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Today In History
June 10th
Years
1995
29.8k
PlaybackListensHours
48h57077
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k257
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k301
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.6k1.2k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k308
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k135
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2.1k237
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h79591
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k194
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.5k637
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k157
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k148
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.9k236
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.6k300
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.5k210
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k254
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.8k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h33836
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k559
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.7k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k275
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k197
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k199
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k163
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h70688
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41726
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1988
3/26/88
Crowd intro >
1:16
Hell In A Bucket >
5:47
Sugaree
10:21
Stir It Up
2:25
Minglewood Blues
8:44
Peggy-O
6:21
Tuning >
1:39
Mexicali Blues >
4:46
Big River
6:21
Row Jimmy
9:37
Stuck Inside of Mobile With The Memphis Blues Again
8:02
Might As Well
5:23
Crowd intro >
1:16
China Cat Sunflower >
6:16
I know You Rider
5:12
Playing In The Band >
8:32
Uncle John's Band >
9:58
Drums >
13:04
Space >
3:37
Gimme Some Lovin' >
5:06
The Wheel >
4:38
All Along The Watchtower >
5:16
Black Peter >
8:21
One More Saturday Night
5:39
Knockin' On Heaven's Door
9:20
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:42:07
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-03-26.141311.UltraMatrix.sbd.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:42:06
SBD
Rating:
7.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-03-26.141142.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete
Transferrer: Charlie Miller
2:41:11
SBD
Rating:
8.75 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-03-26.sbd.miller.91158.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-X90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- 2 different SBD Cassette Masters were used to make this show complete -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:38:05
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1988-03-26.155946.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-MAR-2022 - Trader Little Helper - Tagged 07-MAR-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: SBD + AUD Matrix 2 Source Mix (96/24) by Kevin Tobin
2:38:07
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (96/24) by Kevin Tobin
SHNID:
gd1988-03-26.155945.mtx.tobin.flac24
Source:
SBD + AUD Matrix 2 Source Mix (96/24)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-MAR-2022 - Trader Little Helper - Tagged 07-MAR-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Source 6 of 22
2:40:27
SBD
Rating:
10.00 / 1 rating
SHNID:
gd1988-03-26.113740.SBD.flac16
Source:
SBD Analog Cass Master-> DAT-> CDR -> ? -> FLAC
Transferrer: Kevin Tobin
2:40:24
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-03-26.mtx.dts.tobin.95931.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix Audio Source Information SBD1 (shnid=91158) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] April 1, 2008 Notes: -- Set 2 is seamless -- 2 different SBD Cassette Masters were used to make this show complete -- Thanks to Joe B. Jones for his help with the pitch correction SBD2 (shnid=7164) Matrix Analog Cass Master-> DAT-> CDR Comments: Loud "static burst" in Mexicali Blues. 3 dropouts in The Wheel. Problems in The Wheel and Mexicali, as noted above, fixed. The Wheel was edited to be correct; Mexicali contains a patch from 0:27 to 0:31 from Stephen Porter's audience cassette (Nak 300/Sony D5 > Nak BX-300 > CD). By Peter Braverman ([email protected]), 1/1/2002. AUD1 (shnid=33950) Source: Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Transfer completed on April 16, 2006 Recorded and transferred by Dean Grabski ([email protected]} AUD2 (no shnid) 1st or 2nd generation VHS supplied by Dan Sisler --------------------------------------------------------- - DTS Mixing by [email protected] - FLAC conversion 20-NOV-2008 --------------------------------------------------------- Audio Patches: 1) At the beginning of Set 1, 56.472 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 2) 3 seconds into Hell In a Bucket, 02.291 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 3) Between Sugaree and Stir It Up, 1 minute and 07.316 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 4) Between New Minglewood Blues and Peggy-O, 19.296 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 5) Between Peggy-O and Mexicali Blues, 30.769 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 6) Also between Peggy-O and Mexicali Blues, 03.618 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 7) Between Big River and Row Jimmy, 1 minute and 20.686 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 8) Between Row Jimmy and Stuck In Mobile With The Memphis Blues Again, 12.677 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 9) 2 minutes 18 seconds into Space, 4 minutes and 26.518 seconds were missing from the AUD1 source and was filled in with audio from the SBD2 source. 