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Today In History
June 12th
6 shows
73 tapes
Years
1995
30.1k
PlaybackListensHours
48h55374
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.4k184
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k435
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.5k326
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5k627
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h7.1k890
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k352
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k134
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.7k309
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h984111
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k213
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h4.1k490
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k176
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k147
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.4k297
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.5k282
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k214
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k266
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h10.1k1.4k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h20k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h21223
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.8k505
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h10k1.4k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2k260
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.7k186
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k191
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k169
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h57772
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h9714
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h48931
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h443
7d1368
30d63237
2 shows
2 tapes
1988
3/26/88
tuning
2:04
Hell in a Bucket ->
5:53
Sugaree
10:40
Stir it Up
2:26
New Minglewood Blues
9:00
Peggy-O
6:14
tuning
2:25
Mexicali Blues ->
4:45
Big River
6:32
Row Jimmy
9:53
Stuck Inside of Mobile, with the Memphis Blues Again
8:08
Might as Well
4:46
China Cat Sunflower ->
6:29
I Know You Rider
5:27
Playing in the Band ->
8:45
Uncle John's Band ->
10:10
Drums ->
9:01
Space ->
7:24
Gimme Some Lovin' ->
6:12
The Wheel ->
4:44
All Along the Watchtower ->
5:22
Black Peter ->
8:33
One More Saturday Night
5:18
encore break
3:12
Knockin' on Heaven's Door
8:24
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:42:07
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-03-26.141311.UltraMatrix.sbd.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:42:06
SBD
Rating:
7.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-03-26.141142.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete
Transferrer: Charlie Miller
2:41:11
SBD
Rating:
8.75 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-03-26.sbd.miller.91158.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-X90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- 2 different SBD Cassette Masters were used to make this show complete -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:38:05
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1988-03-26.155946.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-MAR-2022 - Trader Little Helper - Tagged 07-MAR-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: SBD + AUD Matrix 2 Source Mix (96/24) by Kevin Tobin
2:38:07
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (96/24) by Kevin Tobin
SHNID:
gd1988-03-26.155945.mtx.tobin.flac24
Source:
SBD + AUD Matrix 2 Source Mix (96/24)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-MAR-2022 - Trader Little Helper - Tagged 07-MAR-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Source 6 of 22
2:40:27
SBD
Rating:
10.00 / 1 rating
SHNID:
gd1988-03-26.113740.SBD.flac16
Source:
SBD Analog Cass Master-> DAT-> CDR -> ? -> FLAC
Transferrer: Kevin Tobin
2:40:24
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-03-26.mtx.dts.tobin.95931.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix Audio Source Information SBD1 (shnid=91158) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] April 1, 2008 Notes: -- Set 2 is seamless -- 2 different SBD Cassette Masters were used to make this show complete -- Thanks to Joe B. Jones for his help with the pitch correction SBD2 (shnid=7164) Matrix Analog Cass Master-> DAT-> CDR Comments: Loud "static burst" in Mexicali Blues. 3 dropouts in The Wheel. Problems in The Wheel and Mexicali, as noted above, fixed. The Wheel was edited to be correct; Mexicali contains a patch from 0:27 to 0:31 from Stephen Porter's audience cassette (Nak 300/Sony D5 > Nak BX-300 > CD). By Peter Braverman ([email protected]), 1/1/2002. AUD1 (shnid=33950) Source: Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Transfer completed on April 16, 2006 Recorded and transferred by Dean Grabski ([email protected]} AUD2 (no shnid) 1st or 2nd generation VHS supplied by Dan Sisler --------------------------------------------------------- - DTS Mixing by [email protected] - FLAC conversion 20-NOV-2008 --------------------------------------------------------- Audio Patches: 1) At the beginning of Set 1, 56.472 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 2) 3 seconds into Hell In a Bucket, 02.291 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 3) Between Sugaree and Stir It Up, 1 minute and 07.316 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 4) Between New Minglewood Blues and Peggy-O, 19.296 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 5) Between Peggy-O and Mexicali Blues, 30.769 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 6) Also between Peggy-O and Mexicali Blues, 03.618 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 7) Between Big River and Row Jimmy, 1 minute and 20.686 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 8) Between Row Jimmy and Stuck In Mobile With The Memphis Blues Again, 12.677 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 9) 2 minutes 18 seconds into Space, 4 minutes and 26.518 seconds were missing from the AUD1 source and was filled in with audio from the SBD2 source. 