RELISTENTOTHE Grateful Dead
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Today In History
June 16th
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1988
2/13/88
Tuning
2:12
Hell In A Bucket >
6:11
Sugaree
11:09
Minglewood Blues
7:46
Friend of the Devil
8:57
Mama Tried >
2:31
Big River
6:28
Loser
6:47
Iko Iko >
6:02
Looks Like Rain
9:29
Gimme Some Lovin' >
5:05
Jam without Jerry >
4:24
Drums >
8:15
Space >
8:11
The Other One >
5:14
Wharf Rat >
9:03
Good Lovin' >
3:25
One More Saturday Night
4:54
Black Muddy River
6:27
FIN
View on archive.org
Sources
Taper: OldNeumanntapr
2:05:43
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1988-02-13.168627.SuperscopeEC-7.ont.flac1644
Source:
OTS; Superscope EC-7 Cardioids (Near Coincident) >Sony TC-153SD [XLIIS]
Lineage:
Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify By 11db, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes; I always liked the Kaiser Convention Center, mostly because it was smaller than the Oakland Coliseum Arena. I saw my very first Dead show at Henry J. Kaiser on Feb 9 1986, and we sat in the tapers section by accident because I wanted to be in the balcony and not on the floor dealing with standing room only. (I spent half of my time at my first show staring at the tapers and the other half watching the band. Afterward I understood the phrase, 'When you absolutely have to be there, every night!') I knew from my first show that I wanted to be a taper. I remember thinking that it was odd that Jerry left the stage for the jam after 'Gimme Some Lovin'. I think it was one of these two shows that, as we were running in through the doors, another taper exclaimed to his friend that 'We fulfill a Valuable archival purpose!' I never forgot that because it rang true with me. It's so amazing to go through my early masters all these years later because if a picture is worth a thousand words, an audio recording is a complete volume!