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Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1987
9/19/87
01 Mississippi Half-Step Uptown Toodeloo
7:47
02 It's All Over Now
10:48
03 High Time
9:33
04 Mexicali Blues
4:37
05 Big River
6:20
06 When Push Comes To Shove
5:43
07 Box Of Rain
5:03
08 Don't Ease Me In
3:45
09 Tuning
3:06
10 Crazy Fingers
8:15
11 Uncle John's Band
8:56
12 Playing In The Band
15:39
13 Drums
8:56
14 Space
4:02
16 Maggie's Farm
6:57
17 Black Peter
8:46
18 Around And Around
3:48
19 Turn On Your Lovelight
5:57
21 Black Muddy River
6:52
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:14:50
SBD
Rating:
2.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1987-09-19.137413.sbd.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Maggie's Farm was broadcast on TV for Farm Aid -- Two sets of masters were used to make show complete -- Thanks to Joe B. Jones for his help with the pitch correction **This fileset is 16bit @ 44.1** 137405 24bit > 16bit with r8brain
Transferrer: Charlie Miller
2:19:44
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-09-19.137405.sbd.miller.flac24
Source:
SBD > Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Maggie's Farm was broadcast on TV for Farm Aid -- Two sets of masters were used to make show complete -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Kevin Tobin
2:17:02
SBD
Rating:
2.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1987-09-19.134126.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1</b>; MixSBD (shnid=76469) Most likely SBD>PCM>DAT>CD>EAC>FLAC; Original CDs provided by Jay Serafin in 2000 + AUD (shn id 90485) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 02-SEP-2015 - Trader Little Helper - Tagged 02-SEP-2015 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -2db Right Channel SBD -2db Center Mixed to mono -2db SBD Surround Left Channel -1db AUD Right Channel -1db AUD Sub/LFE Mixed to mono -2db SBD --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:17:02
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1987-09-19.134125.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=76469) Most likely SBD>PCM>DAT>CD>EAC>FLAC; Original CDs provided by Jay Serafin in 2000 + AUD (shn id 90485) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix(48%-SBD/52%-AUD) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 02-SEP-2015 - Trader Little Helper - Tagged 02-SEP-2015 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -2 AUD -1 SET TWO Stereo Matrix SBD -2 AUD -1 --------------------------------------------------------- Brokedown House Production
Transferrer: Roger Eichorn
2:14:35
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Roger Eichorn
SHNID:
gd1987-09-19.126346.mtx-redo.eichorn.sbeok.t-flac16
Source:
Another Matrix from Source 1: SBD (shnid=76469) SBD>CD>EAC>FLAC; Source 2 (Set 1): AUD (shnid=91977) Taper(s): David Barfield and or David Lane; Source: (OTS) Nakamichi cm 300/cp4->Sony D-5M(Dolby B)->Maxell mx90 x 2; ransfer: MAC->Nakamichi MR-1->Korg MR-1000 (1 bit/ 5.6 Mhz)->Audio Gate->16/44 wav->flac; and Source 2 (Set 2): AUD (shnid=116065) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged
Taper Notes:
View Notes----------------------------------------- I released a version of this matrix on December 6, 2013. I'm re-releasing it now. Why? Obviously, because I think this release represents a serious improvement over the first. Unlike in the cases of my other re-releases, however, this time I have no good excuse: I simply screwed up the first one. I apologize for inflicting it on the trading community: it's a mess. I was experimenting with new plug-ins, and things got wildly out of hand. I have instituted new quality-control mechanisms to ensure that such botched jobs don't make it into circulation in the future. FRESH LEGS, VOL. 8 (Matrix) www.facebook.com/freshdeadlegs/ General Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts. - A night of missed cues and half-starts! Jerry tries to jump straight from "Mississippi