10) Between One More Saturday Night and Knockin' On Heaven's Door, 3 minutes and 05.537 seconds were missing from the AUD1 source and was filled in with audio from the AUD2 source. 11) As this matrix\dts was made to use with video of set 1, both AUD\SBD sources were synced to video source for set 2. The SBD speed was almost identical to video so it was used as reference for set 1. The AUD1 source ran slightly fast at about 2% or 2 seconds per minute minute. ------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -0db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -0db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:40:24
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1988-03-26.mtx.tobin.95488.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesSBD + AUD Matrix 4 Source Mix (50%-SBD/50%-AUD) Audio Source Information SBD1 (shnid=91158) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] April 1, 2008 Notes: -- Set 2 is seamless -- 2 different SBD Cassette Masters were used to make this show complete -- Thanks to Joe B. Jones for his help with the pitch correction SBD2 (shnid=7164) Matrix Analog Cass Master-> DAT-> CDR Comments: Loud "static burst" in Mexicali Blues. 3 dropouts in The Wheel. Problems in The Wheel and Mexicali, as noted above, fixed. The Wheel was edited to be correct; Mexicali contains a patch from 0:27 to 0:31 from Stephen Porter's audience cassette (Nak 300/Sony D5 > Nak BX-300 > CD). By Peter Braverman ([email protected]), 1/1/2002. AUD1 (shnid=33950) Source: Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Transfer completed on April 16, 2006 Recorded and transferred by Dean Grabski ([email protected]} AUD2 (no shnid) 1st or 2nd generation VHS supplied by Dan Sisler --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-OCT-2008 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0 AUD -0 SET TWO Stereo Matrix SBD -0 AUD -0 --------------------------------------------------------- Audio Patches: 1) At the beginning of Set 1, 56.472 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 2) 3 seconds into Hell In a Bucket, 02.291 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 3) Between Sugaree and Stir It Up, 1 minute and 07.316 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 4) Between New Minglewood Blues and Peggy-O, 19.296 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 5) Between Peggy-O and Mexicali Blues, 30.769 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 6) Also between Peggy-O and Mexicali Blues, 03.618 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 7) Between Big River and Row Jimmy, 1 minute and 20.686 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 8) Between Row Jimmy and Stuck In Mobile With The Memphis Blues Again, 12.677 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 9) 2 minutes 18 seconds into Space, 4 minutes and 26.518 seconds were missing from the AUD1 source and was filled in with audio from the SBD2 source. 10) Between One More Saturday Night and Knockin' On Heaven's Door, 3 minutes and 05.537 seconds were missing from the AUD1 source and was filled in with audio from the AUD2 source. 11) As this matrix was made to use with video of set 1, both AUD\SBD sources were synced to video source for set 2. The SBD speed was almost identical to video so it was used as reference for set 1. The AUD1 source ran slightly fast at about 2% or 2 seconds per minute minute. Brokedown House Production
Source 9 of 22
2:40:27
SBD
Rating:
8.73 / 22 ratings
SHNID:
gd88-03-26.sbd.braverman.7164.sbefail.shnf
Source:
Matrix Analog Cass Master-> DAT-> CDR, via Peter Braverman
Taper Notes:
View NotesMatrix Analog Cass Master-> DAT-> CDR, via Peter Braverman
Taper: Michael Hessberg
2:39:50
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-03-26.147993.fm.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master In-House FM Cassettes; Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid141142 ultramatrix soundboard source which supplies the crowd and beginning of "Hell In A Bucket" (5:20 total), a 0:22 patch in "Big River", a 3:54 patch in "China Cat Sunflower", as well as a 0:46 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston July 2019
Taper: Michael Hessberg
2:39:50
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-03-26.147992.fm.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master In-House FM Cassettes; Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid141142 ultramatrix soundboard source which supplies the crowd and beginning of "Hell In A Bucket" (5:20 total), a 0:22 patch in "Big River", a 3:54 patch in "China Cat Sunflower", as well as a 0:46 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston July 2019
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:38:07
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1988-03-26.155948.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-MAR-2022 - Trader Little Helper - Tagged 07-MAR-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Source 13 of 22
1:47:13
Lineage:
Audience cassette master > burned to standalone Pioneer burner > ripped with DAC > shinned with MKW.
