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June 5th
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1987
12/27/87
Touch Of Grey
6:49
Jack Straw
7:18
Peggy-O
6:06
Walkin' Blues
6:24
Ramble On Rose
10:41
Me And My Uncle ->
2:43
Big River
6:30
It Must Have Been The Roses
5:50
Desolation Row ->
9:25
Don't Ease Me In
3:44
Tuning ->
2:03
Playing In The Band ->
9:02
Uncle John's Band ->
7:57
Estimated Prophet ->
10:27
Eyes Of The World ->
8:26
Drums ->
9:15
Space ->
8:36
Dear Mr. Fantasy ->
7:07
Stella Blue ->
7:10
Throwing Stones ->
9:22
Turn On Your Lovelight
8:54
The Mighty Quinn (Quinn The Eskimo)
5:25
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:36:57
SBD
Rating:
9.43 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-12-27.sbd.walker-scotton.miller.85592.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesNotes: -- Levels start off very low, but get fixed quickly -- Two different SBD Cassette Masters were used to make this seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Source 2 of 10
2:39:14
SBD
Rating:
9.27 / 11 ratings
SHNID:
gd87-12-27.sbd.miller.15082.sbeok.shnf
Source:
SBD -> Cm -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN via Charlie Miller
Taper Notes:
View NotesSBD -> Cm -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN via Charlie Miller
Transferrer: Joe Samaritano
2:39:40
SBD
Rating:
6.00 / 1 rating
Transferrer:
Joe Samaritano
SHNID:
gd1987-12-27.sbd.samaritano.17420.sbeok.shnf
Source:
Soundboard-> Cassette Master (Gans) played back on NAK CR-7A->Panasonic 3700 DAT
Lineage:
Fostex D5 DAT->ZA2->Soundforge->.wav->mKw->SHN
Taper: Joani Walker
2:37:22
Taper:
Joani Walker
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-12-27.163786.ultramatrix.walker.scotton.miller.clugston.flac2496
Source:
Joani Walker's Master Ultramatrix Soundboard Cassettes (TDK MA-XG90)
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96 .wav) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker and Paul Scotton for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Mix/sound fluctuates for the first minute or so of "Touch Of Grey" - Multiple masters were used to make this complete - Pitch corrected Mastered by Scott Clugston February 2023
Taper: Joani Walker
2:37:22
Taper:
Joani Walker
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-12-27.163785.ultramatrix.walker.scotton.miller.clugston.flac1648
Source:
Joani Walker's Master Ultramatrix Soundboard Cassettes (TDK MA-XG90)
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96 .wav) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker and Paul Scotton for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Mix/sound fluctuates for the first minute or so of "Touch Of Grey" - Multiple masters were used to make this complete - Pitch corrected Mastered by Scott Clugston February 2023
Taper: Tim Dalton
2:44:58
Taper:
Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-12-27.141883.fob.schoeps.dalton.miller.clugston.flac1644
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz, bGreen and Evan K for the shnid97960 Nakamichi 300 source which supplies a 0:16 patch in "Touch Of Grey" Mastered by Scott Clugston May 3, 2018
Taper: OldNeumanntapr
2:28:21
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1987-12-27.168487.ec7.ont.flac1644
Source:
OTS; Superscope EC-7 Cardioid Condensers (Near Coincident) >Sony TC-153SD [XLIIS]
Lineage:
Cass Masters Transferred Via Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify By 5.7db, Index Tracks, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips], & Fades) >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes; This, and the following night, was the second time that I had recorded the Dead at the Oakland Coliseum Arena, the first time being December 17 1986. The first time I was at the Coliseum was another near disaster, similar to my Ventura Fairgrounds 1986 excursion. I had mechanical problems with my '67 VW bus, and I forgot and left the new pack of double A batteries back in the bus and had to buy a pair from another taper. My Superscope EC7s ran on AA batteries. In 1986 the tapers section was on risers between the soundboard area and the front of the balcony. When people stomped their feet the risers shook and the sea of microphone stands swayed back and forth. For this series of Coliseum shows the tapers section was in the actual balcony and we were farther from