RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1987
6/13/87
Mississippi Half-Step Uptown Toodeloo
7:51
Walkin' Blues
6:38
Row Jimmy
9:57
When I Paint My Masterpiece
4:30
When Push Comes To Shove
6:25
Cassidy
7:05
Friend Of The Devil ->
7:44
Let It Grow
12:02
Tuning
0:44
Shakedown Street
13:59
Saint Of Circumstance ->
6:39
Ship Of Fools
8:13
Estimated Prophet ->
10:38
Eyes Of The World ->
7:26
Drums ->
7:52
Space ->
7:33
The Other One ->
6:24
Morning Dew ->
9:44
Sugar Magnolia
10:37
Black Muddy River
6:22
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:38:23
SBD
Rating:
8.67 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-06-13.sbd.walker-scotton.miller.83752.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90/Sony D5)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
Taper Notes:
View NotesPatch Info: Schoeps -> PCM -> Dat -> CD supplies: Mississippi Half-Step Uptown Toodeloo (0:00 - 0:26) Estimated Prophet (10:17 - 10:20) Sugar Magnolia (8:06 - 8:10) Notes: -- Set 2 is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Thanks to David Minches for the patch source
Transferrer: Scott Clugston and Bill Tetzeli
2:32:12
SBD
Transferrer:
Scott Clugston and Bill Tetzeli
SHNID:
gd1987-06-13.sbd.clugston.tetzeli.80715.sbeok.flac16
Source:
SBD > PCM > DAT > CDR
Taper Notes:
View NotesPatched fix of shnid 11895 I made the following patches using Tim Alexander's master AUD (shnid 77185): - Opening tuning and first 38 secs of MS 1/2 Step - Patched in 18 secs of missing Space - Patched in 4-5 sec dropout in the beginning of Other One - Patched 5 second gap in Sunshine Daydream
Source 3 of 13
2:30:01
SBD
Rating:
8.60 / 10 ratings
SHNID:
gd87-06-13.sbd.clugston.11895.sbefail.shnf
Source:
Master Soundboard Cassette > PCM > DAT> CDREAC'ed, SHN'ed and Seeded to Etree by Scott Clugston
Taper Notes:
View NotesMaster Soundboard Cassette > PCM > DAT> CDR EAC'ed, SHN'ed and Seeded to Etree by Scott Clugston; Also to abgd via Charlie Connor
Source 4 of 13
2:30:07
SBD
Rating:
8.80 / 5 ratings
SHNID:
gd87-06-13.sbd.paino.10309.sbeok.shnf
Source:
Matrix SBD>CASS>DAT>CD
Taper Notes:
View NotesMatrix SBD>CASS>DAT>CD; via Israel Regardie; Seeded to etree by PainoMan
Taper: David Minches
2:43:57
Taper:
David Minches
Transferrer:
Mastered by Charlie Miller [email protected] March 18, 2026
SHNID:
gd1987-06-13.176696.schoeps.minches.miller.flac1644
Source:
(FOB) Schoeps Mics > PCM > DAT > CD > FLAC/16
Lineage:
FLAC/16 > Samplitude Pro X6 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to David Minches for source files
Taper: OldNeumanntapr
2:36:05
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1987-06-13.167900.EC7.Cardioids.OldNeumanntapr.flac1644
Source:
OTS; Superscope EC-7 Cardioid Condensers (Near Coincident) >Sony TC-153SD (TDK HX-S 90s)
Lineage:
Cass Masters Transferred: Sony TC-D5M >Tascam DR100mkII (24bit/48kHz) (June 2024) WAV >Audacity (Amplify By 7.7db, Index Tracks, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips], & Fades) >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes: This was my very first Ventura Grateful Dead show! We had tickets the PREVIOUS year in 1986, but that was a disaster for both me and the band. Since my ex wife worked at the Cal Poly University Library in San Luis Obispo, she was never able to get Friday's off from work, so we left that year on Friday evening and missed the phone message on our answering machine (remember those?) from a friend telling me that he heard on the radio that the Ventura Fairgrounds Dead concerts were cancelled. I had had just gotten my '67 VW bus out of the shop after having a new transaxle installed, because it kept popping our of fourth gear, and I TOLD them to replace ALL the fuel lines, because I had been smelling gas at times. They replaced the rubber lines but not the metal line that runs from the gas tank, through the firewall, to the fuel pump. The bus had been sitting for months while I saved up the $600 needed to replace the trans, and I guess that the points in the distributor had gotten corroded. We got all the way down to Gaviota right by the ocean north of Santa Barbara and we were listening to my cassette that I had recorded from the LP 'Live Dead on the stereo. Right in the middle of 'Dark Star', the bus just quit running and we coasted to a stop on the side of the 101 freeway. It wouldn't start, so we flagged down a car and got a ride to the nearest gas station about seven miles south. (The only car that would stop was an old Ford Granada with some sketchy people that looked like they hadn't bathed in a while but I wasn't complaining. A ride is a ride!) Once we got to the Chevron station, the tow truck driver gave us a lift