Taper: Stephen Porter
2:39:10
Taper:
Stephen Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-03-26.144486.sennme-80.porter.carbonetta.sirmick.flac2496
Source:
Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24
Taper Notes:
View NotesNotes: - DC offset removed - Pitch corrected. - Tape flips have been patched with shnid 106049 - Thank you Dave Cohen. Thanks to Stephen Porter for the loan of his masters. Thanks to Nick Carbonetta for the transfer. edited and mastered SIRMick January 2019
Taper: Stephen Porter
2:39:10
Taper:
Stephen Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-03-26.144485.sennme-80.porter.carbonetta.sirmick.flac1644
Source:
Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16
Taper Notes:
View NotesNotes: - DC offset removed - Pitch corrected. - Tape flips have been patched with shnid 106049 - Thank you Dave Cohen. Thanks to Stephen Porter for the loan of his masters. Thanks to Nick Carbonetta for the transfer. edited and mastered SIRMick January 2019
Taper: Sean Weber-Small and Baird Garret
2:41:47
Rating:
10.00 / 1 rating
Taper:
Sean Weber-Small and Baird Garret
Transferrer:
Joe Noel and John Ammons and Philly Crew
SHNID:
gd1988-03-26.142502.WeberSmall.Garrett.Mattes.Donaldson.Ammons.Noel.t-flac1644
Source:
Sean Weber-Small and Baird Garret FOB Recording: Schoeps CMC3 omni #3 > spaced/aimed > PCM(2); A Philly Crew
Lineage:
PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44
Taper Notes:
View NotesNotes: - Thanks to John Ammons for sharing his beta copy with us. - Thanks to the Philly Crew for the tinkering & tailoring. - Copies were made with a pair of Sony SL-HF360 decks, a Sony PCM601, using Sony HG Betamax tapes by Dougal Donaldson via a Ted Mattis clone. - emphasis decoded & dc offset removed. - one & only Stir it Up - Memphis Blues makes someones day; wrecking the right channel & along with it the songs intro. A copy of the left channel was substituted here making the listen much better.
Taper: datbrad
2:36:57
Taper:
datbrad
Transferrer:
Mark Lynn, Datbrad
SHNID:
gd1988-03-26.134379.nakcm100.lynn.datbrad.flac16
Source:
OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY-PAS)>Sony TCD5M (Maxell MX90s);
Lineage:
Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn
Taper: Da Weez
2:27:15
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1988-03-26.119007.NeumannKMF4.daweez.d5scott.flac16
Source:
Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Jon Pasternak
2:35:08
Rating:
10.00 / 1 rating
Taper:
Jon Pasternak
Transferrer:
Dave Mallick
SHNID:
gd1988-03-26.nak100.pasternak.mallick.107820.flac16
Source:
Master: OTS Nakamichi CM100/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors
Taper: Dave Cohen
2:37:06
Taper:
Dave Cohen
Transferrer:
Dave Cohen
SHNID:
gd1988-03-26.nak.cohen.106049.sbeok.flac16
Source:
2 Nakamichi CM100/CP4s 1 Nakamichi CM300/CP1 Nakamichi 550 w/Dolby B in OTS.
Lineage:
Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Dave Cohen
1:26:16
Taper:
Dave Cohen
SHNID:
gd1988-03-26.set2.nak.cohen.106000.sbeok.flac16
Source:
Set 2 only Recorded by Dave Cohen 2 Nakamichi CM100/CP4s 1 Nakamichi CM300/CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS.Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
Taper: Dean Grabski
2:25:30
Rating:
8.00 / 2 ratings
Taper:
Dean Grabski
Transferrer:
Dean Grabski
SHNID:
gd1988-03-26.senn.grabski.33950.sbeok.flac16
Source:
Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette
Lineage:
TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1