the stage and closer to the rafters. I think that Bill Graham wanted that space where the risers had been to stage his pre-show volleyball games. These particular masters of mine have never been digitized and I had to borrow a Denon cassette deck from a friend because my decks have all quit working. Tracking the show out in Audacity I am realizing that I had a bad habit of pausing the tape between some songs. I don't remember what my reasoning was for this but I ended up clipping the beginning of some songs and leaving a really disjointed-sounding recording in the process. I guess I was trying to avoid 'dead air' between songs but it didn't work out really well in the long run. There are some minor flaws, (set two starts abruptly), and the continuity is a little unsettling at times because of the pauses between some songs, but overall I think the sound quality is decent. The vocals sound really upfront and open, as compared to the Nakamichi CM 300 shotgun source. Not bad for a 22 year old who had only been recording live shows for a year and a half. I used the Superscope EC7 cardioid microphones from late 1986 to early 1989 when a friend started letting me borrow his Nakamichi CM 300s. The Superscope's, which were made by Marantz, had a more open sound, especially on the vocals, but they tended to be a bit boomy on the low end, especially at indoor venues. I never tried them in an x/y pattern. Maybe that would have been an improvement. I think the EC7s had similar sound to Sony ECM-22P's, but (I've heard) that the Sonys were a bit better. I think I liked the Kaiser Convention Center better for recording because it was a bit smaller than the Oakland Coliseum and didn't sound as reverberant. Because the encore was recorded at the end of the first set, I must have accidentally recorded over it years ago when I added filler to the tape. Another casualty of too much cannabis in my youth.
Transferrer: bltz
2:35:08
Transferrer:
bltz
SHNID:
gd1987-12-27.135198.bltz.flac24
Source:
Source: Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MA 90 -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24
Taper Notes:
View NotesNotes: Touch - 1987 hotspot! Energy! Jack! Enthusiasm, good solos! Exclamation Points! But never more than one, we have standards, after all. Some nice warm keyboards in the always-lovable and fantastic Peggy-O, all mellow Cali-style, plus some extra special Garcia. Ramble On Rose: Jerry is really bellowing. Some amazing, NAY AMAZING DANGIT ARE YOU LISTENING guitar shred there, rumors of Garcia crying. Fast play on Big River, rhythmic clapping during Dear Mr. Fantasy along with a monster solo. Thank you. Just making sure you are paying attention. Playing -> UJB transition is... worth attention. Eyes is a quick, short version with some new Brent stuff, with some special drumming and a bunch of new-toy quadrophonic things going on here among other places in these shows (the recordings here are stereo, but you get hints of it, if you listen wearing good headphones.) Unique. Crowd is VERY EXCITED THROUGHOUT. things can get a bit clippy as I'd been recently wounded in the running-out-of-tape department, so I was riding the Pause button. Source: Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MA 90 -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24. Only posting in 96/24 to keep the sound quality up, and because I have a big pile to get through... feel free to down sample it with r8brain (a free download,) if you need, but I officially object. (h/t weallen, bt.etree, for r8brain x-ref). Work done using Bose Quiet-Comfort 20 Headphones with NC on, which seems to add some separation and dimension to the show. Recorded, tracked and seeded by bltz
Taper: Ted Gidley
2:36:10
Rating:
8.00 / 1 rating
Taper:
Ted Gidley
Transferrer:
Andrew F.
SHNID:
gd1987-12-27.nak300.gidley.120466.flac2448
Source:
OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 06/2012
Taper Notes:
View NotesNote: Patch from ID-97960 Drums 8:32 > 8:57.
Taper: Greg Holtz
2:32:55
Rating:
9.33 / 3 ratings
Taper:
Greg Holtz
Transferrer:
Brian Green and Evan K.
SHNID:
gd1987-12-27.nak300.holtz.lmpp.97960.flac16
Source:
Nakamichi CM-300's with CP-4 shotgun capsules > Sony D-5 cassette recorder > MAC
Lineage:
MAC > nakamichi DR-1 > 24/96 Wave > wavelab 5 > uad plugs > r8brain Pro > ozone mbit > 16/44.1 wave > cd wave > TLH ( lvl 8 ) > Tag And Rename