back to the bus. He asked where we were headed and I told him that we were going to the Dead shows at Ventura Fairgrounds. He told me that he heard a rumor that the shows were cancelled and my heart sank. This was to be the first shows that I was planning on recording with my Sony TC 153SD and Superscope EC-7 cardioids that I had recently purchased from a friend of a friend who had worked at Pacific Stereo in the 70s and bought them new. The tow truck driver looked at the motor and scraped the points with a screwdriver and the bus started up! YAY! We were ambulatory once again! When we arrived at the Ventura Fairgrounds about 11 PM , there was a lot of somber people milling around and a yellow-shirted venue staff member with long blonde hair was telling everyone that Jerry was in a coma and the shows were cancelled. He was telling everyone to head to Cachuma Lake, north east of Santa Barbara, for camping. We had come all this way apparently for nothing. I had mail order ticket, batteries and blanks for my tape recorder, a full ice chest, and provisions for a weekend of camping and concert going. I thought we should go and gas up the bus before leaving town, so we stopped at a cheap station and I filled the tank. I had only owned the bus for a short time and I was unfamiliar with its idiosyncrasies. Later, I was to discover that when the front windshields had leaked, the water had shorted out the high beam headlight relay that is mounted on the inside of the front wall under the windshields. When I hopped out of the bus, my knee must have bumped the lever that activated the high beams, so when I got back into the bus and started her up I was distraught to find that the headlights did not function. I had parking lights and dash lights but no headlights. I thought I must have blown a fuse. if I would have just clicked the level the low beams would have come on and we would have been back on the road, and possibly died. I had no other option but to find a quiet side street to park for the night and try and drive up to Cachuma Lake in the daylight hours. We went back to the fairgrounds, with only running light, no head lights, and parked on the street just to the south where a lot of condos were. My bus was a camper and had a folding table and folding bed in the back so we were fairly comfortable for the night. (That was back when I was only 21-years old and didn't have to pee three times a night! Oh the good old days!) I woke up the next morning with one Hell of a headache. Another of the bus's little secrets was that I didn't know that the gasket on the fuel cap was bad, and that since we were parked on the street with a camber, gas had run out of the full tank and flowed all over the street right under where we were sleeping. I also noticed that the metal fuel line, where it runs through the firewall into the engine compartment, had a crack and was leaking there too. Apparently the rubber grommet had fallen out years ago and every time the engine moved on the motor mounts it rubbed that metal fuel line back and forth across the exposed metal opening in the firewall. This of course was dripping gas directly onto the heater boxes on the driver's side!!!! We walked all over downtown Ventura before we found a Kragens. I managed to limp the bus there. (We were in the intersection right downtown when in saw white smoke coming out of the defroster. I stopped the engine, grabbed my fire extinguisher and jumped out yelling 'Fire!' It was amazing how many hippies scatter when you yell fire in an old VW bus!) I rolled under the back and sprayed the fire extinguisher over the bottom of the engine. Fortunately it hadn't caught fire yet, but was getting close. We got to Kragens, driving a block at a time, and I borrowed a hax saw. I bought two hose clamps and a piece of rubber fuel line. I took out the metal line, being careful to block the outlet of the full fuel tank, and cut the good end off the metal line. I scraped it back and forth along the pavement to file it down and used it as a coupler to join the two fuel lines together. It worked that way until I sold the bus. If we hadn't of had the trouble with the headlight relay it is extremely possible that we would have suffered an engine fire from the fuel leak on the gas line and possible died in the flames. I guess it was a blessing. (And I'm an Agnostic!) We drove to Cachuma lake, met up with some Deadheads that had some killer 'Goonybird' acid tabs with cartoons of little airplanes on them. They had the acid and I had a case full of live music recordings. We had a nice party. The ranger kept driving by that night as we were sitting by the fire and he would roll his window down and