatre

Mountain View, CA, USA

2:24:35

8 tapes

9/30SBD

Shoreline Amphitheatre

Mountain View, CA, USA

2:19:47

5 tapes

9/24SBD

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Autzen Stadium, U. of Oregon

Laguna Seca Recreation Area

Laguna Seca Recreation Area

Laguna Seca Recreation Area

Oxford Plains Speedway

Oxford Plains Speedway

Saratoga Performing Arts Center

Saratoga Springs, NY, USA

Buckeye Lake Music Center

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Metropolitan Sports Center

Hartford Civic Center

Hartford Civic Center

Hartford Civic Center

East Rutherford, NJ, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

San Francisco, CA, USA

56:33

2 tapes

2/17SBD

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Sources

Transferrer: Charlie Miller

gd1988-03-28.141215.sbd.miller.flac2496

Source:

UltraMatrix SBD > Cassette Master (TDK MA-R90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of masters were used to make this show complete
-- This source is a little hissier than the others of the tour

Transferrer: Charlie Miller

gd1988-03-28.sbd.miller.91233.sbeok.flac16

Source:

SBD -> Cassette Master (TDK SA-X90) D

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->

Taper Notes:

View NotesPatch Info:
In House FM -> Cassette Master -> Dat -> CD (shnid=9977) supplies:
7:51 in Space through the end of the show

Notes:
-- Set 2 is seamless
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Matrix by Kevin Tobin

2:37:58

SBD

Transferrer:

Matrix by Kevin Tobin

SHNID:

gd1988-03-28.152935.mtx.tobin.flac16

Source:

SBD + AUD Matrix 2 Source Mix (44/16)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-AUG-2021 - Trader Little Helper
- Tagged 04-AUG-2021 - Tag&Rename
---------------------------------------------------------
rBrain Pro was used for 96/24 > 44/16 encoding.

Brokedown House Production

Source 4 of 16

gd88-03-28.sbd-matrix.9977.sbeok.shnf

Source:

IN House FM>Sony D-5>MC>DAT>CDR

Taper Notes:

View NotesIN House FM>Sony D-5>MC>DAT>CDR; via Paul B; Seeded to etree by Brad Ingle

Taper: Michael Hessberg

Scott Clugston and Charlie Miller

SHNID:

gd1988-03-28.151272.fm.hessberg.miller.clugston.flac2496

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Charlie Miller for the ultramatrix soundboard source which supplies an 0:08 patch in the "Walkin' Blues > It Must Have Been The Rose" transition (0:09 total), a 2:27 patch in "Drums", as well as a 0:39 patch in "Space"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Michael Hessberg

Scott Clugston and Charlie Miller

SHNID:

gd1988-03-28.151271.fm.hessberg.miller.clugston.flac1648

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Charlie Miller for the ultramatrix soundboard source which supplies an 0:08 patch in the "Walkin' Blues > It Must Have Been The Rose" transition (0:09 total), a 2:27 patch in "Drums", as well as a 0:39 patch in "Space"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Master Audience PCM Recording by Don Crandall, Chris Huron & Ted Mattes

1:29:50

Taper:

Master Audience PCM Recording by Don Crandall, Chris Huron & Ted Mattes

Transferrer:

Transfer by Anon Edited & Mastered (Adobe Audition) by Joe Noel December 07, 2021

SHNID:

gd1988-03-28.156408.S2-FOB-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16

Source:

(FOB) Schoeps mk3 omni's spread > Sony PCM-F1 > Sony sl-2000 > PCM (Master) > PCM

Lineage:

PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > WAV 16/44

Taper Notes:

View NotesNotes;
- Set II only
- new to circulation
- emphasis undecoded
- DC Bias Adjust: 0%

Thanks;
- to Don Crandall, Chris Huron & Ted Mattes for recording the show
- to Ted Mattes for sharing his source
- to Anon for the transfer while hiding out away from the Bay Area

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

2:37:56

Transferrer:

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

SHNID:

gd1988-03-28.152937.5-1.tobin.flac1648

Source:

5.1 LPCM Surround Sound Mix (48k)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-AUG-2021 - Trader Little Helper
- Tagged 04-AUG-2021 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: Kevin Tobin

gd1988-03-28.152934.PandP-aud.tobin.flac16

Source:

Patched and pitch corrected audience (44/16)

Taper Notes:

View NotesMultiple portions of dead air missing between songs and all of Walkin' Blues were missing from 1st set and 2 minutes of Drums were missing from 2nd set. The recording was a bit slow - about 1 second per minute.

Brokedown House Production

Taper: Stephen Porter

Nick Carbonetta and SirMick

SHNID:

gd1988-03-28.144490.sennme-80.porter.carbonetta.sirmick.flac2496

Source:

Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter

Lineage:

Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24

Taper Notes:

View NotesComments:

- There is a very brief St. Stephen tease towards the end of "Space"!

Notes:

- DC offset removed
- Pitch corrected
- Tape flips patched with shnid 106181 - Thank you Dave Cohen

Thanks to Stephen Porter for the loan of his masters.

Thanks to Nick Carbonetta for the transfer.

edited and mastered
SIRMick
January 2019

Taper: Stephen Porter

Nick Carbonetta and SirMick

SHNID:

gd1988-03-28.144489.sennme-80.porter.carbonetta.sirmick.flac1644

Source:

Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter

Lineage:

Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16

Taper Notes:

View NotesComments:

- There is a very brief St. Stephen tease towards the end of "Space"!

Notes:

- DC offset removed
- Pitch corrected
- Tape flips patched with shnid 106181 - Thank you Dave Cohen

Thanks to Stephen Porter for the loan of his masters.

Thanks to Nick Carbonetta for the transfer.

edited and mastered
SIRMick
January 2019

Taper: Stan Roberts

gd1988-03-28.132751.roberts.C38B.Flac16

Source:

Source: Sony C38B > TCD5M; Conversion: TCD5M > PMD660 > Cdwave > TLH > Foobar2000; Recorded by Stan Roberts

Taper: datbrad

mark lynn and datbrad

SHNID:

gd1988-03-28.132732.datbrad-lynn.flac16

Source:

OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY-PAS)>Sony TCD5M (Maxell MX90s);

Lineage:

Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD

Taper: Da Weez

gd1988-03-28.119008.NeumannKMF4.daweez.d5scott.flac16

Source:

Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notesnote:
**** is missing
---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

Taper: Dave Cohen

gd1988-03-28.nak.cohen.106181.flac16

Source:

2 Nakamichi CM100/CP1s: one on each stack 1 Nakamichi CM300/CP1 straight at stage Nakamichi 550 w/Dolby B in OTS.Maxell XLIIS cassettes. Dolby B was used on the Master Cassettes.

Lineage:

The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).

Taper: Dean Grabski

gd1988-03-28.ifm.grabski.34203.sbeok.flac16

Lineage:

TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1

Taper Notes:

View Notesrandom FM static does not hamper the otherwise great mix and sound, images scanned at low resolution - reprints from original negatives available
photographs courtesy of Russ Grabski