Half-Step" to "High Time"; Bobby tries to start up "The Other One" after "Maggie's Farm," and then he tries to segue back into "Playin' in the Band" after "Black Peter." Source Notes: - Q: Why do the two sets use different audience sources? A: I initially decided to use the Watson source, which I think has a nice full sound to it. I did all the prep work for the first set before discovering that the second set of the source has speed-and-pitch problems that make is less desirable than the Gidley source, which I nearly decided to use in the first place. Rather than scrapping all the work I'd done on the first set, I decided to keep it and just toss in the Gidley source for the second set. I did what I could to make the sound uniform across the sets; I think the results are pretty good. - I used some crowd-noise from the Gidley AUD in the first set, to fill in some blanks. - I only retain between-song crowd-noise from AUD sources. This means that some 'dead air' was cut from the SBD and some fades were added. - Unfortunately, the SBD is riddled with problems. (1) It repeats a second or so of "High Time," which I cut. (2) There's a hum and hiss throughout, which I couldn't get rid of. It's only really noticeable between songs and on headphones, so don't worry about it too much. (3) There are various anomalies, some of which I couldn't fix. ("Box of Rain" is particularly afflicted.) I did what I could to make them as unobtrusive as possible. (4) I evened-out the levels in the second set. (5) The mix leaves something to be desired in places: Brent is too loud during "Big River"; Bobby's vocals are too loud during "Playin'"; Bobby's guitar is too loud at various places; et al. Obviously, there was little I could do about any of this. Technical Notes: - The sources were remastered and mixed in Logic Pro 9. Clean-up was done using iZotope RX 3 Advanced. SBE's were fixed using Trader's Little Helper. - I speed- and pitch-corrected the SBD using the iZotope Radius algorithm. Fine-tune syncing was done in Logic Pro 9. - I ran the SBD and the Watson AUD through iZotope RX 3's Declip function. - I converted the Gidley source from 24/48 to 16/44.1 using iZotope RX 3. Roger Eichorn www.facebook.com/freshdeadlegs/ December 16, 2013
Transferrer: Roger Eichorn
2:14:36
SBD
Rating:
2.00 / 1 rating
Transferrer:
Roger Eichorn
SHNID:
gd1987-09-19.126284.mtx.eichorn.sbeok.t-flac16
Source:
Matrix from Source 1: SBD (shnid=76469) SBD>CD>EAC>FLAC; Source 2 (Set 1): AUD (shnid=91977) Taper(s): David Barfield and/or David Lane Source: (OTS) Nakamichi cm 300/cp4->Sony D-5M(Dolby B)->Maxell mx90 x 2;
Lineage:
MAC->Nakamichi MR-1->Korg MR-1000 (1 bit/ 5.6 Mhz)->Audio Gate->16/44 wav->flac; and Source 2 (Set 2): AUD (shnid=116065) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged; Transfer by Andrew F.
Taper Notes:
View NotesGeneral Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts. - A night of missed cues and half-starts! Jerry tries to jump straight from "Mississippi Half-Step" to "High Time"; Bobby tries to start up "The Other One" after "Maggie's Farm," and then he tries to segue back into "Playin' in the Band" after "Black Peter." Source Notes: - Q: Why do the two sets use different audience sources? A: I initially decided to use the Watson source, which I think has a nice full sound to it. I did all the prep work for the first set before discovering that the second set of the source has speed-and-pitch problems that make is less desirable than the Gidley source, which I nearly decided to use in the first place. Rather than scrapping all the work I'd done on the first set, I decided to keep it and just toss in the Gidley source for the second set. I did what I could to make the sound uniform across the sets; I think the results are pretty good. - I used some crowd-noise from the Gidley AUD in the first set, to fill in some blanks. - I only retain between-song crowd-noise from AUD sources. This means that some 'dead air' was cut from the SBD and some fades were added. - Unfortunately, the