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Today In History
June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57077
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k257
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k301
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.6k1.2k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k308
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k135
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2.1k237
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h79591
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k194
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.5k637
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k157
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k148
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.9k236
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.6k300
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.5k210
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k254
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.8k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h33836
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k559
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.7k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k275
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k197
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k199
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k163
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h70688
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41726
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1988
3/28/88
Crowd / Tuning
0:44
Feel Like A Stranger >
9:43
Franklin's Tower
12:18
Box Of Rain
5:39
When Push Comes to Shove
4:59
Walkin' Blues
6:49
It Must Have Been The Roses
7:33
When I Paint My Masterpiece >
4:58
Bird Song >
11:28
The Music Never Stopped
7:45
Crowd
0:51
Touch Of Grey >
6:23
Man Smart (Woman Smarter)
7:57
Ship Of Fools
8:01
Truckin' >
8:16
Drums >
8:33
Space >
6:17
The Other One >
9:06
Stella Blue >
8:21
Throwing Stones >
10:10
Not Fade Away
7:13
Encore Break
1:54
E: The Mighty Quinn (Quinn The Eskimo)
4:50
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:46:11
SBD
Rating:
7.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-03-28.141215.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete -- This source is a little hissier than the others of the tour
Transferrer: Charlie Miller
2:40:09
SBD
Rating:
6.80 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-03-28.sbd.miller.91233.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-X90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesPatch Info: In House FM -> Cassette Master -> Dat -> CD (shnid=9977) supplies: 7:51 in Space through the end of the show Notes: -- Set 2 is seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Matrix by Kevin Tobin
2:37:58
SBD
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1988-03-28.152935.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 04-AUG-2021 - Trader Little Helper - Tagged 04-AUG-2021 - Tag&Rename --------------------------------------------------------- rBrain Pro was used for 96/24 > 44/16 encoding. Brokedown House Production
Source 4 of 16
2:34:29
SBD
Rating:
8.46 / 13 ratings
SHNID:
gd88-03-28.sbd-matrix.9977.sbeok.shnf
Source:
IN House FM>Sony D-5>MC>DAT>CDR
Taper Notes:
View NotesIN House FM>Sony D-5>MC>DAT>CDR; via Paul B; Seeded to etree by Brad Ingle
Taper: Michael Hessberg
2:39:48
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-03-28.151272.fm.hessberg.miller.clugston.flac2496
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the ultramatrix soundboard source which supplies an 0:08 patch in the "Walkin' Blues > It Must Have Been The Rose" transition (0:09 total), a 2:27 patch in "Drums", as well as a 0:39 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston April 2020
Taper: Michael Hessberg
2:39:48
Rating:
10.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-03-28.151271.fm.hessberg.miller.clugston.flac1648
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the ultramatrix soundboard source which supplies an 0:08 patch in the "Walkin' Blues > It Must Have Been The Rose" transition (0:09 total), a 2:27 patch in "Drums", as well as a 0:39 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston April 2020
Taper: Master Audience PCM Recording by Don Crandall, Chris Huron & Ted Mattes
1:29:50
Taper:
Master Audience PCM Recording by Don Crandall, Chris Huron & Ted Mattes
Transferrer:
Transfer by Anon Edited & Mastered (Adobe Audition) by Joe Noel December 07, 2021
SHNID:
gd1988-03-28.156408.S2-FOB-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16
Source:
(FOB) Schoeps mk3 omni's spread > Sony PCM-F1 > Sony sl-2000 > PCM (Master) > PCM
Lineage:
PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > WAV 16/44
Taper Notes:
View NotesNotes; - Set II only - new to circulation - emphasis undecoded - DC Bias Adjust: 0% Thanks; - to Don Crandall, Chris Huron & Ted Mattes for recording the show - to Ted Mattes for sharing his source - to Anon for the transfer while hiding out away from the Bay Area
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:37:56
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1988-03-28.152937.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 04-AUG-2021 - Trader Little Helper - Tagged 04-AUG-2021 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:37:58
Transferrer:
Kevin Tobin
SHNID:
gd1988-03-28.152934.PandP-aud.tobin.flac16
Source:
Patched and pitch corrected audience (44/16)
Taper Notes:
View NotesMultiple portions of dead air missing between songs and all of Walkin' Blues were missing from 1st set and 2 minutes of Drums were missing from 2nd set. The recording was a bit slow - about 1 second per minute. Brokedown House Production
Taper: Stephen Porter
2:41:24
Taper:
Stephen Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-03-28.144490.sennme-80.porter.carbonetta.sirmick.flac2496
Source:
Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter
Lineage:
Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24
Taper Notes:
View NotesComments: - There is a very brief St. Stephen tease towards the end of "Space"! Notes: - DC offset removed - Pitch corrected - Tape flips patched with shnid 106181 - Thank you Dave Cohen Thanks to Stephen Porter for the loan of his masters. Thanks to Nick Carbonetta for the transfer. edited and mastered SIRMick January 2019
Taper: Stephen Porter
2:41:25
Taper:
Stephen Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-03-28.144489.sennme-80.porter.carbonetta.sirmick.flac1644
Source:
Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16
Taper Notes:
View NotesComments: - There is a very brief St. Stephen tease towards the end of "Space"! Notes: - DC offset removed - Pitch corrected - Tape flips patched with shnid 106181 - Thank you Dave Cohen Thanks to Stephen Porter for the loan of his masters. Thanks to Nick Carbonetta for the transfer. edited and mastered SIRMick January 2019
Taper: Stan Roberts
2:37:42
Taper:
Stan Roberts
Transferrer:
Stan Roberts
SHNID:
gd1988-03-28.132751.roberts.C38B.Flac16
Source:
Source: Sony C38B > TCD5M; Conversion: TCD5M > PMD660 > Cdwave > TLH > Foobar2000; Recorded by Stan Roberts
Taper: datbrad
2:36:37
Taper:
datbrad
Transferrer:
mark lynn and datbrad
SHNID:
gd1988-03-28.132732.datbrad-lynn.flac16
Source:
OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY-PAS)>Sony TCD5M (Maxell MX90s);
Lineage:
Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
Taper: Da Weez
2:24:24
Rating:
8.00 / 1 rating
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1988-03-28.119008.NeumannKMF4.daweez.d5scott.flac16
Source:
Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notesnote: **** is missing --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Dave Cohen
2:37:25
Taper:
Dave Cohen
Transferrer:
Dave Cohen
SHNID:
gd1988-03-28.nak.cohen.106181.flac16
Source:
2 Nakamichi CM100/CP1s: one on each stack 1 Nakamichi CM300/CP1 straight at stage Nakamichi 550 w/Dolby B in OTS.Maxell XLIIS cassettes. Dolby B was used on the Master Cassettes.
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Dean Grabski
2:29:20
Rating:
8.00 / 1 rating
Taper:
Dean Grabski
Transferrer:
Dean Grabski
SHNID:
gd1988-03-28.ifm.grabski.34203.sbeok.flac16
Lineage:
TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1
Taper Notes:
View Notesrandom FM static does not hamper the otherwise great mix and sound, images scanned at low resolution - reprints from original negatives available photographs courtesy of Russ Grabski