10) Between One More Saturday Night and Knockin' On Heaven's Door, 3 minutes and 05.537 seconds were missing from the AUD1 source and was filled in with audio from the AUD2 source. 11) As this matrix\dts was made to use with video of set 1, both AUD\SBD sources were synced to video source for set 2. The SBD speed was almost identical to video so it was used as reference for set 1. The AUD1 source ran slightly fast at about 2% or 2 seconds per minute minute. ------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -0db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -0db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:40:24
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1988-03-26.mtx.tobin.95488.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesSBD + AUD Matrix 4 Source Mix (50%-SBD/50%-AUD) Audio Source Information SBD1 (shnid=91158) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] April 1, 2008 Notes: -- Set 2 is seamless -- 2 different SBD Cassette Masters were used to make this show complete -- Thanks to Joe B. Jones for his help with the pitch correction SBD2 (shnid=7164) Matrix Analog Cass Master-> DAT-> CDR Comments: Loud "static burst" in Mexicali Blues. 3 dropouts in The Wheel. Problems in The Wheel and Mexicali, as noted above, fixed. The Wheel was edited to be correct; Mexicali contains a patch from 0:27 to 0:31 from Stephen Porter's audience cassette (Nak 300/Sony D5 > Nak BX-300 > CD). By Peter Braverman ([email protected]), 1/1/2002. AUD1 (shnid=33950) Source: Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Transfer completed on April 16, 2006 Recorded and transferred by Dean Grabski ([email protected]} AUD2 (no shnid) 1st or 2nd generation VHS supplied by Dan Sisler --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-OCT-2008 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0 AUD -0 SET TWO Stereo Matrix SBD -0 AUD -0 --------------------------------------------------------- Audio Patches: 1) At the beginning of Set 1, 56.472 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 2) 3 seconds into Hell In a Bucket, 02.291 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 3) Between Sugaree and Stir It Up, 1 minute and 07.316 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 4) Between New Minglewood Blues and Peggy-O, 19.296 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 5) Between Peggy-O and Mexicali Blues, 30.769 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 6) Also between Peggy-O and Mexicali Blues, 03.618 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 7) Between Big River and Row Jimmy, 1 minute and 20.686 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 8) Between Row Jimmy and Stuck In Mobile With The Memphis Blues Again, 12.677 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source. 9) 2 minutes 18 seconds into Space, 4 minutes and 26.518 seconds were missing from the AUD1 source and was filled in with audio from the SBD2 source. 10) Between One More Saturday Night and Knockin' On Heaven's Door, 3 minutes and 05.537 seconds were missing from the AUD1 source and was filled in with audio from the AUD2 source. 11) As this matrix was made to use with video of set 1, both AUD\SBD sources were synced to video source for set 2. The SBD speed was almost identical to video so it was used as reference for set 1. The AUD1 source ran slightly fast at about 2% or 2 seconds per minute minute. Brokedown House Production
Source 9 of 22
2:40:27
SBD
Rating:
8.73 / 22 ratings
SHNID:
gd88-03-26.sbd.braverman.7164.sbefail.shnf
Source:
Matrix Analog Cass Master-> DAT-> CDR, via Peter Braverman
Taper Notes:
View NotesMatrix Analog Cass Master-> DAT-> CDR, via Peter Braverman
Taper: Michael Hessberg
2:39:50
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-03-26.147993.fm.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master In-House FM Cassettes; Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid141142 ultramatrix soundboard source which supplies the crowd and beginning of "Hell In A Bucket" (5:20 total), a 0:22 patch in "Big River", a 3:54 patch in "China Cat Sunflower", as well as a 0:46 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston July 2019
Taper: Michael Hessberg
2:39:50
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-03-26.147992.fm.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master In-House FM Cassettes; Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid141142 ultramatrix soundboard source which supplies the crowd and beginning of "Hell In A Bucket" (5:20 total), a 0:22 patch in "Big River", a 3:54 patch in "China Cat Sunflower", as well as a 0:46 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston July 2019
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:38:07
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1988-03-26.155948.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-MAR-2022 - Trader Little Helper - Tagged 07-MAR-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Source 13 of 22
1:47:13
Lineage:
Audience cassette master > burned to standalone Pioneer burner > ripped with DAC > shinned with MKW.