SBD is riddled with problems. (1) It repeats a second or so of "High Time," which I cut. (2) There's a hum and hiss throughout, which I couldn't get rid of. It's only really noticeable between songs and on headphones, so don't worry about it too much. (3) There are various anomalies, some of which I couldn't fix. ("Box of Rain" is particularly afflicted.) I did what I could to make them as unobtrusive as possible. (4) I evened-out the levels in the second set. (5) The mix leaves something to be desired in places: Brent is too loud during "Big River"; Bobby's vocals are too loud during "Playin'"; Bobby's guitar is too loud at various places; et al. Obviously, there was little I could do about any of this. Technical Notes: - The sources were remastered and mixed in Logic Pro 9. Clean-up was done using iZotope RX 3 Advanced. SBE's were fixed using Trader's Little Helper. - I speed- and pitch-corrected the SBD using the iZotope Radius algorithm. Fine-tune syncing was done in Logic Pro 9. - I ran the SBD and the Watson AUD through iZotope RX 3's Declip function. - I converted the Gidley source from 24/48 to 16/44.1 using iZotope RX 3. Roger Eichorn www.facebook.com/freshdeadlegs/ December 6, 2013
Transferrer: Painoman and Jay Serafin
2:16:49
SBD
Rating:
7.33 / 4 ratings
Transferrer:
Painoman and Jay Serafin
SHNID:
gd1987-09-19.sbd.painoman.76469.sbeok.flac16
Source:
SBD>TAMH*>CD>EAC>FLAC (Most likely SBD>PCM>DAT>CD>EAC>FLAC)
Taper Notes:
View NotesAudio anomalies may exist. Disc 2 requires an overburn of 2:27.12. (Yes, it CAN be done!) Tools: Dell Inspiron 8200 (Hardware) Windows XP Professional Version 2002 Service Pack 2 (OS) Exact Audio Copy V0.95 Beta 3 (Secure Mode Extraction) SHNTool 2.03 (Sector Boundary Verification) FLAC frontend 1.7.1 Etree Edition (FLAC Compression) md5summer v1.1.0.24 (MD5 Generation) ---------- PainoMan - April - August 2006 Yokosuka, Japan Colorado Springs, CO Original CDs provided by Jay Serafin in 2000. Thanks Jay. *Then A Miracle Happened
Source 8 of 23
2:11:16
SBD
Rating:
8.96 / 25 ratings
SHNID:
gd87-09-19.sbd.mccarthy.396.sbeok.shnf
Source:
Soundboard
Taper Notes:
View NotesSBD; via Bill Frank, Alan McCarthy
Taper: Doug Lamarre
2:14:48
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-09-19.176816.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to M. Laurentis for the AT835B source which supplies a 0:17 patch in "Space" - "Maggie's Farm" broadcast on Farm Aid - Pitch corrected Mastered by Scott Clugston December 2024
Taper: Michael Hessberg
1:26:15
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-09-19.154312.set2.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the Nakamichi 300 source which supplies a 0:24 patch in "Space" - Pitch corrected Mastered by Scott Clugston November 2020
Taper: Michael Hessberg
1:26:15
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-09-19.154311.set2.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the Nakamichi 300 source which supplies a 0:24 patch in "Space" - Pitch corrected Mastered by Scott Clugston November 2020
Taper: Oade Brothers
1:28:10
Taper:
Oade Brothers
Transferrer:
Scott Clugston and Charlie Miller and Blake Jacobs
SHNID:
gd1987-09-19.142211.set2.schoeps.cmc4.mk41.oade.jacobs.miller.clugston.flac1644
Source:
Set 2 Source Info: Oade's Master Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to the Oade brothers and crew for their master recording(s), as well as the transfer to hard disk - Thanks to Blake Jacobs for the hard disk - Thanks to Charlie Miller for coordinating this effort - Another fine Oade capture Mastered by Scott Clugston June 10, 2018
Source 13 of 23
2:14:48
SHNID:
gd1987-09-19.176815.senn441.lamarre.miller.clugston.flac1648
Taper: bltz
2:14:04
Rating:
8.00 / 1 rating
Taper:
bltz
Transferrer:
bltz
SHNID:
gd1987-09-19.134925.bltz.flac2496
Source:
Source: Nakamichi CM-300s/2-Mic CP-4 super-directional shotgun capsule -> Sony Walkman Pro/TDK MA-90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
Taper Notes:
View Notes* Live FarmAid broadcast: "If you've been watching TV today, then nobody has to tell you how bad it is for farmers. You could do something: Give your money or support. Call 1-800-FARM AID." 1st without Dylan. Notes: Maggie's Farm on FarmAid Broadcast. Highly praised show. High energy typical of Madison Square Garden Shows. Lots of great audience action, esp. during the second set, which sounds better (maybe some deck tape-type setting issue?) like the clapping at 12:40 in Uncle John's, and the audience perhaps even driving them faster at 17:19. Perhaps a "best of" High Time, very precise, in general excellent low-end, praise for Jerry's Black Peter solo. Playing Jam: "This may be the most fluid jam emanating from a song's construct so far in 1987." -- jboyaquar, archive.org. Maggie's Farm! Live FarmAid broadcast made timing a bit odd but who cares. "If you've been watching TV today, then nobody has to tell you how bad it is for farmers. You could do something: Give your money or support. Call 1-800-FARM AID." - Bob
Transferrer: Kevin Tobin
2:17:02
Transferrer:
Kevin Tobin
SHNID:
gd1987-09-19.134124.upg-aud.tobin.flac16
Source:
(original shnid = 90485) Master Audience taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 02-SEP-2015 - Trader Little Helper - Tagged 02-SEP-2015 - Tag&Rename --------------------------------------------------------- Only minor patching - 1st set had some additional dead air before When Push Comes to Shove to match soundboard tracks. 2nd set had 1 minutes and 05 seconds added during the end of Drums and 55 seconds before Black Muddy River. Speedwise the audience was kind-of fast compared to other recordings (also checked against circulating video) - about .75 seconds per minute. Brokedown House Production
Taper: Steve Hill
2:15:26
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1987-09-19.Beyers.Hill.Keo.131609.Flac2496
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show. Some tape pauses between songs for the first set, set 2 levels start out a little low. All and All another excellent share from the Hill collection of Masters!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!
Taper: Steve Hill
2:15:25
Rating:
8.00 / 1 rating
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1987-09-19.Beyers.Hill.Keo.131608.Flac1644
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show. Some tape pauses between songs for the first set, set 2 levels start out a little low. All and All another excellent share from the Hill collection of Masters!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!
Taper: M.Laurentus
2:17:54
Taper:
M.Laurentus
Transferrer:
M.Laurentus
SHNID:
gd1987-09-19.125736.AT835.flac16
Source:
Taper: M. Laurentus; Taper Section: Section H, Row 30, Seat 1; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
Taper: Ted Gidley
2:15:19
Rating:
8.00 / 1 rating
Taper:
Ted Gidley
Transferrer:
AndrewF
SHNID:
gd1987-09-19.nak300.gidley.116065.flac2448
Source:
OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011
Taper Notes:
View NotesNote: ID-90485 patch covers tape flip, Space 3:34 > 3:44.
Taper: Jon Pasternak
2:15:26
Rating:
10.00 / 1 rating
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak and Dave Mallick
SHNID:
gd1987-09-19.nak300.pasternak.mallick.105569.flac16
Source:
Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m),
Lineage:
Nak DR-2>Tascam CDRW2000>CD; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors
Source 21 of 23
2:15:32
SHNID:
gd1987-09-19.091977
Taper: Joe D'Amico
2:13:37
Rating:
8.00 / 1 rating
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1987-09-19.nak300.damico.90485.sbeok.flac16
Source:
nak 300 mics w/ cp4 shotguns > sony d-5 D
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D
Taper: Tony Suraci
2:10:37
Rating:
6.50 / 4 ratings
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1987-09-19.nakcm304.suraci.82419.flac16
Source:
Nak CM304's>Sony D5M
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View NotesNotes: This is the 16Bit version. 24 Bit is archived on DVDA