say, 'Go to bed!' This one Deadhead named Mikey, from Oakland, would look at him and say, 'But Sir! We're Not Tiiiiiired yet!' Too funny! So yes, You could say that I remember that weekend well. :) ************************************************************************** I told you THAT story so that everyone would understand why the 1987 Ventura shows were so meaningful to me. We camped, in the bus, in the parking lots and bar-be-cued our dinners and recorded some good shows. On Saturday, June 13 1987, I met my friend Gene. He patched a Marantz 420 into my Sony TC-153SD and we have been friends ever since. Later Gene would buy a grey-market Sony TCD-D10 DAT and we would ship it back and forth from coast to coast recording Dead shows! This was also my very first 'Morning Dew', a song that I had always been fond of since hearing it on the first Dead LP when I was just out of high school in 1983. I just recently transferred the Saturday show, but my Sunday '87 Ventura cassettes have WOW distortion so I think I waited too long to transfer them. I used a photo of my ticket stub for the artwork. Do NOT Convert To MP3. Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. ;)
Taper: Gesine Lohr
2:33:51
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1987-06-13.151120.aud.lohr.vernon.flac2496
Source:
Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC
Lineage:
MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View Notestape flip 07, 12, 17
Taper: Gesine Lohr
2:33:51
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1987-06-13.151119.aud.lohr.vernon.flac1648
Source:
Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC
Lineage:
MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View Notestape flip 07, 12, 17
Taper: chasingwilma
2:33:44
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1987-06-13.135928.chasingwilma.flac24
Source:
lineage:beyers 160 fob> tcd-d5> tcd-d5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; <b>Note:</b> Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
Taper: Danny Thomson
2:35:24
Taper:
Danny Thomson
Transferrer:
A. Egert and J. Waddell
SHNID:
gd1987-06-13.akg.thompson.motb.83748.sbeok.flac24
Source:
AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC (AKY Recording Supply Custom Wound BASF 100% CrO2 90 min)
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: Wavelab 6.0 - Ozone EQ, BBE Bass Contour and L2 for Dither
Taper Notes:
View NotesPatch Info: - Clugston SBD [SHNID 11895] supplies end of Eyes and 2 minutes of Drums. Notes: - # Half-Step fades in on first notes. - * First time When I Paint My Masterpiece was played. - Set 1: Numerous taper pauses at the end and/or beginning of tracks. Minimal music lost, if any.
Taper: Danny Thomson
2:35:40
Taper:
Danny Thomson
Transferrer:
A. Egert and J. Waddell
SHNID:
gd1987-06-13.akg.thompson.motb.83747.sbeok.flac16
Source:
AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC (AKY Recording Supply Custom Wound BASF 100% CrO2 90 min)
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: Wavelab 6.0 Ozone EQ, BBE and L2 for Dither; Resampled using Crystal Sample Rate Converter
Taper Notes:
View NotesPatch Info: - Clugston SBD [SHNID 11895] supplies end of Eyes and 2 minutes of Drums. Notes: - # Half-Step fades in on first notes. - * First time When I Paint My Masterpiece was played. - Set 1: Numerous taper pauses at the end and/or beginning of tracks. Minimal music lost, if any.
Taper: Tim Alexander
2:38:17
Rating:
8.00 / 1 rating
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1987-06-13.senn421-nak300.alexander.tetzeli.77268.sbeok.flac24
Source:
2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)
Lineage:
MAC (Nakamichi DR-1 (Dolby decode)) > Edirol R-09 (24 bit/48 khz) > WAV > FLAC Normalized to 98%
Taper Notes:
View Notes- Crowd noise before and first 35 seconds of Cassidy missing right channel, this was monized by pasting in the left. - Tape flip just before the end of the Eyes jam going into drums. I left a small gap so it can be identified easily by anyone wanting to do a patch.
Source 13 of 13
2:38:17
SHNID:
gd1987-06-13.senn421-nak300.alexander.tetzeli.77185.sbefail.flac16
Source:
MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B))
Lineage:
MAC (Nakamichi DR-1 (Dolby B decode)) > Edirol R-09 (24bit/48khz) > Nomad Jukebox 3 > WAV > FLAC
Taper Notes:
View NotesKnown flaws: - Crowd noise before and first 35 seconds of Cassidy missing right channel, this was monized by pasting in the left. - Tape flip just before the end of the Eyes jam going into drums. I left a small gap so it can be identified easily by anyone wanting to do a patch. Many thanks to Tim Alexander for lending me his master cassettes!