Taper: Stephen Porter
2:39:10
Taper:
Stephen Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-03-26.144486.sennme-80.porter.carbonetta.sirmick.flac2496
Source:
Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24
Taper Notes:
View NotesNotes: - DC offset removed - Pitch corrected. - Tape flips have been patched with shnid 106049 - Thank you Dave Cohen. Thanks to Stephen Porter for the loan of his masters. Thanks to Nick Carbonetta for the transfer. edited and mastered SIRMick January 2019
Taper: Stephen Porter
2:39:10
Taper:
Stephen Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-03-26.144485.sennme-80.porter.carbonetta.sirmick.flac1644
Source:
Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16
Taper Notes:
View NotesNotes: - DC offset removed - Pitch corrected. - Tape flips have been patched with shnid 106049 - Thank you Dave Cohen. Thanks to Stephen Porter for the loan of his masters. Thanks to Nick Carbonetta for the transfer. edited and mastered SIRMick January 2019
Taper: Sean Weber-Small and Baird Garret
2:41:47
Rating:
10.00 / 1 rating
Taper:
Sean Weber-Small and Baird Garret
Transferrer:
Joe Noel and John Ammons and Philly Crew
SHNID:
gd1988-03-26.142502.WeberSmall.Garrett.Mattes.Donaldson.Ammons.Noel.t-flac1644
Source:
Sean Weber-Small and Baird Garret FOB Recording: Schoeps CMC3 omni #3 > spaced/aimed > PCM(2); A Philly Crew
Lineage:
PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44
Taper Notes:
View NotesNotes: - Thanks to John Ammons for sharing his beta copy with us. - Thanks to the Philly Crew for the tinkering & tailoring. - Copies were made with a pair of Sony SL-HF360 decks, a Sony PCM601, using Sony HG Betamax tapes by Dougal Donaldson via a Ted Mattis clone. - emphasis decoded & dc offset removed. - one & only Stir it Up - Memphis Blues makes someones day; wrecking the right channel & along with it the songs intro. A copy of the left channel was substituted here making the listen much better.
Taper: datbrad
2:36:57
Taper:
datbrad
Transferrer:
Mark Lynn, Datbrad
SHNID:
gd1988-03-26.134379.nakcm100.lynn.datbrad.flac16
Source:
OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY-PAS)>Sony TCD5M (Maxell MX90s);
Lineage:
Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn
Taper: Da Weez
2:27:15
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1988-03-26.119007.NeumannKMF4.daweez.d5scott.flac16
Source:
Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Jon Pasternak
2:35:08
Rating:
10.00 / 1 rating
Taper:
Jon Pasternak
Transferrer:
Dave Mallick
SHNID:
gd1988-03-26.nak100.pasternak.mallick.107820.flac16
Source:
Master: OTS Nakamichi CM100/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors
Taper: Dave Cohen
2:37:06
Taper:
Dave Cohen
Transferrer:
Dave Cohen
SHNID:
gd1988-03-26.nak.cohen.106049.sbeok.flac16
Source:
2 Nakamichi CM100/CP4s 1 Nakamichi CM300/CP1 Nakamichi 550 w/Dolby B in OTS.
Lineage:
Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Dave Cohen
1:26:16
Taper:
Dave Cohen
SHNID:
gd1988-03-26.set2.nak.cohen.106000.sbeok.flac16
Source:
Set 2 only Recorded by Dave Cohen 2 Nakamichi CM100/CP4s 1 Nakamichi CM300/CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS.Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
Taper: Dean Grabski
2:25:30
Rating:
8.00 / 2 ratings
Taper:
Dean Grabski
Transferrer:
Dean Grabski
SHNID:
gd1988-03-26.senn.grabski.33950.sbeok.flac16
Source:
Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette
Lineage:
TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1